Call Me Captain(1961)

A Visit to Los Angeles(en)

To popularize the idea of automobile travel, Ford Motor Company produced Ford Educational Weekly, a film magazine distributed free to theaters. One 1916 series featured "Visits to American Cities." In this episode, Los Angeles is featured at the very beginning of the boom created by oil, movies and aircraft. On the occasion of its centennial in 1953, Ford donated its film to the National Archives and Records Service; this copy derives from a fine grain master printed from the Archive's preservation negative. Music by Frederick Hodges.

Singlehanders(en)

Follow two Canadians, Bob Lush and Mike Birch, aboard their yachts during the 1980 Observer Singlehanded Transatlantic Race. More than a record of this prestigious international sailing event, the resulting film is the starting point for an epic of challenge and determination.

Morning Light(en)

Fifteen young sailors... six months of intense training... one chance at the brass ring. This documentary tells the story of a group of intrepid and determined young men and women, on the cusp of adulthood, as they embark on life's first great adventure. Racing a high-performance 52-foot sloop the crew of "Morning Light" matches wits and skills in a dramatic 2300 mile showdown.

Safari Ya Gari(en)

This early travelogue film, made in a Kenyan train station, captures an impromptu musical performance. Some passengers eagerly join in while others sleep—blissfully unaware of the performance taking place around them.

Bruce Lee: Tracking the Dragon(en)

Bruce Lee expert John Little tracks down the actual locations of some of Bruce Lee's most iconic action scenes. Many of these sites remain largely unchanged nearly half a century later. At monasteries, ice factories, and on urban streets, Little explores the real life settings of Lee's legendary career. This film builds on Little's earlier film, Pursuit of the Dragon, to present a comprehensive view of Lee's work that will change the way you see the films.

Papua and Kalabahai, Weird Haunts of Strange People(en)

This Traveltalk series short visits Papua and Kalabahai.

The Cornish Riviera(xx)

Sail away to a bygone Cornwall in this wistful coastal travelogue.

Portrait of Dublin(en)

This short film was made by filmmaker (later archivist) Liam Ó Laoghaire (aka Liam O’Leary) and was commissioned by the Cultural Relations Committee of the Irish Department of External Affairs. The film was designed to promote the city of Dublin to its inhabitants and to potential visitors from abroad. Brendan J. Stafford’s crisp black and white cinematography serves the city’s elegant architecture well while the narrator tells of the city’s cultural, literary and architectural history and its many venerable inhabitants. The elegant Georgian squares, the bustling markets, the tranquil parks and the sparkling nightlife present a city that is vibrant, cultured and steeped in history.

Mr. Smith Goes to Tokyo(en)

When Tomoko finds some messages for a 'Mr Smith' on a lost mobile phone, she finds herself on an 'Alice in Wonderland' journey through Tokyo's boulevards and back alleys. From the tyranny of symmetry in soaring office blocks - to buildings that look like space-ships, this creative documentary shows us the city's soul.

Ratamata(en)

A portrait of the diverse opinions of Chicagoans as they reflect on the general state of affairs in America, the war in Vietnam, social and racial conflict, freedom and personal liberty, happiness, and social justice. Ratamata was made by future Tom Palazzolo collaborator Kreines when he was 16 years old, and was an award winner at the Young Chicago Filmmakers Festival.

The Magic of Christmas in Alsace(en)

This documentary visits the towns and villages of the Alsace region of France at Christmastime. See the charmingly decorated storybook towns and learn of the unique holiday traditions and celebrations. The Alsatian landscape is covered with medieval towns, castle ruins and vineyards, and the communities of the region create a season of enchantment in their celebration of Christmas.

When the Road Ends(en)

Growing up in poverty as a child, Dylan dreamt of travelling the world on a motorcycle. Many years later he broke the shackles of a normal life and took to the road. After journeying 200,000km across four continents, the road from Panama to Colombia comes to an end, swallowed up by an impenetrable jungle. Dylan has no choice but to take to the sea, building a raft powered by his motorcycle engine in the hope of reaching Colombia's road network 700km away. He must brave strong ocean currents and storm batterings in his journey from Central to South America.—Journeyman Pictures

Picturesque India or, In and About Calcutta(en)

Botanical gardens in Bombay plus the highly decorative Jain Temple in Calcutta.

Der Kilometerfresser(de)

Sports enthusiast Ernest is to cover 6,000 kilometers on his motorcycle in 15 days, crossing Austria, Italy, Switzerland, the Balkans and Czechoslovakia.

Around Snowdonia(en)

A timeless landscape steeped in history that is little changed today, but was surely made to be filmed!

A Day on the Broads(xx)

With their gramophone perched on the back of their launch, the family set off for a day of rest and relaxation on the Broads and Suffolk coast.

Enchanting Bournemouth(en)

Bournemouth offers a variety of sports, pastimes, steamer trips, and fine dining for holidaymakers, competing with cheaper foreign holidays and offering a variety of transportation options.

Le monstre(fr)

Conway - River of a Thousand Moods(xx)

Take a scenic trip through 1920s North Wales to the sea.

Postcard (Or, from afar, you are a mirage)(es)

"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.