A special behind-the-scenes look at the making of the audiobook edition of "d'ILLUSION: The Houdini Musical" and how it did its part in helping keep theater and the arts alive during the COVID-19 pandemic.
An up-to-date look at Youth Suicide with an examination of the warning signs, statistics and causes, along with possible ways teachers and parents can use to help their child overcome this important social issue. Also includes a look at the media and its handling of the social issue through the Netflix series "13 Reasons Why" and the Tony Award-winning Broadway musical, "Dear Evan Hansen."
Highland Sunset and a final look at Class 37s on the West Highland Line to Fort William before the introduction of Class 66s. Crewe Open Weekend with a tour of Crewe Works during the open weekend of the 20th and 21st of May with a variety of traction plus coverage of specials to the event with 33 and 37 hauage. Class 58 Profile with only half of the original class still in action we take a look at the class from the 1980s to the present day. Devon Contrasts and Class 67 and 47 motive power along the famous stretch of sea wall from Starcross to Dawlish.
A score of amateur children sing and dance in costume in a multi-act musical revue.
An 84-year old charming but delusional WWII veteran forms relationships with two elderly women and goes on a crusade to save them from the isolation of their retirement homes in East Hollywood.
At early 16th century a priest joins the spanish conquerros in order to bring christianity to the indios. The expedition is murdered by the indios, only the priest is sparred. Santiago, the priest, first tries to continue christianization, but finally becomes one of them - until the Spaniards return.
Plagued with poverty and violence, Jamaica tries to inspire its populace by qualifying their national team, the 'Reggae Boyz', for the World Cup. When their efforts start to fall short, Winnie Schäfer, a colorful German coach, teams up with reggae musicians to unite Jamaica beyond the soccer pitch.
B., a film-maker and insomniac, decides to rescue his hours of insomnia from the void by filming his quest for sleep. The insomniac asks questions about these different states of consciousness and about the difficulties humans have in synchronising their social rhythms and biological ones.
A blind date takes a monstrous turn as a couple meets on a cold Christmas night.
Documentary about a house of witchcraft in Buenos Aires
Three elite salarymen find themselves in a bar fight with a group of threatening but mysterious men. When the mystery men come looking for revenge, the salarymen find themselves embroiled in a deadly game...
Bass virtuoso Stanley Clarke, the performer, composer, bandleader who rose to prominence in the 1970s and single-handedly brought the electric bass to the forefront of jazz, R&B, funk and beyond, presents the 90-minute DVD Night School, which chronicles the third annual Stanley Clarke Scholarship Concert, recorded at Musicians Institute in Hollywood, CA, in October 2002. With guest performances by Stevie Wonder, Wallace Roney, Bela Fleck, Sheila E., Stewart Copeland, Flea, Wayman Tisdale, Marcus Miller and more, Night School captures performances that range from straight-ahead jazz to full-tilt rock fusion to twenty-two-piece string arrangements - all on one stage, all in a single night!
Actress and model Serena Motola joins former idol and current YouTuber Michela Sato, in a short film that depicts them as sisters who plan to kill their beloved father after he says he wants to remarry.
Inspired by the 1950s cinema screenings in Cairo's sha'abi quarters, this double feature includes a space odyssey and a farm animal protector.
Drew (Scott Caan) must care for his father, a former professor who can now barely communicate due to Alzheimer. Depressed and struggling to make ends meet, an old buddy tries to get him to become a pusher. He gets further drawn in by a new and exciting girlfriend, Sarah (Mia Kirshner), who uses drugs.
In a flat at the outskirt of Jakarta, Ningsih (Chika Waode) is happy because she is about to get married with Hamid (Jimmy). But Hamid never comes and the marriage is cancelled. Ningsih intends to kill herself by jumping from the height of the flat but Yuli Gaga (Julia Perez) sees her, in surprise screaming out her name. Surprised herself, Ningsih slips off and falls down to her death. Four students Aldi (Vicky Nitinegoro), Justin (Christopher), Ragil (Dhawan Khai) and Amir (Bobby Maulana) rent Ningsih’s ex room with a good price. They find Ningsih’s personal belongings left there, and upon seeing her photographs they jeer over the fact that she’s not beautiful and has buck teeth. This offends Ningsih’s spirit and she goes to haunt them. She returns in the form of a pocong.
