During the ewing-period the shepherd has to take especially care of the flocks. He has to assist the ewes in ewing, to control the feeding of the lambs, and to switch orphaned and abandoned lambs to ewes that have lost their lamb. This is still done by the traditional method of skinning: The dead lamb's skin is slipped on the abandoned lamb to deceive the mother ewe. At this time the shepherd must also warm newly-born, supercooled lambs inside the house and feed them artificially.
During the ewing-period the shepherd has to take especially care of the flocks. He has to assist the ewes in ewing, to control the feeding of the lambs, and to switch orphaned and abandoned lambs to ewes that have lost their lamb. This is still done by the traditional method of skinning: The dead lamb's skin is slipped on the abandoned lamb to deceive the mother ewe. At this time the shepherd must also warm newly-born, supercooled lambs inside the house and feed them artificially.
1980-01-01
0
The definitive story of how Aberdeen FC went from the nearly men of Scottish football to winning both the European Cup Winners Cup and European Super Cup. Documentary telling the definitive story of how Aberdeen FC defied expectations and ruled European football.
"Scottish Myths & Legends" explores the magic, mystery and sprinkling of mayhem that covers the dramatic landscape of Scotland. From the ancient tales of the Loch Ness Monster to the stories of shape shifting Kelpies, we go on a fascinating journey of discovery to uncover the stories behind the myths and the magnificent Scottish landscape that has inspired these truly legendary legends.
As her adolescence gives way to the obligations of motherhood, troubled Gemma matures in Motherwell, her Scottish hometown, heavily dependent on the steel industry. Unfortunately for her, her hedonistic way of understanding the world does not fit in with the philosophy of the rest of the villagers, so trouble soon follows.
Ewan McGregor narrates a captivating portrait of wild Shetland and traces the course of a breeding season as the animals on these remote islands battle for survival.
Dame Mary Berry travels to her mother’s homeland of Scotland, where she’s joined by friends Andy Murray, Iain Stirling and Emeli Sandé to cook indulgent Christmas dishes.
Eilish McColgan is running in the footsteps of her mother, Liz. This documentary shares their extraordinary journeys as Eilish tries to break her mum's final record - the marathon.
An impressive bottle of fine Scotch is in your hand. From barley to barrel, who made it and how did they do it?
In 2009, art detective Dr Bendor Grosvenor caused a national scandal by proving that the Scottish National Portrait Gallery's iconic portrait of Bonnie Prince Charlie, the rebel Stuart who almost seized power in 1745, was not in fact him. Keen to make amends, and suspecting that a long-lost portrait of the prince by one of Scotland's greatest artists, Allan Ramsay, might still survive, Bendor decides to retrace Charles's journey in the hope of unravelling one of the greatest mysteries in British art.
This documentary short examines the special train on which mail is sorted, dropped and collected on the run, and delivered in Scotland on the overnight run from Euston, London to Glasgow.
For 12,000 years wolves roamed Scotland. However, over three centuries ago, we exterminated them. This film reveals the rise and fall of the Scottish wolf and explores the question of whether they should be re-introduced. Wolves arrived as the last ice age ended, following the herds of deer and reindeer that crossed a now-lost land bridge from Europe. For thousands of years, wolves and humans shared the landscape as apex predators, with the wolf entering human art, myth and belief. However, farming put wolves and humans on a collision course, and, after centuries of persecution, wolves became extinct in Scotland. Since then, deer numbers have exploded, and many of Scotland’s woodlands have been stripped bare. Some argue for the wolf’s return. Could we, and should we, hear the howl of the wolf once more in the Highlands?
This documentary highlights the endangered existence of the Scottish wildcats, and the conservation efforts required to prevent their extinction.
Desert Killer is a 1952 short film directed by Larry Lansburgh about a hunter tracking a sheep-killing mountain lion. The film was nominated for an Oscar for Best Short Subject, One-Reel.
A commercial diver is stranded on the seabed with only five minutes of oxygen supply, but with no chance of rescue for more than 30 minutes. With access to amazing archival footage, this is the true story of one man’s impossible fight for survival.
A profile of the Hippest band of the 60's and 70's as they prepare for a reunion gig.
A varied history of gay people and Scotland.
Actor Mark Bonnar is on a mission to understand more about the Scottish new towns in which he grew up, exploring the street sculpture made by artists such as his dad in the 60s, 70s and 80s. He discovers why the new towns are there and how they enticed people out of the bigger cities, and uncovers the surprising ways in which public art changed the new towns and the new towns changed public art. Mark's father, Stan, made sculptures that stand to this day on the streets of Glenrothes, East Kilbride and the Scottish new town that never was, Stonehouse. These new towns employed town artists to make artworks in the very housing precincts the new residents were moving into.
Celebrating Billy Connolly's 75th birthday and 50 years in the business, three Scottish artists - John Byrne, Jack Vettriano and Rachel MacLean - each create a new portrait of the Big Yin. As he sits with each artist, Billy talks about his remarkable life and career which has taken him from musician and pioneering stand-up to Hollywood star and national treasure.
Documentary on the independent Edinburgh record label Fast Product and Postcard Records and associated bands like Fire Engines, Scars and Josef K
It's common knowledge that Scotsmen are macho enough to pull off wearing a skirt - perhaps it's all that caber-tossing. This disarmingly simple film concentrates on the tartan cloths of various clans rather than the men who wore them, and is an early filmic reminder of their huge importance to both Scottish national identity and the thriving tourist industry north of the border. The film's unique selling point was that pioneering filmmaker G. A. Smith showed off the vibrant designs in Kinemacolor, among the earliest colour film processes that didn't involve meticulous hand-painting. And no dangly bits in sight.