
A lone passenger is reflected in the windows of a train crawling through layers of textures towards Minsk. During his absence, the city has not changed: all the streets are frozen, long-gone voices can be heard in the empty rooms and around the corner you can find yourself in a video game from your childhood.
6.0This is an alien invasion film like no other – the aliens are miniature but still want to take over the world!
0.0NZ Animated version of the Stephen King Story - Stella Flanders has never left Koati Island in her 95 years. Afflicted by illness and a brutal winter, she starts to see the ghosts of her dead loved ones, including her late husband Bill. When the reach between the island and the mainland freezes over, she finds herself lured on to make the crossing once before she passes away.
0.0Tourists eating and taking photos. Tourists strolling and taking photos. Tourists bathing on the beach and taking more photos. Barcelona has become an overexploited photocall to the point of paroxysm, and this is what this film shows by turning the camera and pointing towards the visitors. A small gesture that, added to a powerful sound contrast and a caustic sense of humour, exposes without subterfuge a grotesque normality.
7.7Princes who have been turned into Dwarfs seek the red shoes of a lady in order to break the spell, although it will not be easy.
0.0“Kalikangiaroi” (also called Skalapountari) are Cypriot fantasy creatures. Mischievous, funny-looking, thin, hunchbacked creatures, sometimes wearing a long pointy hat or even having big bat-like wings, Cypriots were terrified of Kalikangiaroi. Kalikangiaroi hide in the depths of the earth all year long and rarely come above the ground. However, come Christmas day they surface and their crazy reign begins for 12 long days and nights. Their favorite pastime is to play pranks, tease and cause trouble to humans and create mayhem with the sole purpose of having fun! They playfully tease people by tugging at their clothes, scare them with their screeching voices or frighten domestic animals. One thing Kalikangiaroi loves more than teasing is a piece of “loukaniko” traditional sausage.
7.1If cinema is the art of time, Linklater is one of its most thoughtful and engaged directors. Unlike other filmmakers identified as auteurs, Linklater’s distinction is not found on the surface of his films, in a visual style or signature shot, but rather in their DNA, as ongoing conversations with cinema, which is to say, with time itself. A visual essay produced by Sight and Sound.
7.2This newly rediscovered short was created in Jim's home studio in Bethesda, MD around 1961. It is one of several experimental shorts inspired by the music of jazz great Chico Hamilton. At the end, in footage probably shot by Jerry Juhl, Jim demonstrates his working method.
7.2Strawberry Shortcake is planning a first birthday party for her sister Apple Dumpling, so she sets off on an adventure to find the perfect party supplies.
0.0"In the final format for MAGELLAN, Frampton had planned to disassemble these two films into twenty-four 'encounters with death' that were to be shown in five-minute segments twice a month. In their present state, seen together and roughly the length of an average feature film, the two parts of MAGELLAN: AT THE GATES OF DEATH constitute perhaps the most gripping, monumental, and wrenching work ever executed on film...Frampton in 1971 began his filming of cedavers at the Gross Anatomy Lab at the University of Pittsburgh. He returned to the lab four times over the course of the next two years and then spent nine months assembling his 'forbidden imagery' into an extraordinary meditation upon death."–Bruce Jenkins
6.3Creating a universe between two small pieces of Cardboard. When Jack and Jill of Cardboard City are separated by Jill's torrid illness, Jack must think outside the box to assure they will be together again.
6.8An abstract animated film inspired by the work of jazz musician Chico Hamilton.
0.0A mother comes home to a trashed apartment and tries to figure out what happened...
7.8The personal story of a woman struggling with an inherited illness, as told by Signe Baumane, the Latvian director-animator living in New York City. With humour and courage, the director sets out on a challenging journey to discover her family’s best-kept secret. Featuring five stories about the courageous women in Signe’s family and their battles with madness, visual metaphors, surreal images and director’s narration.
0.0A youngster writes a letter to his grandmother about his last trip to Donosti (Spain). This city inspires him to ponder about the language of cinema, time, cities, and sharing memories with our loved ones.
10.0In times of conflict, a companion can be the final thread linking one to human connection. In Call of Duty: Warzone, communication is fractured, making it even harder to truly know those you play with. Dialogue is just a series of terse exchanges of orders and instructions; everything revolves around the game, everything is subsumed by war. Forming a meaningful connection with an anonymous player seems nearly impossible. In The Zone, the protagonists confront this challenge, pushing beyond the fleeting interactions dictated by random matchmaking. They seek to reclaim their humanity, engaging with pressing themes — religion, terrorism, and representation — subtly embedded in the game’s mechanics and geography.
6.9"Angel Cake in the Outfield": First, during a ball game, when things don't go Angel Cake's way, she decided to take her ball and go home. Thinking fast, Strawberry and Apple Dumplin teach Angel that the fun of sports... is to have fun! "Win Some, Lose Some": Peppermint Fizz is so determined to win the Nearly Once-A-Yearly Strawberryland Games, she cheats! But when Apple Dumplin' beats her in a race, Peppermint learns that it's not whether you win or lose, but how you play the game that matters.
0.0After a long journey through the stars a space archaeologist and an outcast rabbi are about to find the lost and mythical Earth… or at least what's left of it.
0.0Angela Su’s fictional artist Rosie Leavers is the last remaining person to upload her consciousness to a video game. Contemplating during a pandemic year which also saw people’s resistance movements in many parts of the world, the work pinpoints the uncanny affinities between gaming and warfare strategies. They have mutually informed the infrastructure of both worlds since time immemorial when diplomatic conflicts played out on the battlefield of the 64 squares of a chess board to flight simulation technologies which were adapted to shape gaming experiences as we know it now. When the conflict is between the state and its people, she speculates that gaming strategies empower civilians in resistance movements to counter imperialism through its own operative logic. But once we upload our consciousness, are we able to return to the sensibilities and political motivation that inspired the revolution to begin with?
