An experiment in video and sound collage by John Ledingham and Liam McCarrell. Inspired by the novel "Libra" by Don DeLillo.
An overview of John F. Kennedy's political career. Preserved by the Academy Film Archive, in partnership with Warner Bros. Entertainment Inc., in 2014.
A look back at the 1000 days of the John F. Kennedy presidency.
Host Grant Jeffrey discusses how technology and government activities are changing the way our information is handled. How is this shaping our lives?
The documentary offers testimonies and documents never disclosed about the plot against its protagonist, who had the stigmata of Jesus Christ in his hands, feet and side for 50 consecutive years.
A more experimental aproach to labor protection films. In the line of Săucan's style, the soundtrack is as important as the image, the threatening music, full of shrillness, composed by Ion Dumitrescu potentiating the visual construction that mixes - in a montage reminiscent of the Soviet avant-garde school of the 1920s - all kinds of shooting techniques and frame combinations.
Ten years after the death of iconic French filmmaker, Chris Marker. A filmmaker, hoping to rediscover that unique sensibility against the uncertainty of the new century, returns to the places synonymous with those incomparable and unforgettable films-- From the cat cemetery of Sans Soleil, to the mausoleum of The Last Bolshevik; The caves of Level Five to the rooftops of The Case of the Grinning Cat. A biographical portrait of one of the 20th century's greatest and most misunderstood filmmakers.
Hansjürgen Pohland's short documentary is an audiovisual study that captures events and people on the streets on film. The special feature of the work is that the people and objects are portrayed exclusively through their shadows.
An Editor recounts the diaries of a failed film production as they attempt to construct a new narrative from the remaining footage.
Evidence of Revision is a six part documentary containing historical, original news footage revealing that the most seminal events in recent American history have been deeply and purposefully misrepresented to the public. Archival footage and interviews provide an in-depth exploration of events ranging from the Kennedy assassinations to the Jonestown massacre, and all that lies between. The footprints left in this archival footage reveal the coordinated, clandestine sculpting of the America we know today. Evidence of Revision proves once and for all that history has been revised even as it was written!
Travel films have an established format with their own conventions, history and baggage. It is a medium that has all too often sought to control, define and dictate perceptions of ”other” places. Comprised of footage shot while travelling on group excursions across Russia in 2019, An Uncountable Number of Threads is an attempt to draw out the ethical restrictions of a travelogue, while questioning how (and why) to make one. At times there is an awkward tourist-gaze, aware of its outsider position. But as a self-reflexive work that considers its own creation, it ultimately unravels, as the artist rationalises themselves out of a particular way of working, inviting the viewer into their uncertainty.
Aurum Iter is a cinematic journey that delves into the depths of the visual and sonic, challenging the boundaries of traditional storytelling. Inspired by the minimalist essence of "Koyaanisqatsi", the short film invites viewers into a unique sensory experience where King Crimson's music intertwines with the visuals. Without dependence on words, the film reveals the fascinating interaction between humanity, exploring the intrinsic beauty and complexity of the world around us. As the visuals unfold before the viewer's eyes, an invitation is issued to contemplate society's impact on humanity and our never-ending quest for harmony with the environment. In Aurum Iter, I invite viewers to a poetic meditation on life, the interconnectedness of all things, and the urgent need to preserve the delicate balance between man, nature, and the body itself.
A former minor tax collection department is now a billion-dollar agency. This groundbreaking documentary exposes how this agency harasses, oppresses, intimidates, and terrifies small businesses and decent citizens.
November 22, 1963, John Fitzgerald Kennedy was assassinated in Dallas. Through the perspective of various stakeholders, Patrick Jeudy attempts to trace step by step the progress of this black day in American History.
Melbhattan. Melbhattan is part homage, part pastiche of the opening sequence of Woody Allen's seminal 1979 film Manhattan. Melbhattan features more than sixty black and white tableaux of Melbourne each composed to mimic images in Allen's film.
This French-Canadian co-production goes behind the scenes of the huge tobacco industry, whose economic power has been expanding for five decades at the expense of public health. A gripping investigation covering three continents, Nadia Collot's film exposes the vast conspiracy of a criminally negligent industry that conquers new markets through corruption and manipulation. To confront the tobacco cartel, anti-smoking groups are organizing and scoring points, but the fight remains fierce. With ist diverse viewpoints, shocking interviews and riveting images, The Tobacco Conspiracy deftly defines the issues in a complex situation where private interests and the public good collide. Enlightening and engrossing, this documentary is a hard-hitting critique of an industry gone mad.
'JFK: Seven Days That Made a President' investigates the seven key days in JFK's life that helped shape his character and have come to define him.
In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic abstraction. Subjected to Murata's meticulous digital reprocessing, the action scenes decompose and are subsumed into an almost palpable, cascading digital sludge, presided over by a hypnotically pulsating pink dot.
The "bleared eyes of blue glass" in the title of this experimental short expand on a verbal image from Virginia Woolf's novel The Waves, considered the most experimental among the 20th-century British writer's literary works, from which the young filmmaker took inspiration for his film, borrowing passages and visions to explain his own understanding of what cinema is. A film that plays with water - precisely - and light, and yet in a very dark b&w lit up by rare flashes of colour, making a journey in the night in which the shadow of a man gradually acquires substance.
Throughout history, regimes have used terror attacks as a means of control over their populations, and for the last 100 years, Western governments have employed the same measures.