Muharram procession through Lahore bazaar, crowded streets and buildings.
Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.
Documentary on the construction of Chandigarh, the new capital of the Indian Punjab region, planned by Albert Mayer and Swiss architect Le Corbusier.
A documentary exploring the "respectable" and "immoral" stereotypes of women in Indian society told from the point of view of 2 strip-tease dancers in a cabaret house in Bombay.
In Pakistan, veils hide one of the country's most terrible secrets. Driven by revenge, jealousy or sexual non-co-operation some men subject their wives to horrific attacks with acid that is freely available in the street. Completely disfigured, the victims are often ostracized by their families and become prisoners in their own home. This chilling documentary is a terrifying insight into the shattered lives of these women.
Man-pulled rickshaw, which have served Kolkata for over eight decades face virtual extinction as a result of legislation introduced by the State Government in 1981. This would rob over 100,000 people of a living. The film analyzes the critical situation, and on the basis of concrete facts and figures, questions whether such a step would be fruitful at all. The image of a man pulling a man is a depressing and a negative one - but not more negative than that of the image of a man going without food.
A sex columnist gains popularity even while a ban on comprehensive sex education in schools is adopted by approximately a third of India’s states.
"The Search for the Meaning" is a collective experience, carried out with the audiovisual contribution of countless people who record their testimonies and spiritual experiences in 19 countries, to show a new spirituality that is being born...
In this sequel to "My brother the Islamist," we continue to follow Robb Leech as the tries to understand his stepbrother's journey and transformation from middle-class boy to convicted terrorist.
THE PERFUMED GARDEN is an exploration of the myths and realities of sensuality and sexuality in Arab society, a world of taboos and of erotic literature. Through interviews with men and women of all ages, classes, and sexual orientation, the film lifts a corner of the veil that usually shrouds discussion of this subject in the Arab world. Made by an Algerian-French woman director, the film begins by looking at the record of a more permissive history, and ends with the experiences of contemporary lovers from mixed backgrounds. It examines the personal issues raised by the desire for pleasure, amidst societal pressures for chastity and virginity. The film discusses pre-marital sex, courtship and marriage, familial pressures, private vs. public spaces, social taboos (and the desire to break them), and issues of language.
Seekers of Oblivion explores the exciting life and adventures of Isabelle Eberhardt. Born in Geneva, Switzerland in 1877, Isabelle left Europe for North Africa at a young age. While there, she consorted with tramps, prostitutes, soldiers, murderers and thieves, at times masquerading as a man in orde.
Sixteen year olds Palani and Karthik want to become "ladyboys." They're bullied in school and beaten by their families. Their parents would like to see them grow up as normal boys, but they're falling deeper and deeper into the world of the "Aravanis." Loved as dance performers but hated as homosexuals, their stories emblazon the inner conflicts of India's gender culture today.
The Unreserved is an inquiry into the lives of passengers who use the Unreserved Compartment, the cheapest way to travel across India on the Indian Railways system. The film portrays the passengers’ aspirations, efforts and opinions through conversations and personal stories.
During social and political turmoil, what is the manifestation of divine intervention? How do the gods and goddesses act in the volatility of the contemporary world? If they walk on earth as men and women, how do they endure the chaos of modernity? Centering on the terrible and majestic incarnations of Goddess Kali and her celestial avatars, this film is a metaphysical contemplation in times of perpetual emergencies. Avikunthak’s remarkable sense of forms finds expression in the extraordinary combination of performance and essayistic cinematic practices.
In the thick of a controversial war of ideas, two enlightening figures, Sam Harris, an atheist and a critic of religion, and Maajid Nawaz, an Islamist-turned-liberal activist, partake in an engaging dialogue on the state of Islam, its potential reform, the militant ideology of Islamism, and where all this lays in a secular world.
Lord Lytton takes up the post of Governor of Bengal.
RROMANI SOUL traces the true origin of the Rroma people. Through rituals, song and dance we follow emblematic figure and "Queen of the Gypsies" Esma Redzepova to Macedonia, south of France and finally to India. The film reveals for the first time ever that the true and unique origin of the Rroma is Kannauj in Uttar Pradesh, India.
A filmmaker and rapper duo revive Michel Gondry’s “Be Kind Rewind” protocols - a set of filmmaking “rules” with which groups of strangers can conceive, shoot, and screen a film in just two and a half hours. Against the grim backdrop of the stringent Shanghai lockdown, the event soon turns into a sanctuary for individuals to forge collective dreams.
The gang embarks on a trade mission to India. Equipped with three old British cars and a range of uniquely British products, they set off on an epic road trip across one of the world's most fascinating and challenging countries.
Against the backdrop of Partition, independent India’s first hockey team defeats England, their erstwhile coloniser, to win the Gold at the 1948 London Olympics. Six decades later, when Nandy Singh, a member of this iconic team suffers a stroke, his tenacious struggle to recover, inspires his daughter to retrace his journey. Using archival footage and interviews with teammates, she reveals lives shaped by the Gold, and by Partition that made them refugees. Revealed also is a friend in Pakistan never spoken of before. Her journey in search of him morphs into a quest for the lost ‘watan’ (homeland).