With concerned phone calls from friends and family, GUARDIANS walks the viewer through the psychological reality of a girl's nightly trip home. Discussions surrounding seemingly mundane choices are framed with a woman’s hyper-vigilant lens; bringing into question what the true price of safety is.
With concerned phone calls from friends and family, GUARDIANS walks the viewer through the psychological reality of a girl's nightly trip home. Discussions surrounding seemingly mundane choices are framed with a woman’s hyper-vigilant lens; bringing into question what the true price of safety is.
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On a dark walk home, a girl calls her loved ones to protect her from potential perils she grew up fearing.
RAPE PLAY is an experimental documentary that explores fanfiction writing amongst teenage girls online and the learned narrativization of sexual experiences. Through interviews, lyrical essays, and fantastical reenactment, it touches on internet history, sexual assault discourse, and the magical cultural production happening in the bedrooms of teenage girls worldwide every day.
Narrations of 3 women about their experiences, their inner fight with being feminine and masculine, and their acceptance journeys.
Two girls in their early 20s explore topics of femininity, girlhood, and normalized violence perpetrated on women.
Jagoda and Zuzia giggle in the opening scenes in the way that only 11-year-old girls can. Together they are the center of their own changing world. On the face of it, not much happens in the lives of these Polish best friends, but big changes are on the way. The end of primary school is in sight, and the girls are impatiently awaiting first love, budding breasts and first periods.
After years of traveling, Anyas parents have decided to return from Australia to their native France, and she has to attend a public school for the first time in her life. But normal everyday school life quickly causes problems for the girl. On the first day, she gets a shot with a soccer ball on the head. When no one wants to apologize for this, a violent argument immediately ensues. So she messed it up with the locals right from the start. Anya becomes an outsider, which doesn't even really bother her. But Zoé, Nils and Jade, who are also a bit different, take care of her. A new clique is formed. But the pretty outsider would prefer to be friends with Nathan, the school director's son. But he gives her the cold shoulder because it wouldn't be cool to be interested in girls in front of his buddies. Meanwhile, the girls hatch a plan to win their place in the schoolyard. A real fight ensues between the students. Now it's girls against boys. But how far can a dispute between children go?
Thrown together under incredible circumstances, two strangers must discover courage and strength when they begin a journey across the treacherous African desert! Equipped only with their wits and the expertise of a native bushman who befriends them, they are determined to triumph over impossible odds and reach their destination. But along the way, the trio face a primitive desert wilderness.
Amanda's stoner slumber party is put to a halt when one of her guests is nowhere to be found.
In an alternate timeline where women are educated and obligated to bear children, one student struggles to change her fate.
When her barrettes mess up her pirouettes, an excitable, hyper-focused Black girl must power through the distractions -- and her mother's expectations -- to fly like the ballerinas do.
This engaging series of childhood recollections tells of an unconventional school in Tokyo during World War II that combined learning with fun, freedom, and love. The school had old railroad cars for classrooms and was run by an extraordinary man – its founder and headmaster, Sōsaku Kobayashi – who deeply valued children's independence, and who was a firm believer in freedom of expression and activity.
Set in a dystopian dollhouse, Jameela, a friendly little girl wants nothing more than to fit in with the other girls in the house.
While cleaning her childhood home, a girl comes across a mysterious box that strangely communicates with her, appearing to know her more than expected.
For 13-year-old Kaitlyn, her world threatens to collapse when she learns that her parents want to get a divorce, especially because it threatens the loss of the house they shared in Portland, which had always been Kaitlyn's home. The teenage girl has dark thoughts and lost interest in life. The breeding pigeons given to her by her mother's police colleague don't make things any better. What should she do with the birds? Then her best friend Adam gives her an idea: they could steal the very valuable racing pigeon named Granger from the local breeder Jaan Vari, sell it and use the proceeds to pay off the mortgage on her family's home. The plan initially works, but then everything seems to go wrong and Kaitlyn loses her footing even more. But surprisingly, the old man who was robbed takes care of the girl and a bond develops between the two, which ultimately leads her to a new outlook on life.
Vanessa is back in her hometown for the summer after moving away for college. Things get complicated when her friendship with Claire turns into a summer fling.
When Nova reminisces on her childlike spirit through the reminder of Charlie, a childhood friend, she faces the uncomfortable truth that change is inevitable and promises are broken regardless of how outside influences crave to keep things as they were.
Teenage best girlfriends decide to go on a dangerous joy ride with two older men and their lives are changed forever.
The 12-year old Dolores, a feisty preteen desperate to be seen as a grown-up in 1976 suburbia is on her humiliating, hilarious journey from girlhood to growing up. She fantasizes about sex, womanhood, work... and Freddie Prinze. The girl thinks she's got the lowdown on being a woman, but when her overworked single mom Janice hires Cleo to babysit her world collides with the super cool black 16-year old's, each learns painful truths about what it really means to grow up.
Inspired by true experiences of grief, girlhood, and growing up, Jessie Barr’s SOPHIE JONES provides a stirring portrait of a sixteen-year-old. Stunned by the untimely death of her mother and struggling with the myriad challenges of teendom, Sophie (played with striking immediacy by the director’s cousin Jessica Barr) tries everything she can to feel something again, while holding herself together, in this sensitive, acutely realized, and utterly relatable coming-of-age story.