1944-01-01
0
Facing deteriorating machines and the advance of new technologies, Argentine printing presses are closing up their shops. A group of young designers has rediscovered this great technical innovation in the history of the written word – the typesetting printing press – but the technique is difficult to learn, passed down from master to apprentice. The last press mechanic in the country will be in charge of teaching them so that this historic technique endures.
An attempted evocation of the tradition of British printing, in a series of dramatised impressions: the discovery of a new method of printing in France and its development in England. The beauty of language is illustrated by excerpts from the works of Shakespeare and Dickens.
Mr Munnings is printing some posters advertising the Fire Brigade band's forthcoming concert. Captain Flack tells his men to put the posters up around town but where can they put them? Nick Fisher the bill poster helps them out.
HP's latest entrant in "The Wolf" series once again pits Slater's character against The Fixer.
The wild and woolly early days of New York -- when it was still known as New Amsterdam -- provide the backdrop for this period musical-comedy. In 1650, Peter Stuyvesant (Charles Coburn) arrives in New Amsterdam to assume his duties as governor. Stuyvesant is hardly the fun-loving type, and one of his first official acts is to call for the death of Brom Broeck (Nelson Eddy), a newspaper publisher well-known for his fearless exposes of police and government corruption. However, Broeck hasn't done anything that would justify the death penalty, so Stuyvesant waits (without much patience) for Broeck to step out of line. Broeck is romancing a beautiful woman named Tina Tienhoven (Constance Dowling), whose sister Ulda (Shelley Winters) happens to be dating his best friend, Ten Pin (Johnnie "Scat" Davis). After Stuyvesant's men toss Broeck in jail on a trumped-up charge, Stuyvesant sets his sights on winning Tina's affections.
In the steppes and forests of northern Asia, several species of bear coexist and fight for their survival, in a nature that has been put to the test by climate change.
If the beach is synonymous with holidays and relaxation, it is also of capital importance for the animals and plants that flourish there. Between wet towels, umbrellas and sandcastles, the real inhabitants of this golden expanse have developed amazing strategies to adapt to the tourist crowds.
Herzog and cinematographer Peter Zeitlinger go to Antarctica to meet people who live and work there, and to capture footage of the continent's unique locations. Herzog's voiceover narration explains that his film will not be a typical Antarctica film about "fluffy penguins", but will explore the dreams of the people and the landscape.
Morgan Spurlock tours the Middle East to discuss the war on terror with Arabic people.
A reflection on anarchism and labor, ANCIENT SUNSHINE marks a path through the struggles of climate activism and coal extractions in the American West.
Army Aviators say they fly "above the best" see the lengths these heroes will go to, to protect the soldiers on the ground, and each other during intense combat in the most dangerous places on Earth.
Chronicles the making of director Werner Herzog’s 2009 feature, My Son, My Son, What Have Ye Done, providing profound insight into the director and his craft. My Son, My Son, What Have Ye Done was inspired by the true story of an actor who committed in reality the crime he was supposed to enact on stage: murdering his mother. With longtime friend Herbert Golder behind the lens, Herzog reveals the privacy and deep solitude that defines the director and his art.
"Yep, you picked the right video. In Bloom features the natural talents of six rising stars leaving their indelible impression on the glamorous world of skateboarding. From the flash and flair to the fame and falls, it's all in there. Prepare yourself for a glimpse of what's to come." Video #13
A portrait of the lives of a disparate group of patrons and employees at an American watering hole today.
“In re-viewing our Super 8 films, shot between 1972 and 1981, it occurred to me that they comprised not only a family archive but a testimony to the pastimes, lifestyle and aspirations of a social class in the decade after 1968. I wanted to incorporate these silent images into a story which combined the intimate with the social and with history, to convey the taste and colour of those years.” Annie Ernaux