L'écolo qui défie la mafia de Mexico(2015)

Nisei (Second-generation)(es)

Follows Iwao Ichikawa, a second-generation Japanese Mexican, navigating racial segregation in Mexicali, Baja California during WWII, offering a poignant exploration of identity and belonging amidst adversity.

Gol Gana(es)

Oaxaca - Zwischen Rebellion und Utopie(en)

See You in the Obituary(sr)

Made in the form of an extended news report and narrated by journalist Dina Čolić-Anđelković, the film presents a snapshot of the chaotic Belgrade criminal underworld in the early 1990s which sprung up against the backdrop of Yugoslav wars. The film is composed of fragments from interviews with individuals directly involved with criminal activities either through perpetrating them or through trying to stop them.

Mob Stories(en)

They're the real 'goodfellas': 'Joe Dogs' Iannuzzi, Tommy DelGiorno, 'Big Dom' Lofaro. For the first time on television, Mafia turncoats give personal accounts of life inside the Mob. In this shocking documentary, five high-ranking informants tell tales of murder, brutality, greed and vanity--and why they broke the Sicilian code of honor. The first generation of the American Mafia stood on the foundation of loyalty and a code of silence. The second and third generations traded their Sicilian traditions for government protection and instant personal gain. MOB STORIES presents five chilling narratives from five members of the underworld, most of whom are overwhelmed with fear and paranoia with the exception of “Fat Jackie”, a loyal lifelong mobster. Father and son team, Alan and Marc Levin, direct and produce an honest and personal portrayal of the demise of the Mafia.

Centinelas del Silencio(en)

Sentinels of Silence is a 1971 short documentary film on ancient Mexican civilizations. The film was directed and written by Mexican filmmaker Robert Amram, and is notable for being the first and only short film to win two Academy Awards.

Confronting the Cartels(en)

Tens of thousands of Mexicans have been killed in drug-related gang violence in the past ten years. Ruthless criminals control the illegal trade with the US, thought to be worth $13bn a year. Now one of Mexico's leading politicians, known as El Bronco, the Governor of the State of Nuevo Leon claims he can beat the country's infamous cartels. For Our World Yalda Hakim has been to spend time with him.

Thunder Over Mexico(en)

As was common in Diaz's Mexico, a young hacienda worker finds his betrothed imprisoned and his life threatened by his master for confronting a hacienda guest for raping the girl. This film is the first of several attempts to make a feature-length motion picture out of the 200,000-plus feet of film shot by Sergei Eisenstein, on photographic expedition in Mexico during 1931-32 for Upton Sinclair and a cadre of private American producer-investors. Silent with music and English intertitles.

My Life Inside(es)

Rosa is a Mexican woman who, at the age of 17, migrated illegally to Austin, Texas. Some years later, she was jailed under suspicion of murder and then taken to trial. This film demonstrates how the judicial process, the verdict, the separation from her family, and the helplessness of being imprisoned in a foreign country make Rosa’s story an example of the hard life of Mexican migrants in the United States.

Merida and Campeche(en)

This Traveltalk series short visits two of the most important cities on Mexico's Yucatán Peninsula.

Mexican Police on Parade(en)

This Traveltalk series short showcases the Mexico City police department's various units as they participate in a yearly festival. Included are a marching band, a parade of patrol cars, the motorcycle unit, equestrian unit, and the department's pistol team.

American Ocelot(en)

American Ocelot tells the story of one of the most endangered and beautiful wild cats in the United States — a species so elusive that high-quality images and video have never been captured until now. With fewer than 100 individuals remaining in the US, the ocelot is critically endangered, genetically isolated, and only exists in Texas.

The Silence of the Princess(es)

Diana Mariscal reached a moment of fame in the sixties, when at just 18 years of age she was the lead actress of the movie Fando and Lis by Alejandro Jodorowsky. The moment seemed to trigger a promising career, but her public image faded little by little until disappearing. Forty years later the traces of her existence have not been entirely erased.

Old Thieves: The Legend of Artegio(es)

Is the story of a generation of thieves who achieved their greatest victories in the sixties; their distinctive code of ethics, the various categories of delinquents inhabiting the city’s streets, their alliances with high ranking police officials that allowed them to operate, the betrayals that followed, and the price they ended up paying.

The Desert Wagon(es)

A couple of artists travels through the Mexico desert to present their puppet show.

Corazón Oaxaqueño(es)

Ammunition Smuggling on the Mexican Border: Incidents of the Mexican Revolution(en)

Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.

ALTAR: Cruzando Fronteras, Building Bridges(it)

Examines the life, work, and cultural significance of Gloria Anzaldúa, poet and visual artist, and those she inspired in women's Chicano art. The work highlights the struggle for women's and gay rights.

Realm of Darkness - The Elusive Depths of Mexico(fr)

Migrant Mother(en)

Migranta tells the stories of Vicky, Betty and Lety, (three mothers who have come to Canada from Mexico as part of the federal government’s Seasonal Agricultural Worker Program) as they face calculated risks, difficult choices and harsh realities while navigating, work and life in Canada while being separated from families and communities they support.