Jan Jedlička has been recording the Maremma landscape for three decades with various artistic means. He has systematically studied the topography of the region from the highest points, the large, simple shapes of hills and plains, the canal systems, the clean lines of the coastline. He observes the migratory fires set by local peasants to burn their fields and grass. The elemental structure of the landscape, the colours and reflection of the water surface emerge in the ever-changing light during the day and the seasons. The sequences and arrangements of the film develop a multi-layered dialogue between the landscape and the abandoned house. In the interior spaces of the house, in the play of light and shadow, from unexpected angles, from spots on the wall or patterns on the tiles, Jedlička reveals motifs that resonate with the physiognomy of the landscape.
Jan Jedlička has been recording the Maremma landscape for three decades with various artistic means. He has systematically studied the topography of the region from the highest points, the large, simple shapes of hills and plains, the canal systems, the clean lines of the coastline. He observes the migratory fires set by local peasants to burn their fields and grass. The elemental structure of the landscape, the colours and reflection of the water surface emerge in the ever-changing light during the day and the seasons. The sequences and arrangements of the film develop a multi-layered dialogue between the landscape and the abandoned house. In the interior spaces of the house, in the play of light and shadow, from unexpected angles, from spots on the wall or patterns on the tiles, Jedlička reveals motifs that resonate with the physiognomy of the landscape.
1991-01-01
10
A portrait of an old school house on the tidal island of Eilean Seòna within Scotland's Inner Hebrides, accompanied by the Wallace Stevens poem 'The House Was Quiet.
An investigation into the truth behind the murder of Guatemalan Bishop, Juan Gerardi, who was killed in 1998 just days after trying to hold the country's military accountable for the atrocities committed during its civil war.
The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times
Presumably inspired by Pete Walker's 4 Dimensions of Greta this is another 1970s sex comedy filmed in 3D. Walter Boos however went all the way - we do not have just the odd 3D boob scene, the whole film is made in 3D. The viewer is constantly reminded of that, because the cinematography is truly bizarre with plenty of scenes of rather peculiar camera angles that strongly emphasize the 3D effects, e.g. a girl on a swing moving towards (and above) the camera, twigs hitting a car window, and many many more. The exaggeration of 3D makes these scenes quite funny, as the effects are completely over the top.
Various introductions corners, card games, quizes, 'Making Of', and concert 'Backstage Footage'.
A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.
A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.
Denis works as a bartender. Today, after closing the shift, he immediately goes home, because he has to meet his mother in the morning. But a friend's visit changes the plans for this night.
In the Asturian town of Llanes (Spain), we see an example of Asturian pilgrimage, with the festival dedicated to San Roque.
A family man returns to his hometown to settle affairs, but discovers he is the last person in town who is not part of a legendary pyramid scheme. And all the others want him in.
For an imaginary friend, living an imaginary life, there's nothing worse than being forgotten.
A mansion, a lawn, some trees: an unmoved frontal view, 9 minutes long. We hear an off-screen voice. It si the co-director, who commands what goes on in the image. He calls up participants while the other co-director climbs a ladder and holds up a cornet that emits smoke and sparks.
Intersection is a philosophical journey detailing the extreme highs and the extreme lows of such a mentally driven sport; we explore professional Supercross and motocross racer, Josh Grant's, humble beginnings and introduction to motocross, all the way to his professional career and personal battles on and off the track in detail not yet known to the public. From dropping out of school at only 14-years-old, to being blind-sided with financial ruin shortly after the birth of his son, Wyatt... Intersection focuses on struggles of searching for the right path along his journey to not only find self-preservation but also to find the path back to his winning ways.
Typically you know what you are getting into when you go see a movie billed as "romantic comedy." And often they lack romance or comedy and sometimes both. Not to mention that the simplicity of the characters often make the movie very predictable. That said, romantic comedies often don't work overall and viewers are left with a few good moments here or there. All that is said to explain what you won't find in "Fool For Love." That is because the two main characters, in particular Dustin Nguyen's character "Dung" have a complexity to them that creates a real life foundation from which the romance and comedy can be built.
The inspiring true story of an accomplished open water swimmer's attempt to become the first woman to swim 30 miles through a stretch of cold, rough and shark-inhabited waters off of the San Francisco coast.