Don’t judge a book by its cover but do judge a political party by its garage.
This is a unique film in Disney Production's history. This film is essentially a propaganda film selling Major Alexander de Seversky's theories about the practical uses of long range strategic bombing. Using a combination of animation humorously telling about the development of air warfare, the film switches to the Major illustrating his ideas could win the war for the allies.
A marching band of Germans, Italians, and Japanese march through the streets of swastika-motif Nutziland, serenading "Der Fuehrer's Face." Donald Duck, not living in the region by choice, struggles to make do with disgusting Nazi food rations and then with his day of toil at a Nazi artillery factory. After a nervous breakdown, Donald awakens to find that his experience was in fact a nightmare.
A propaganda film during World War II about a boy who grows up to become a Nazi soldier.
Donald is manning a listening post and falls asleep; he blows trumpet calls in his sleep and wakes his nephews. For their revenge, they send up a model airplane filled with gingerbread men with parachutes; Donald shoots it down, and cowers in fear when he sees the parachutes (and hears a simulated battle), until one lands on his beak. Donald kicks his nephews out until he mistakes a bee for an airplane, and calls them back to fight this menace.
A doctor persuades a group of boys to be vaccinated by explaining how it will protect them against disease. Animated sequences depict the body metaphorically as a city, defended by the blood cells, which are stimulated by vaccination to amass arms and ammunition, in order to defend the city when it is invaded by germs.
World War II propaganda film on the importance of American farming. A morale booster film stressing the abudance of American agricultural output.
A World War II propaganda film about the need to remain calm and logical during wartime.
Donald is stuck on KP at an air training base. Sergeant Pete gives him a huge pile of potatoes to peel first, then gives him some tests: close your eyes and touch fingers, pin the tail on the airplane. He finally gets sent aloft, only to discover it's a parachute jump. Eventually, both Donald and Pete end up falling with no chutes and a bomb.
Animated documentary promoting timely filing and payment of Federal income taxes, demonstrated by Donald Duck's difficulties with his tax return.
Donald Duck deals with income taxes and their benefit to the American war effort in this inspirational documentary short animated film.
Private Duck is a camouflage painter. He paints a giant cannon with some very gaudy colors, until Sergeant Pete explains that the point is to make it so the cannon can't be seen. Donald finds a bucket of experimental invisible paint and makes the cannon disappear. Pete isn't happy with this, and knocks Donald into the paint, then chases him, until he runs into the general. As Pete tries to explain, Donald prods him with a cactus, then goes off to steal some pies. Eventually, Pete goes berserk and starts throwing grenades willy-nilly and gets in more trouble with the general.
Peaceful citizens (one of whom resembles Felix the Cat) are dancing to music before their island is being invaded by a gigantic rodent that resembles Mickey Mouse. The islanders contact legendary folk-hero Momotaro from a giant book to battle Mickey.
A landmark four disc Box Set - Unearthed from Moscow's legendary Soyuzmultfilm Studios, the 41 films in ANIMATED SOVIET PROPAGANDA span sixty years of Soviet history (1924 - 1984), and have never been available before in the U.S.
7 Wise Dwarfs is an educational short animated film commissioned by the National Film Board of Canada as a short film for educating the Canadian public about war bonds during World War II. The short features the seven dwarfs from Disney's Snow White and the Seven Dwarfs, four years after the characters made their screen debut.
The entire Disney menagerie appears in a parade urging the purchase of war bonds.
This remarkable documentary dedicates itself to an extraordinary chapter of the second World War – the psychological warfare of the USA. America’s trusted cartoon darlings from the studios of Warner Bros., Paramount, and the “big animals” of the Disney family were supposed to give courage to the people at the homefront, to educate them, but also to simultaneously entertain them. Out of this mixture grew a genre of its own kind – political cartoons. Insightful Interviews with the animators and producers from back then elucidate in an amusing and astonishing way under which bizarre circumstances these films partially came into existence.