Loto-Méno(2021)

The Real Queens of Hip Hop: The Women Who Changed the Game(en)

An intimate look at the evolution and impact of women emcees and rappers, told by the trailblazing artists who helped create a musical and cultural empire.

A Sunday at 105(fr)

Documentary tribute from a great-grandson to his great-grandmother. In a Sunday, filmed in her daily life, Aldéa speaks of universal subjects in her own way.

Black Pénélope(fr)

A discovery of the pictorial art that Ndebele women traditionally practice in South Africa: painting the walls of their houses.

The Twenty Dollar Miracle(en)

The American woman is the best dressed woman in the world. This is due to Yankee ingeniuty, which makes a fashionable, well-made dress to sell for twenty dollars or less.

Imphal Bazaar(en)

A scenes from a tour of Manipur State and a women's bazaar in Imphal.

Waiting Time(it)

Under the shade of a Magnolia tree, a group of pregnant women gathers weekly. Among them is Teresa, an experienced midwife who listens to them attentively. Sitting in a circle, the women reflect on the impending birth of their children and their own emerging roles as mothers.

The Change: Ireland's Menopause Story(en)

Exploring the subject of menopause in Ireland, seeking to broaden the conversation around a subject often considered taboo and finding out how real women experience this life event which affects half the population.

Ménopositive(fr)

Nose and Tina(en)

The unusual story of Nose and Tina, 2 people in love. He is employed as a brakeman, she as a sex worker.

Biopsia(es)

Carmen accompanies a group of women who must travel from the island of Vieques to San Juan, capital of Puerto Rico, in order to perform breast biopsies. The long journey is by water and road. Amid many fears and vicissitudes, Carmen confirms once again the need for appropriate medical services for both women and for the rest of the Vieques population.

Women of Today(ro)

Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.

Menstrual Man(en)

Some folks squirm at mention of a woman’s period…not Arunachalam Muruganantham. Considered a madman and pervert by his community, he ignores his detractors and makes his dream—low-cost sanitary pads made by and for rural Indian women—a reality. Using manually operated machines, Muruganantham’s microbusiness model is focused on something more important than profits: providing sustainable employment, hygiene and emancipation to women who would otherwise go without. He’s a man with a million-dollar idea—except money has nothing to do with it. His goal is to make a livelihood, not to accumulate wealth; to operate at a human scale, not a multinational one. Menstrual Man is the inspiring story of a hero who rises above poverty and a lack of education to become a superstar social entrepreneur in the business of breaking cultural taboos and re-inventing the economic pyramid. Muruganantham is leading a movement, not a company. And it’s spreading.

Dia de Visita(pt)

Sick Girls(de)

In recent years, the number of diagnoses of attention-deficit hyperactivity disorder has skyrocketed. What are the reasons? Does a society geared towards efficiency use the label ADHS to weed out anyone who does not fit its frames? What are the consequences of the fact that medication treatment has become almost ubiquitous? Could Ritalin and the like have become the doping of the performance society?

Women After the War(en)

A provoking film on the place of women.

Roughing the uppers : the great shoe strike of 1937(en)

Examines the 1937 shoe strike in Lewiston and Auburn, Me. through interviews with surviving participants

Writing with Fire(hi)

In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful.

Rwanda : the silence of words(fr)

Their words had never been heard before. Co-directed by French-Rwandan musician and author Gaël Faye and director Michael Sztanke, this movie records with sensitivity and for the first time the testimonies of Prisca, Marie-Jeanne and Concessa about their lives during the genocide and after. The three Tutsi women tell the camera about their daily lives during the genocide and in the refugee camps of Murambi and Nyarushishi, where they lived a nightmare under the guard of the French soldiers of the Opération Turquoise who, under a UN mandate, where supposed to protect them. While the French army denies any rape accusation, the three women filed complaints with the French justice system in 2004 and 2012. The investigation is now at a standstill.

Sages et rebelles(fr)

A look at the daily life of midwives across Quebec.

Me and the Mosque(en)

Using original animation, archival footage and personal interviews, this full-length documentary portrays the multiple relationships Canadian Muslim women entertain with Islam’s place of worship, the mosque. Islam is the fastest growing religion in the world. In North America, a large number of converts are women. Many are drawn to the religion because of its emphasis on social justice and spiritual equality between the sexes. Yet, many mosques force women to pray behind barriers, separate from men, and some do not even permit women to enter the building. Exploring all sides of the issue, the film examines the space – both physical and social – granted to women in mosques across the country.