A series of demoralizing auditions and an intense movement workshop push a struggling actor towards the edge.
In a quiet place, two couples engage in a ritualistic search for enlightenment.
Two friends, Jung Jong-suk and Hwang Kyung-min, meet after several years and talk about their time in school, which left them scarred.
Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.
After the death of their abusive father, two estranged twin brothers must reunite and sell off his property.
When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.
A short film about Pete Seeger and the birth of banjo music throughout the Southern United States.
Two girls with the same name but very different personalities share an apartment in this sequel to Nana. The rising fame of Nana Osaki's band, the Black Stones, is beginning to take a toll on the best friends' relationship. Meanwhile, Nana Komatsu struggles to make sense of her love triangle with Black Stones' guitarist Nobu and rival group Trapnest's bassist Takumi.
Teresa und Patricia are best friends. Despite the big differences between date-experienced Teresa and romantically predisposed single-mother Patricia, they have one thing in common: they have enough of bad dates and are sick of stupid dudes, bad surprises and broken hearts. When Teresa meets the neurotic programmer Anton, who is completely inexperienced in the field of romance, they come up with a genius business idea: together with the womanizer and start-up founder Paul, they develop an app with which potential dates can be categorized. In this manner, users can paint a picture of what they're getting themselves into. However, quite quickly they find out that people can't be easily fit into boxes and that matters of the heart shouldn't be left to an algorithm...
A woman rejects her clingy female lover and pursues a female co-worker. The spurned lover plots revenge and the co-worker has a kinky secret.
Dad catches a ball badly, injuring his finger. His guttural scream instantly hushes the entire sports complex. Sarah is paralysed. She barely recognises him; red faced, clutching his hand and crying. In the sanctuary of the locker changing rooms, Sarah explores and tests theories about what has happened with her Dad. She questions who her father is while struggling to grasp the concept of pain, both inside and out. Having found an apparent conclusion, Sarah returns to an apologetic Dad, and decides to put his promises to the test.music:Annette Focksproducer:Tobias Rosen, Heike Wiehle-Timmproduction:Relevant Film, Warner Bros Entertainment Germanybacking:Deutscher Filmförderfonds (DFFF) (DE), Schleswig-Holstein Film Commission (DE), Filmförderungsanstalt (FFA)(DE)distributor:Warner Bros Entertainment Germany
A lonely man finds himself bedeviled by a malevolent force. But is it real or just all in his mind? (ALTER)
Filmed in Patmos in May 1999, this is Robert Lax’s last year in Greece, roughly his last year of life. For 21 minutes you see only Lax’s head and his right hand, which holds a wooden staff of sorts (a walking stick or ... a broomstick?!). He wears a navy blue knit hat. The only movement is in his eyes, and ever so slight movements of his head. Lax does not look at the camera, his eyes are mostly downcast, but he is awake and aware, watching and waiting, and you are drawn into his profound stillness. All of those who were able to meet Lax during his lifetime consider it a particular stroke of fortune. They say that from that point on he became part of their bodies and souls, as though they had met a true saint. My Eye Your Eye is like being in the presence of holiness. For 20 minutes. Watching and waiting. I've always wanted to know better what Bob Lax was like - how he was. This film does it.
The Minerva docks at a ZAFT base, where they are met by Chairman Durandal. Over a quiet dinner, he talks with Athrun, Shinn and other members of the crew. This conversation leads Shinn to reflect on the past, and the events that brought them to where they are now. But understanding does not bring peace, and after another argument with some of his shipmates, Shinn heads ashore to clear his head. There he meets a beautiful girl, and watches her fall into the ocean. He dives in to rescue her, and in turn then must wait to be rescued. Meanwhile, the Alliance Forces gather, along with their Orb Allies, to launch an attack on ZAFT. The Minerva scrambles and prepares for battle. But unknown to either side, far beneath the waves, another group is going to try to put an end to the fighting.