With a history of intrigue, romance, opera, festivals, old world grandeur, Austrians blend tradition and culture to live life at its best. What other countries say with words, Austrians say with the music of Mozart, Strauss and Schubert. This video tours a land of spectacular beauty, sounds of music, tastes of strudel and Sachertorte, touches of history and the pleasant smell of a winter's fire after a day in the Alps.
Narrator (voice)
With a history of intrigue, romance, opera, festivals, old world grandeur, Austrians blend tradition and culture to live life at its best. What other countries say with words, Austrians say with the music of Mozart, Strauss and Schubert. This video tours a land of spectacular beauty, sounds of music, tastes of strudel and Sachertorte, touches of history and the pleasant smell of a winter's fire after a day in the Alps.
1988-01-01
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A Zen priest in San Francisco and cookbook author use Zen Buddhism and cooking to relate to everyday life.
How Germany was when its people entered the nightmare of World War II? Despair and fear lead a hungry population to follow the chilling call of just one man to world domination. A real-life horror story, an ominous tale of violence and deception, which takes place from 1919 to 1934. (Entirely made up of restored, colorized archival footage.)
The Habsburg Dynasty had ruled large parts of Europe and the world for 650 years. During World War I, however, the mighty Austro-Hungarian Empire sowed the seeds of its own demise. At the height of World War I, the world of the Habsburgs was on the brink of collapse. Almost exactly 100 years ago to the day, in April 1918, the most sensitive diplomatic mission of the First World War became a Europe-wide scandal: the so-called "Sixtus Affair". Secret negotiations between the Austrian imperial family and France were supposed to bring peace to the Danube monarchy – and their failure caused the war to escalate and the Habsburgs to fall.
FRANKREICH WIR KOMMEN is a highly enjoyable documentary, obviously intended for TV, but showing at film festivals. It shows us the highlights of the 1998 World Cup Championships in France through the eyes of several interesting and diverse fans of the Austrian national team. Entertaining, even for those not interested in football.
In the sixties, Peter Handke was one of the first to show how the business works: the writer as angry young man and pop star of the literary scene. As soon as he was on the bestseller lists, he turned his back on the hype. For many years, he has lived and worked in his house in a Parisian suburb, more quietly and more hospitably. Peter Handke's precise, free gaze becomes perceptible in his texts, his conversations, the cosmos of his notebooks.
In the small town of Rechnitz a terrible crime against humanity was performed during the holocaust. Until now, no-one dares to talk about it.
"The Road to War" uses elaborate and fascinating computer-generated recreations and archives never seen before to examine how the assassination of Archduke Franz Ferdinand in 1914 was used by the Austro-Hungarian Empire to start a war against Serbia. The film investigates how this regional conflict involving the Central Powers and the Triple Entente escalated to become "World War I", a war with more than 17 million dead and More than 20 million injured.
"Politics for Austria," "Fairness," "We provide security"-election slogans that promise a return to bygone morals, adorn the city of Vienna before the Austrian national parliamentary elections in 2017. The mistrust with regard to supposed political elites, coupled with promises made by the right wing populist parties, polarize Austrian society. INLAND offers intimate insight into the lives of its protagonists and thereby draws a genre picture of their fears and hopes in complex times.
Presenter Holly Hamilton tells the feelgood story of the Glentoran team who left Belfast on a European football adventure just before the First World War to win the Vienna Cup, the first ever European Cup.
"Austria - First Victim of National Socialism" - this is the core theme of the self-image of the country that first welcomed Hitler with waving flags and arms stretched to the sky: Nation, People and Race - Sieg Heil! Monuments, commemorative events and in between the helplessness of dull remembrance. What to do with the lie, where to put the pain, and why again? The war of narratives begins with the liberation of the concentration camps, with the piles of corpses - and it continues to this day. A final journey with those who were there. Which story do we tell ourselves, and which do we want to hear?
A Kellergasse – the cellar lane – is one of the distinguishing cultural and physical features of the winegrowing region Niederösterreich – Lower Austria. There are more than a thousand of them. Until recently, wine was not only stored in the Kellergasse, but pressed and fermented there as well. Today, the Kellergassen have less to do with occupation and more with recreation. A documentary by Georg Riha follows a year in the life of this valuable cultural legacy.
This documentary visits cities and towns and captures stunning landscapes along Europe's majestic Danube at Christmastime. Locations covered include Passau, Germany; Salzburg, Oberndorf, the Wachau Valley, and Vienna in Austria; Bratislava, Slovakia; and Budapest, Hungary. Along the way the viewer learns relevant history.
Documentary about three female footballers from the Austrian football club FC Blau Weiß Linz - Union Kleinmünchen. The film portrays the athletes and their fight for recognition and equality in male-dominated football.
A staged TV portrait of the Austrian cartoonist Gerhard Haderer; and first collaboration with Maria Hofstätter.
How a group of young men managed to take over the government and lead it to the brink of democracy. What drove the “Praetorians” and why almost the entire country was at their feet. Why the European public marveled and admired this.
Taking the demise of a textile factory in Austria’s Waldviertel region as its starting point, with the antiquated manufacturing plant initially shown in full operation, this film poses the question of what work means for people’s self-image and character. After the factory goes bankrupt and closes, the filmmaker accompanies some of its employees as they continue to make their way, questioning them about their daily routines, the circumstances in which they live, about looking for work or the new jobs they find. One woman’s situation is precarious, but that doesn’t prevent her from bringing up her grandchildren. Another woman works here and there, flexible and resourceful. One man blossoms visibly in his newly unemployed state. Bit by bit, different aspects of their private lives and personal misfortunes emerge.
September 11, 1898: The imperial family’s personal physician, Dr. Herman Widerhofer, is deeply shocked by the news that an anarchist has assassinated Empress Elisabeth in Geneva. He then shuts himself up in his private rooms and recalls the empress’ fateful life. We learn the truth about Elisabeth, as the doctor knew more about her than anyone else.
Johanna Dohnal, whose political career spans three decades, was one of the very first explicitly feminist politicians in Europe. As a member of the Austrian socialist government and the first Austrian minister for Women’s Affairs from 1990 to 1994, Dohnal was responsible for founding Austria’s first women’s refuge as well as criminalizing of marital rape. Yet her legacy remains yet to be discovered and re-examined. DIE DOHNAL makes a first step, and it makes Dohnal come alive.