In this short, a camera pointed towards a window films the landscape as a train moves along the track.
A documentary about the making of Jia Zhangke's film the World.
A look at the unusual process used in the making of the film Shortbus (2006) featuring interviews, behind the scenes footage and clips from the feature film. Director John Cameron Mitchell starts with the concept of using real sex in a film with a positive message. The cast of unknowns is selected from homemade audition tapes and then a callback audition workshop. More acting workshops are used to develop the characters and script. The project overcomes a number of obstacles and the rest of the film's development is followed up until its premiere at the Cannes Film Festival.
A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen.
Documentary about the making of Juzo Itami's film "Tampopo" (1985).
In a warehouse in the heart of Los Angeles, a dwindling handful of devoted craftspeople maintain more than 80,000 student musical instruments, the largest remaining workshop in America of its kind. Meet four unforgettable characters whose broken-and-repaired lives have been dedicated to bringing so much more than music to the schoolchildren of this city.
An in-depth look at the race to develop, manufacture and distribute a vaccine for Covid-19 - which may be the most monumental scientific achievement in modern history. Interviews with some of the main players take you inside the real-life drama as it unfolded.
Documentary about the making of ’Spring Break Zombie Massacre.’
Despite the anti-Semitic campaign launched by the Polish People's Government in the late 1960s, director Jerzy Hoffman finishes working on the film Pan Wołodyjowski. It becomes the ticket to the production of Potop, the most expensive film in the history of Polish cinematography. During his work, the director not only has to deal with mounting production problems, the distrust of the People's Government, but also with the expectations of millions of Poles.
Go behind the pre-production, production, and post-production process of making New Line Cinema's Final Destination 3, exploring the history of not only the film itself but of its filmmaking partners, Glen Morgan and James Wong, and gain insight on the production as a whole. Includes early development meetings, on-set action, interviews with cast and crew, visual effects development, test screening process as well as an elaborate ending re-shoot.
Using intimate footage recorded by passengers and crew, The Last Cruise is a first-person account of the nightmare that transpired aboard the ill-fated Diamond Princess cruise ship, which set sail from Japan on the earliest days of the COVID-19 pandemic.
A woodsman from the Catskills helps a group of people get through the COVID-19 pandemic with a daily livestream.
In interviews, various actors and directors discuss their careers and their involvement in the making of what has come to be known as "cult" films. Included are such well-known genre figures as Russ Meyer, Curtis Harrington, Cameron Mitchell and James Karen.
A documentary about the life of Johnny Cash and the making of Walk the Line (2005).
The making of Peter Jackson's adaptation of Tolkien's classic work.
Filmed and edited entirely in isolation, Living in Fear is an educational and inspiring documentary directed by myself, Stephanie Castelete-Tyrrell, a disabled filmmaker as I capture the fears and struggles disabled people faced before the government implemented the lockdown on the 23rd March 2020. Thousands of people with disabilities were left in the dark and had to make the call weeks before to lockdown as it was inevitable that we would die if we caught the virus. Food was impossible to access because we couldn't go out or get delivery slots, and even if we did panic buyers made it impossible to get the items we desperately needed. We were truly isolated, unable to have family and friends visit. Having carers coming in and out of the house was risky and many disabled people felt that having basic care was putting their lives at risk.
A documentary about the making of Lost in Translation.
Documentary about the making of the Spierig Brothers' 2014 film PREDESTINATION that is based on Robert A. Heinlein's 1959 science-fiction short story '—All You Zombies—'. Through interviews with cast and crew, film clips and behind-the-scenes footage, this documentary thoroughly explores how the film came to be from casting to pre-production to principal photography to post-production. Interviewees include writers/directors Michael and Peter Spierig, producers Paddy McDonald and Tim McGahan, director of photography Ben Nott, special makeup effects designer Steve Boyle, production designer Matthew Putland, special makeup effects supervisor Samantha Lyttle, costume designer Wendy Cork, film editor Matt Villa, and actors Sarah Snook, Noah Taylor and Ethan Hawke.
As the first part of our investigation, the CORONA.FILM prologue will delve into the science behind the pandemic. Starting at the very beginning, we shine a light on the responses. The aim is not to point the finger; our aim is to tell the whole story in all its complexity, as we believe that justice cannot prevail if only one side of the story is told.