This informative herring aid from WWII makes no bones about the need to make the most of every fish.
A hard-hitting public information film made at the height of the Great Influenza 1918-18.
Demonstration of shoplifting methods. With the Cooperation and Assistance of Berkeley, California Police Department and Berkeley Police Reserve; Addison H. Fording, Chief of Police; J.F. Hink & Son Department Store, L.W. Hink, President. Technical Assistance: Wm. P. Beall, Lieutenant; E.A. Skells, Sergeant, Berkeley Police DepartmentGeorge Jelten, Director of Visual Merchandising, J.F. Hink and Son. Director of Photography: John L. Siegle. Sound: Walter D. Porep. Narration: John E. Pedersen.
The Ministry of Labour exhorts women to return to industry – the post-war production drive depends on them.
Short public information film showing housewives' efficient and hygienic methods of food storage.
Ever had a good experience with doorstep salespeople? Maybe you were lucky, but the doorstep has never seemed the best place for a sensible sales decision – which is exactly why companies use it.
A baby pufferfish travels through a wondrous microworld full of fantastical creatures as he searches for a home on the Great Barrier Reef.
1950s Soho beats with far more energy than its 21st century counterpart in this vivid time capsule.
Mobile homes have long been an affordable option for people who struggle with the cost of other housing in the United States. But now the economy of mobile home parks is under threat as private equity firms are buying up properties and looking to squeeze more money out of mobile home owners. Filmmaker Sara Terry uses this backdrop to explore urgent class issues that resonate across America, and especially in the high-priced rental market of New York City.
Pulitzer Prize-winning journalists Nicholas Kristof and Sheryl WuDunn explore the causes and costs of addiction, poverty and incarceration plaguing America, from the inner city to small towns like Kristof's hometown of Yamhill, Oregon. While pockets of empathy and aid exist, are they enough to rescue the thousands of Americans in despair, for whom the American Dream of self-reliance is impossibly out of reach?
"Mexico begins where the roads end ”. Mexican writer Carlos Fuentes tells us about the history of Mexico: its invasions, its revolutions, its sacred lands, its forgotten legends, its religious rituals and this frightening misery. François Reichenbach and his camera sink into the dust, on this sacred land, where "the land never ends."
One year: this is the time left to the employees of the Ascoval steel plant to save their factory and their future. During these months of sacrifice, doubt and hope, Eric Guéret, author and director of the documentary, accompanies the management and employees in a race against time to increase productivity and try to find a buyer. For many, this steel mill, which was the story of a lifetime, becomes a matter of survival. A personal struggle that is also symbolic of a problem intrinsic to this documentary: French deindustrialization. Can we still have heavy industry in France today?
Conceição Tavares is one of the most forceful, critical and original voices of Brazilian economic thought. This documentary gives an account of her life and work, while taking stock of more than half a century of a country looking for a future.
Hard-hitting depiction of the danger to children of burns and scalds.
You're asking for trouble when you play with fire - and this public information film is the stuff of nightmares.
Drinking chocolate flashes before your eyes and makes an offer you can't refuse.
Deep Blue is a major documentary feature film shot by the BBC Natural History Unit. An epic cinematic rollercoaster ride for all ages, Deep Blue uses amazing footage to tell us the story of our oceans and the life they support.
Common sense says you can't make a living in America playing avant-garde improvisational jazz. But Ken Vandermark does it anyway. Among musicians, Vandermark's work ethic is almost mythic. The Chicago reed player has released over 100 albums with nearly 40 ensembles, spends over eight months per year on the road, and lives every other waking moment composing, arranging, performing—and trying to discipline his two hyperactive canines. Though Vandermark was the recipient of a 1999 MacArthur genius grant, he still spends most of his life in smoky clubs and low-budget recording studios, hoping people will plunk down hard-earned cash to hear his wholly non-commercial music. Following the artful cinéma vérité style of the internationally acclaimed Sheriff (Work Series #1), Musician (Work Series #2) forgoes all interviews and voice-overs. It is a fly-on-the-wall time capsule that expertly captures every subtle sound and texture of this most American of art forms.