27 years after 1962, Antoine returns to Algiers...
1989-11-15
10
Like every year in Zitouna, a bear handler passes by. With his creature, he comes to challenge the small community. And like every year, it is Slimane El Mabrouk who defends the honor of the tribe. But this time, he dies, leaving two orphans, Omar and Ourida. Robbed of their inheritance, the children will grow up alone. The years pass, the French army settles in, and with it, the war. Mysteriously, one day, after the murder of a French legionnaire, Omar disappears into the bush, while his sister dies in childbirth. Omar will return to the village, much later, once independence has been acquired, as a representative of power and with this enigmatic formula: "You must know that the Revolution has not forgotten you". Personal revenge? Sincere desire to bring progress and modernity? ... The inhabitants of Zitouna, upset in their ancestral way of life, will not be long in having an answer to their questions.
Over the course of her stay at the remote residence, Ana becomes more and more familiar with Holden’s idiosyncratic methods that require the participating artists to abandon their own identities and live emotionally and psychologically as their characters. Captivated by her artistic investigation, Ana immerses herself wholly into the method and starts living as Violeta, until her fiction loses control.
A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.
This documentary looks at the Danish resistance movement's execution of 400 informers during the Nazi occupation and the ensuing cover-up.
The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times
About the partisan movement during the Great Patriotic War.
Igor Tsaplin wants to be elected for a third term and PR team already familiar to us will help him.
Les Tuche, a modest french family, change his life after winning a super lottery. Thanks to the money of his parents, the son, Donald (aka "coin-coin) goes to Los Angeles to improve his english. On the L.A. University, he meets Jennifer, daughter of a famous American financier.
Experience high speed chases and unbelievable motorcycle mastery. Ghost Rider returns for more incredible high speed antics on the streets and freeways of Stockholm Sweden. With real police chases, crazy stunts, and close calls that make even the most experienced riders flinch. He even rides a snowmobile with no tracks down a snow-less street at high speed. A radical motorcycle video that gets your adrenaline pumping and satisfies your need for speed.If you haven't seen Ghost Rider in action before then make sure you also pick up Ghost Rider - The Final Ride. You will be in awe of the speed and technique of this motorcycle master.
Written, directed, and self-financed by Juleen Compton, The Plastic Dome of Norma Jean is the story of a clairvoyant teenage girl, Norma Jean (Sharon Henesy), taken advantage of by a boy band, fashioned after The Beatles, determined to exploit the young woman's powers as part of a hoax revival.
Humanity's desperate battle to reclaim the Earth from Godzilla continues. The key to defeating the King of the Monsters may be Mechagodzilla, a robotic weapon thought to have been lost nearly 20,000 years ago.
A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.
The film is an adaptation of the play of the same name staged by the theater group Os Satyros. More than 200 characters from the central region of São Paulo, including residents, prostitutes, drug dealers, businessmen, transsexuals, prostitutes, actors and musicians were interviewed. These testimonials were the starting point to build the trajectory of eleven characters that intersect during a night on the town.
A family man returns to his hometown to settle affairs, but discovers he is the last person in town who is not part of a legendary pyramid scheme. And all the others want him in.
Prisoners of Detention Satellite 3 plan an impossible escape.
Sneha (Navya Nair) is a popular actress. Jeevan is a junior artist (Jayasurya) who is attracted to her. One day while shooting, Jeevan kidnaps Sneha and takes her to an unknown location. Sneha's family and her colleagues try to negotiate with Jeevan to get Sneha back, but Jeevan does not want to give Sneha back. After a few days of keeping her as a hostage, Jeevan decides to give her back and surrender. He confesses that he took Sneha as a hostage because he saw her suicide note in her diary. Sneha understands the true love he has for her and saves him from the charges that were awaiting him. Finally the two unites.
Mustapha, a cab driver in Paris, charges a customer in a hurry, without realizing that he is in a hurry to escape his pursuers after robbing a jewelry store. The next day, reading the newspapers, Mustapha becomes aware of the role he has played in this affair, and would gladly assist the police if a fortuitous incident didn't make him fear the criminals' vengeance. It's a cruel dilemma in which he is both suspected by some and threatened by others. Weak but honest, he manages to get out of this predicament at the risk of his life!
Néfissa, a student in Algiers, returns to her village in the south in the summer. Her father wants her to marry the mayor but she wants to continue her studies. Confronting her father and the opinion of the villagers who do not understand her, she decides to flee to Algiers. The shepherd Rabah discovering her wounded and lost in the mountains, has her treated by her mother. In contact with Nefissa, Rabat becomes aware of his exploited condition and discovers the possibilities offered to him by the cooperatives of the agrarian revolution. The two young people will go through the decisive stage together which will allow them to escape obscurantism and exploitation. Based on the novel "Le vent du sud" by Abdelhamid Benahouga
In the 70s, in the Goutte d'or district, three friends of Algerian origin: Poulou, a failed boxer, Amar, the clumsiest of thieves, and Jibé, a public writer for illiterate compatriots whose lives he knows in detail. As he betrays none of their secrets, he enjoys great prestige in the bistros where he works. The three of them lead a casual life, raising money by illicit means. It's only when Poulou and Amar leave that Jibé understands his isolation and marginalization. The images as well as the sounds help to reinforce the feeling that Paris is a city where he is both at home and a terrible stranger.
