A film about and with Max Ernst.
Self
A film about and with Max Ernst.
1971-04-04
0
Documentary examining the 2014 shooting of 17-year-old Laquan McDonald by Chicago police officer Jason Van Dyke and the cover-up that ensued.
World-renowned Drag Queen Miz Cracker helps a Texas family that’s experiencing strange occurrences after renovating their 1892 home. As a lover of the paranormal, can Miz Cracker solve their ghost problem and help them coexist peacefully with the spirits?
Takeda is a film about the universality of the human being seen thru the eyes of a Japanese painter that has adopted the Mexican culture.
A glittery nightclub in 1920s Berlin becomes a haven for the queer community in this documentary exploring the freedoms lost amid Hitler’s rise to power.
May the Lord Watch follows the rise, breakup, and reunion of Little Brother, detailing the vast impact of the preeminent 2000’s rap group.
In this interview, shot by the Criterion Collection in 2018, Ron Briley, author of 'The Ambivalent Legacy of Elia Kazan: The Politics of the Post-HUAC Films', discusses the origins of the Lonesome Rhodes character in the biographies of populist celebrities such as Will Rogers and Arthur Godfrey. He also addresses the political implications of 'A Face in the Crowd' (1957) within the context of Kazan's career.
Follows the behind-the-scenes work of Studio Ghibli, focusing on the notable figures Hayao Miyazaki, Isao Takahata, and Toshio Suzuki.
This short film reveals the inspiration, motivation and political challenges at San Francisco City Hall during the frantic days leading up to the first government-sanctioned same-sex marriage.
On 1 January 2021, the UK's transition period with the EU ended and new rules and regulations were agreed at the last minute. This is a time for reflection on the social phenomenon that is Brexit - which has now become a British trademark world-over, alongside the Royal Family, fish and chips and Sherlock Holmes. Brexit Through The Non-Political Glass puts politicians and public sentiments to one side, and seeks the opinions of non-partisan world-class experts - the scholars and professional advisors who specialize in this very topic; no politicians and propagandists, and no social media and populism; among the experts is Vernon Bogdanor, the Oxford tutor of former British prime minister David Cameron, who was consulted before the referendum was offered to the nation; you will hear what his advice was.
'A Face in the Crowd' was Andy Griffith's first film role; he would go on to be most famous for his folksy portrayal of Sheriff Andy Taylor on television's The Andy Griffith Show. In this interview, filmed by the Criterion Collection in 2018, Griffith expert Evan Dalton Smith discusses the actor's difficulties with the role of Lonesome Rhodes and how it led to his career-defining television show.
In this 2018 Criterion Collection program, screenwriter Jay Cocks and film critic Farran Smith Nehme discuss the adaptation for the film version of 'The Heiress' (1949) of the 1947 play by Ruth and Augustus Goetz, which was itself inspired by the 1880 Henry James novel 'Washington Square'.
From abject poverty to becoming a ten-time boxing world champion, congressman, and international icon, Manny Pacquiao is the true definition of a Cinderella story. In the Philippines, he first entered the ring as a sixteen-year-old weighing ninety-eight pounds with the goal of earning money to feed his family. Now, almost twenty years later, when he fights, the country of 100 million people comes to a complete standstill to watch. Regarded for his ability to bring people together, Pacquiao entered the political arena in 2010. As history’s first boxing congressman, Pacquiao now fights for his people both inside and outside of the ring. Now at the height of his career, he is faced with maneuvering an unscrupulous sport while maintaining his political duties. The question now is, what bridge is too far for Manny Pacquiao to cross?
St. Louis florist Darien Burress launches her small business while preparing to compete at Art in Bloom, the St. Louis Art Museum's annual festival celebrating floral design and the fine arts.
For this work Alÿs purchased a gun in Mexico City then walked through the city streets with the weapon in his hand. After eleven minutes he was arrested by the police. The following day he repeated the action, this time in cooperation with the police. By presenting a record of this dramatic action alongside footage of its reenactment, Alÿs blurs the boundaries between documentation and fiction. Questioning the concept of authenticity, this work demonstrates “how media can distort and dramatize the immediate reality of a moment,” the artist has said. Gallery label from Francis Alÿs: A Story of Deception, May 8–August 1, 2011.
Using restored, colorized archives and testimonies from all the players in this conflict, this documentary covers the hundred days of apocalyptic fighting that wrote History. June 1944, the Allies landed in Normandy. This odyssey was meticulously prepared for months. The construction of two artificial ports, the transport of Anglo-American troops, their training cost colossal efforts, and caused many cold sweats: the secret of D-Day almost came to light several times. The documentary reveals the inner workings of Operation Overlord, it also deciphers the military operations, and evokes the choices of the high command. Placed at human level, it retraces the fate of Norman civilians subjected to deadly bombings, the attitude of the Allied soldiers and their German adversaries, as well as the aspirations of the French population, torn between fear and hope.
Follow the extraordinary journey of George Steeves, a queer man, as he promotes and performs his educational and entertaining one-person show about growing up with Aspergers, inspiring audiences around the world, especially families with children diagnosed with autism spectrum disorder.
A documentary about the Bread and Puppet Theater made from over 200 hours of footage shot at the Bread and Puppet Domestic Resurrection Circus from 1990-1998. Neither a straight documentary nor an “educational” rendition of theater history, Ah! is more like a Bread and Puppet film, one that captures the spirit and essence of this influential theater group.