A child from a poor family is exposed to food poisoning. This poisoning almost claimed his life, presenting his father with two choices: either abandon his principles and disregard his son's rights, or uphold his dignity and the dignity of his family.
The Father
The Mother
Like a visual elegy, My Memory Is Full of Ghosts explores a reality caught between past, present and future in Homs, Syria. Behind the self-portrait of an exsanguinated population in search of normality emerge memories of the city, haunted by destruction, disfigurement and loss. A deeply moving film, a painful echo of the absurdity of war and the strength of human beings.
Once known for his intellectual prowess, a retired professor (Anupam Kher) begins experiencing memory gaps and periods of forgetfulness. But while he tries to laugh it off, it soon becomes clear that the symptoms are a sign of a more serious illness, prompting his grown daughter (Urmila Matondkar) to move in as his caretaker. Meanwhile, as his mind regresses, he recalls a traumatic childhood memory involving the death of Mahatma Gandhi.
In celebration of Asian Heritage Month, HBO presents a collection of perspectives from a diverse group of Asian Americans.
A betrayed wife, whose husband leaves her after 25 years, returns to the lake where she first fell in love and begins an affair with the son of her first love.
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
An ex-con gets a shot at vengeance when he joins a dangerous robbery plot.
The documentary was shot in the prison for juvenile delinquents in Hungary. It does not aim at judging whether the perpetrators were convicted rightly or not but, given the burden they carry, how they can reintegrate into society after they are released.
This is a story about a city guy Nikolai, who will have to go instead of his friend on a rural business trip. A series of funny events, meetings and the beauty of the Yakut village encourage Nikolai to make an important decision in his life…
In order to pursue the American dream, he is condemned 3 times and sentenced to death in Texas.
Searching for proof of a two-decade old legend, a first-time director discovers not only a gripping tale of friendship, passion and faded dreams, but one last chance to make things right.
A young man is taken to a small town hospital after a suicide attempt. Rita is a beautiful married Russian nurse taking care of him.
The Earth Forces has commissioned another Archangel-class ship, the Dominion; its sole mission is to destroy the renegade Archangel. As the battle draws to its ultimate conclusion, it is possible that humanity itself will be the victim. Kira, Athrun, and the others must stop a war that threatens both sides with genocide!
Two big game hunters are on safari in the jungle with their African guide. They observe zebras, ostrich and a hippopotamus, and catch a small monkey for a pet. During the night they are awakened by a lion which kills a small goat and then the hunters' horse. The hunters shoot the lion as it stands by the water on a beach. They discover another lion and shoot it also. The lions are gutted and skinned. The happy hunters sit and smoke cigarettes afterward.
The "star", as it is singular, is the sun; and it is metaphored, at the beginning of this film, by the projector anyone uses to show forth. Then the imaginary sun begins its course throughout whatever darkened room this film is seen within. At "high noon" (of the narrative) it can be imagined as if in back of the screen, and then to shift its imagined light-source gradually back thru aftertones and imaginings of the "stars" of the film till it achieves a one-to-one relationship with the moon again. This "sun" of the mind's eye of every viewer does not necessarily correspond with the off-screen "pictured sun" of the film; but anyone who plays this game of illumination will surely see the film in its most completely conscious light.
Dib moves with his younger brother and their mother from his home town of Quneitra to Damascus after the death of his father. The children’s grandfather, who was known for his tyranny, reluctantly agrees to shelter the grieving family, and tries to force his daughter to marry again. The magic of the city of Damascus takes over the conscience. Dib, whose main concern has become discovering all the secrets of this city, is driven by his heart full of dreams, but he sees nothing in his life except humiliation and cruelty. The fragrance of childhood dies in Dib's heart, as he grows up in light of the political fluctuations that prevailed in the fifties (the end of the military dictatorship in Syria at that time, the nationalization of the Suez Canal, Nasser’s rise to power in Cairo, and Egyptian-Syrian unity in 1958), so that his rosy childhood dreams were shattered on the rocks of cruelty and violence. The city's dreams turn into a nightmare..
In a war-torn Middle Eastern city where music has been banned by Islamic extremists, Karim, a brilliant musician, struggles to rebuild his destroyed piano while trying to escape to Europe.
Ahmed flees his war-torn homeland of Syria and faces discrimination in Iraq. The people of the new society he joins make it impossible for him to move on and begin a new life.
Paris, spring 2015. Faustine travels to Syria with her little son to join ISIS; but, once in Raqqa, she soon realizes the hell she is gotten herself into. Her husband Sylvain quickly understands that the French government is powerless to help him, so he plans with some friends a high-risk extraction operation to get his family back.
Refugees are captured by border patrol officers as one woman escapes to find herself surviving on her own in a foreign land.
In the Druze mountain villages between Syria and Israel, Kamel, a respected sheik, must make an impossible decision between family and duty when his estranged brother returns to the Golan Heights after 47 years in exile.
HELD FOR RANSOM tells the true story of Danish photojournalist Daniel Rye who was held hostage for 398 days in Syria by the terror organization ISIS along with several other foreign nationals including the American journalist, James Foley. The film follows Daniel’s struggle to survive in captivity, his friendship with James, and the nightmare of the Rye family back home in Denmark as they try to do everything in their power to save their son. At the center of this crisis, we find hostage negotiator, Arthur, who plays a pivotal role in securing Daniel’s release.
Lori, a Syrian-Armenian girl living in Armenia, believes her father is taking her on a summer trip. When she learns that her family is really leaving Armenia after already fleeing the war in Syria, she tries whatever she can to stay in a place that has great meaning for her.
Two Iranian pilots are in a special mission to save the people of a Syrian city who are surrounded by the terrorists. But they have to face many challenges before manage to accomplish their mission.
Based on a novel by renowned Syrian author Haidar Haidar, Nabil Maleh's first full-length feature is set in Syria in the early 1900s. it is the suspense-filled story of Al Fahd (Adib Qaddoura), an ordinary peasant who becomes a lone rebel, fighting bravely against the colonial government that has usurped his land and subjects him to imprisonment, torture and insult at the hands of the gendarmes. But he declines the help that might have enabled him to overthrow the oppressors for good. The Leopard won first prize at the Locarno Film Festival in 1972 and in 2005 was selected by the Pusan International Film Festival as one of the greatest masterpieces in Asian cinema history.
One of the most celebrated war correspondents of our time, Marie Colvin is an utterly fearless and rebellious spirit, driven to the frontlines of conflicts across the globe to give voice to the voiceless.
Syria, 1967, rumors of war. Abu Kamel, a peasant who farms tomatoes near Latakia, bullies his family. One by one, each rebels against him or finds a route to break away.
Winter has approached Damascus, causing more electricity shortages in the city! In their last chance to communicate, Hazeem takes Maya on a car ride between fuel stations. Their road trip will expose a different side of the city and its inhabitants.
In battle-ridden Syria, a woman trying to smuggle bread into a blockaded area crosses paths with a soldier on the run.
An innocent child narrowly escapes destruction and death in Syria. What she leaves behind can never truly be left behind.
A young man aspires to follow in his father's footsteps and live up to his legacy of resisting the Zionist occupation. He reflects on his father's journey from his arrival in Quneitra in 1936 to his death after the Zionist army captured the city.