Social drama about Algerian immigrant workers who came searching for work in France.
On an Algerian beach, kids splash about, sleep, squabble - and then suddenly go to war. And it’s neither Lord of the Flies nor La Guerre des boutons. In her first film, full of grace, Narimane Mari films this childish freefor- all closely, at the irregular pace of an imagination inspired by the highest form of reality, national History — actually, nothing less than the Algerian War of Independence. When their make-believe induces a general upheaval, we follow the flock of children as they stamp their feet up the stairs, invade houses, cross village squares, in a whirlwind of shouts and empty words. Time is stretched like in a dream, through a choreography of belligerent shadows or the night-time explosion of the cemetery, as so many warning signs of dangers to come.
In the midst of the Algerian liberation war, two characters, a meddah (traditional storyteller) and a guerrab (water distributor), having become aware of their subhuman condition in their own country, join the National Liberation Army (ALN) to fight against inhumane colonialism. They will climb the ranks to become political commissioners before falling on the field of honor, the first in a skirmish and the other in Barberousse prison (Serkadji) where he will be guillotined.
On November 1, 1954, near Ghassira, a small village lost in the Aurès, a couple of French teachers and an Algerian boss were the first civilian victims of a seven-year war which would lead to the independence of Algeria. More than fifty years later, Malek Bensmaïl returns to this Chaoui village, which has become “the cradle of the Algerian revolution”, to film, throughout the seasons, its inhabitants, its school and its children.
Set amidst the civil war of Algeria in the 1990s, Enough! is the story of two women. Emel is a Westerner whose husband, a journalist, is missing - perhaps kidnapped or even killed for articles he's written.
The film revolves around the life of the martyr Mustapha Ben Bouleid (1917-1956), who was a member of the Algerian National Movement, who worked with his comrades to explain the idea of the armed revolution in which he led in Aures region in 1954. The film depicts how Ben Bouleid traveled to a number of Arab countries Disguised to bring arms to Algeria for the revolution and how the French colonial forces arrested him in the Tunisian-Libyan border, and from there to Algeria to be sentenced to death.
In 1960, nine-year-old Bachir dreamed of becoming the son of a martyr because he had heard that the children of martyrs would obtain everything after independence. He sets up a whole plan to get rid of a certain François, enemy of his country, while his father, Saddek, abandoned him with his mother and brothers. Through this fiction, the film looks at the life and visions of little Algerians during the War of National Liberation. Karim Traïdia looks back on his own childhood during the Algerian war (1945-1962). On a humorous note, it tells the adventures of a young child and his innocent friends against the backdrop of a raging merciless war.
Selim Mechoubine, a young man of 28, is the eldest of a large family. In the cramped accommodation he shares with his parents, brothers and sisters... he occupies the kitchen, the refuge of his dreams and his many fantasies. Selim, the court clerk where divorcing couples parade..., wants to get married. His mother finds him “the rare pearl”. But now, the bride's family demands that the couple have their own home... Selim's misadventure begins; he finds himself confronted with the problems of the housing crisis which forces him to begin a long quest, procedures, requests to find the sine qua non condition for his marriage.
El Ouelf Essaïb (الولف صعيب) is a comedy written and directed by Mohamed Hilmi, released in 1990. An Algerian music composer and his friends live a thrilling story, full of twists and turns.
An ensemble piece set in a North African neighbourhood in Toulon.
In 1895, young journalist Albertine Auclair arrives in the Kabylie during a family visit. The beauty of the region seduces her but she soon learns of the struggles of the native Algerians. She hears in particular about Arezki El Bachir, who was recently sentenced to death by the colonial justice system, and decides to find out more about this extraordinary man.
Tracing the struggle of the Algerian Front de Liberation Nationale to gain freedom from French colonial rule as seen through the eyes of Ali from his start as a petty thief to his rise to prominence in the organisation and capture by the French in 1957. The film traces the rebels' struggle and the increasingly extreme measures taken by the French government to quell the revolt.
"Yasmina" filmed in 1961 in the middle of the Algerian war tells the story of a little Algerian girl with her hen and her family whose father was killed in a bombing by the French colonial army of occupation. The family, after a long journey, heads towards the refugee camps on the Tunisian border. Produced by the Cinema Service of the Provisional Government of the Algerian Republic (GPRA) in the midst of the war of independence, these films were intended to re-inform the population and international public opinion on the abuses committed by the French colonial army: torture, arrests and arbitrary executions, napalm bombings, fires in douars, entire villages wiped off the map, etc. which the French media described as a "pacification" campaign. The latter censoring or reorienting any images that could harm the colonial narrative.
Bab El-Oued, a popular district of Algiers, in 1989, a few months after the riots. Boualem works at night in a bakery and steals the loudspeaker that was installed on his roof and was broadcasting the Imam's word... therefore preventing him from sleeping. This blunder is taken as a pretext by the Islamists to put the district under their control...
Makhlouf Bombardier, unusual, decides to be elected mayor of a dechra (village). So he surrounds himself with trusted partners to organize a great campaign for his election. Bombardier became the mayor of the village and is organizing an international film festival to compete at the Carthage festival. In his action, he is pursued by the Court of Auditors for embezzlement. So, his ultimate goal is to become the president.
Nine people with Abdullah Le Clandestin (Illegal Taxi), in one car, on the way to Algiers.