A family with five children flees the war raging in their home village on the Russian border. They end up in Mshanets, a farming village on the other side of the country, remote and unknown. Here the family starts building a new home. At the same time, two documentary makers come to the village, looking for a story. In the Lymar family they find the ideal characters for their film. But one day, when the renovation of their house is almost finished, the family disappears. The filmmakers go in search of their characters and along the way they try to find an answer to the question: what does a person need to feel at home?
A family with five children flees the war raging in their home village on the Russian border. They end up in Mshanets, a farming village on the other side of the country, remote and unknown. Here the family starts building a new home. At the same time, two documentary makers come to the village, looking for a story. In the Lymar family they find the ideal characters for their film. But one day, when the renovation of their house is almost finished, the family disappears. The filmmakers go in search of their characters and along the way they try to find an answer to the question: what does a person need to feel at home?
2024-03-30
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The early 70s is a golden epoch of our popular music. Hundreds of songs of exquisite beauty. Groundbreaking sound. Futuristic suits. How and whence could all of this emerge in a Soviet socialist republic? How did a brand new music scene, original in sound and philosophy in every way, and at the same time absolutely in sync with global music trends come forth? They weren't that fond of the Soviet label «VIA». And since neither of us is fond of this acronym, let us rechristen this music.
Eighteen-year-old Shahnura is about to graduate from high school. Her mother spends hours at the dining table while Shahnura is at school, wondering if her mother, sister, and brother are still alive. Living in Germany without a passport or nationality, she listens to the harrowing stories of her mother and two friends who have experienced imprisonment and re-education camps in China. These accounts reveal the suffering, human rights abuses, forced adoptions, and the grim reality of the camps where the predominantly Muslim Turkic Uyghurs are tortured and mistreated.
A U.S. Marine plots a terrorist attack on a small-town American mosque, but his plan takes an unexpected turn when he comes face to face with the people he sets out to kill.
It’s the last dictatorship of Europe, caught in a Soviet time-warp, where the secret police is still called the KGB and the president rules by fear. Disappearances, political assassinations, waves of repression and mass arrests are all regular occurances. But while half of Belarus moves closer to Russia, the other half is trying to resist…
A boots-on-the-ground documentary following animal rescue and humanitarian aid during the Ukraine War. Edited together with various news coverage of the conflict, the story unveils a portrait of war's most insidious weapon: dehumanization. This film was made entirely non-profit by independent journalists and activists.
Since the full-scale invasion of Ukraine, many in Russia's DIY punk scene fled to Tbilisi, Georgia. Mobilization only exacerbated that trend. This documentary follows the stories of some of those punks but also explores the complicated socio-economic effects they have on the city. The film is about the potential for punk and other similar subcultures to make connections even across otherwise tense political borders.
Are the absolute power and weakness of the state tempting enough to initiate authoritarian rule? This documentary shows Zelensky's success and also presents the consequences, including international ones, of giving power to a man who had the most spectacular political career in Europe.
The rise of the comedian, actor and entertainer who became the improbable wartime leader. Exploring the man behind the series of game changing social media and TV appearances which have encapsulated the defiant response of a nation.
It is a daring idea: to grow food from old mattresses in a desolate camp at the edge of a war zone. When a refugee scientist meets two quirky professors, they must confront their own catastrophes - and make a garden grow. Short film now streaming on Waterbear.com.
Conservative Rabbi Marc Soloway invites us on his personal journey to modern day Ukraine to visit the graves of the Hasidic Masters as he tries to establish a connection with the famous names that have so long occupied a place in his imagination.
The Russian invasion of Ukraine created an avalanche of abandoned dogs and cats that are now multiplying causing unforeseen consequences.
Ivan Dziuba - literary critic, public figure, academician of the National Academy of Science of Ukraine - belongs to the "sixties". He fully takes care of all the miscalculations and unfulfilled promises of his generation. Reflects on why the illusions were lost and why so few dreams came true ... Let's see and listen to him with his wife Martha, a Lviv woman who was his guardian angel. Together - all life. Exactly as they are, the right is the definition - the conscience of the nation.
On Our Doorstep delves deep into an aspect of the refugee crisis that rarely reached the press. With NGOs being blocked by red tape and the absence of any positive action by French or British authorities, the film is a behind-the-scenes look at the unprecedented grassroots movement that rose to aid the refugees in Calais, and the community that sprang up there, before it was forcefully demolished. This is the story of what happens when young and inexperienced citizens are forced to devise systems and structures to support 10,000 refugees; and are left unguided to face the moral and emotional conflicts, blurred lines and frequent grey areas of giving aid to vulnerable people. People who do not want to be there. It questions whether the aims of the volunteers were met, and whether these aims ultimately served the refugees' needs.
Tells the story of the tragic events in Ukraine in 1932-33, the genocidal Great Famine or the Holodomor, and one Welshman's attempts to tell the world what was happening.
In 2022, Mantas Kvedaravičius went back to Ukraine, Mariupol, at the heart of the war, to be with the people he had met and filmed in 2015. Following his death, his producers and collaborators have put all their strength into continuing transmitting his work, his vision and his films. Also a PhD in anthropology, Mantas Kvedaravičius wished to testify as a filmmaker as far as possible from the agitation of the media and the politicians. With huge force and sensitivity, Mariupolis 2 depicts life as it continues amidst the bombing and reveals images that convey both tragedy and hope.
Courage, love and loss. Young people risk their lives with self-funded missions to rescue families in Ukraine’s frontline towns. Told through their own words and unique first-person footage.