A documentary that investigates the complexity of a nation, Albania, through the narration of the convoluted history of its monuments. What happens to the statues when they are destroyed, what are they replaced with and where do their marble shreds end up? What happens to their expensive bronze? And again: what do the sculptors who made these statues think of these destructions, what is their opinion. And today? Which statues are being destroyed in Albania today?
An unparalleled portrait of Arthur Miller (1915-2005), a major writer who left an indelible mark on the world. Miller's life is intimately connected with the great themes that marked the 20th century. Glamour, fame, social criticism and Marilyn Monroe.
Oscar-winner Michael Moore dives right into hostile territory with his daring and hilarious one-man show, deep in the heart of TrumpLand in the weeks before the 2016 election.
In 2020, the USA experienced a multiple catastrophe: No other country in the world was hit so badly by the coronavirus pandemic, the economic slump was dramatic, and so was the rise in unemployment. A rift ran through society. In the streets there were protests of both camps with violent riots, authoritarian traits were evident in the actions of the leader of the nation. And all of this in the middle of the election year, when the self-centered president fought vehemently for his re-election. From the start of his presidency, Donald Trump had divided American society, incited individual sections of the population against one another, fueled racism, hatred, xenophobia and prejudice, insulted competitors and denigrated critical journalists as enemies of the people. The documentary shows how this could happen and what role the targeted disinformation of certain sections of the population through manipulative media played.
The murder of Dutch filmmaker Theo van Gogh by an Islamic extremist in 2004, followed by the publishing of twelve satirical cartoons depicting the prophet Mohammed that was commissioned for the Danish newspaper Jyllands-Posten, provides the incendiary framework for Daniel Leconte's provocative documentary, It's Hard Being Loved by Jerks.
We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They do not care. We say we care, but we do nothing, and nothing ever changes. It is normal. Welcome to the post-truth world. How we got to where we are now…
Considered for a few years the “country of the future”, Brazil has seen since 2013 a deep disenchantment between the middle and popular classes that culminated with the rise of Jair Bolsonaro to the Presidency in 2018. Enchanted portrays this recent Brazilian history from a homonymous neighborhood of the Rio suburb transfigured by the 2016 Olympics. From Rio to Paris, a political and poetic testimony of Brazil through the eyes of the first generation of the popular class to study abroad.
An interwoven investigative biography of U.S. presidential candidates Hillary Clinton and Donald Trump that draws on dozens of interviews from those who know them best—friends and family, advisers and adversaries—as well as authors, journalists and political insiders.
Bestselling author and award-winning filmmaker, Dinesh D’Souza, exposes widespread coordinated voter fraud in the 2020 election sufficient to change the overall outcome. Drawing on research provided by the election integrity group, True the Vote, “2000 Mules” offers two types of evidence: geotracking and video. The geotracking evidence, based on a database of ten trillion cell phone pings, exposes an elaborate network of professional operatives, called mules, delivering fraudulent votes to mail-in boxes in the five key states where the election was decided. Video evidence obtained from official surveillance cameras corroborates the cellular positioning data. The film concludes by exploring ways to assist in the prevention of election fraud in future democratic elections.
A timely film exploring the confrontation between a feisty 92-year-old Scottish widow and her family and a billionaire trying to become the most powerful man in the world.
The chronic shortage of housing in Central Havana has pushed the city upwards, where life spills out onto the rooftops. Resilient and remarkable, these rooftop dwellers have a privileged point of view on a society in the process of major transformation.
Sassnitz is a small coastal town at the Baltic Sea on the Island of Rügen. In its vicinity are the world-famous chalk cliffs, a tourist magnet. The Mukran Port is also part of the municipality. The overseas port is the starting point for the construction of Nord Stream 2, a natural gas pipeline that connects Germany directly with Russia. In 2020, the port town hit the international headlines. Even the New York Times reported and cited Mayor Frank Kracht as a staunch opponent from the northeast German province against the rumbling America of Donald Trump. The reason is the undisguised threat from Washington to ruin the international port economically if the natural gas pipeline continues to be built from there. Many jobs and the region's economic stability are at risk. Reporter Klaus Scherer documents the case, questions experts as well as those affected and looks at the behavior of national politicians towards the USA and how they react to the interference in internal affairs.
A Southern Indiana man endures a fatal night of torture after being arrested for a routine traffic stop.
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
The protests of 1968 had a significant impact on the great cities of the world. But people like to forget that the periphery went through the same social upheavals – Central Switzerland, for example. This is hardly surprising: in the founding cantons of the Old Swiss Confederacy, society followed a strict order; tradition, shaped by centuries of Catholic rule, seemed untouchable. But in the 1960s, the local youth could not take these stifling conditions anymore: starting in 1969, resistance broke out across Central Switzerland.
Amany Al-Ali stands out as one of Syria's few female cartoonists, residing in her father's home in Idlib, the last city unconquered by Assad's forces. Like her remaining neighbours she's submitted to relentless Russian airstrikes and caught between advancing troops and extremist groups. Despite acclaim for her art, she faces threats, condemnation, and degradation, causing her to contemplate leaving. Ironically, her artwork has graced galleries in France and Italy but never received exposure within Syria's borders. The film captures her endeavor to organize her inaugural exhibition in Idlib. This experience compels her to confront the harsh realities of a city defined by bombings and male interference. While organizing drawing lessons for women and girls, comforting her young niece, and sharing her story with the documentary crew, Amany's outlook on the future gradually erodes.
A documentary about the end of the student movement in 1972 and the lynching of Daizaburo Kawaguchi, a student at Waseda University. The documentary interweaves testimonies from japanese intellectuals and a short play, written and directed by Shôji Kôkami, about the murder.
The true history of the anti-government extremist terrorist group's century of violence. Focusing on the group which has caused nationwide rioting and violence, The film – which undermines the mainstream media’s depiction of the group as “just an idea” – has already been censored by YouTube and Vimeo.
Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.