Falsos Positivos(2009)

Esmeraldero(es)

The true story of the rise of a Japanese businessman from Los Angeles named Eishy Hayata from an Airline engineer into the legend of the Emerald world -- the Emerald Cowboy

Colombia in My Arms(fi)

After 52 years of armed conflict the FARC guerrillas are about to hand over their arms in exchange for political participation and social inclusion of the poor. Ernesto is one of them. The much celebrated Colombian peace agreement throws Ernesto and the polarised society around him into chaos in which everyone is afraid of the future and their own survival.

Dangerous Play(es)

Copa Libertadores, 1989. A true story about football, corruption and the power of Pablo Escobar and his cartel, told by its protagonists: five referees who resisted the dramatic weight of an era.

Dejen quieta la Iguana(es)

Voices of Kidnapping(en)

Ghostly images of Colombia’s jungle landscapes are set to radio transmissions sent by family members to their kidnapped loved ones—heartrending messages of grief, support, and, against all odds, hope.

I'm Not Speak English(es)

With analog and digital material collected during her stay on a "Work Trip" taking care of children in an American kindergarten as a migrant. I'm not speak English proposes —as a visual autobiography— to make visible a phantasmagorical light as a metaphor for the sudaca's bodies that work in invisible care task. Migrant bodies who bear as an imperceptible force the North American Nation.

Construyamos una escuela(es)

Chocolate of Peace(en)

Chocolate of Peace depicts the Peace Community of San José de Apartadó's experiences of resistance, via a journey through their processes of organic chocolate production. From the seed to the product, the cacao is the narrative thread that takes us through the Community's stories of violence and resilience, and their fight to remain neutral in the face of the Colombian armed conflict. This film offers a panorama of hope, proof that despite great difficulties it is possible to sow peace through human and economic relationships. It invites us to rethink our relationship with food, to value the efforts of those who produce it, and to build bridges between the victims of the armed conflict and other sectors of global civil society.

Barranquilla To The World(es)

This documentary unravels the surprising history that links Barranquilla with France, from the arrival of its first migrants to the palpable influence they left in the gastronomy, fashion and elegant urban landscape marked by Art Deco. Through his encounters with experts and witnesses, Julian explores the French legacy in the delicate art of stained glass and in the foundations of local education, culminating in the vibrant presence of institutions such as the Alliance Française, demonstrating that this historical connection is still alive and enriching Barranquilla's present.

When the Road Ends(en)

Growing up in poverty as a child, Dylan dreamt of travelling the world on a motorcycle. Many years later he broke the shackles of a normal life and took to the road. After journeying 200,000km across four continents, the road from Panama to Colombia comes to an end, swallowed up by an impenetrable jungle. Dylan has no choice but to take to the sea, building a raft powered by his motorcycle engine in the hope of reaching Colombia's road network 700km away. He must brave strong ocean currents and storm batterings in his journey from Central to South America.—Journeyman Pictures

El mejor equipo del mundo(es)

Tells the story of the famous Millonarios, one of the most awarded football teams in Colombia, which, as it was stated by the press, rivals and football leagues, between 1949 and 1953, it was the best team in the world. The documentary film, which some might say, one of the most important sports film pieces in Colombia, involves the stories of fans, members, ex-players, managers, chairmen and great journalists from the world of football, telling how this team revolutionized and changed the history of Colombian football forever.

Colombie : la paix confisquée - Paroles d'otages(fr)

La Flor de La Lengua de Vaca(es)

Camila lives her last days in the jungle as a guerrilla of the FARC-EP at the crossroads between an uncertain future of peace and the lingering memory of a childhood severely punished. Sent to a war hospital in the middle of the jungle, Camila begins a journey into her past, to the depths of an old wound that needs to be healed. A journey that ends up leading her to an unexpected reunion with her friend Ricardo, a young guerrilla recently amputated due to a mine.

Sought for Satan, found the family(es)

With the VHS images of his childhood, Miguel tells Fábio a particular story of his experience as a Colombian child and of the first manifestations of Satan in his life.

Cimarronas. La lluita afrofeminista a Colòmbia(es)

Pueblos de Arrecife(es)

Song of the Flies(es)

The experimental animated film Song of the Flies (El Canto de las Moscas), translates the desolation caused by the violence of the Colombian armed conflict through the poetic voice of Maria Mercedes Carranza (1945–2003) and the audiovisual dialogue between 9 Colombian women. In 24 places, as a transit over the course of a day (Morning, Day, Night) a map of terror is drawn where massacres took place in Colombia in the 1990s. Archival images, the artists’ personal memories and the use of loops and analogue materials bring to life the landscapes ravaged by violence and build a polyphony of memory and mourning, a universal song of pain.

Sons of the Wind(es)

Between 2002 and 2010, more than 10,000 civilians were killed by the Colombian army and thrown into mass graves—with the aim of demonstrating the success of the offensive against the FARC. Felipe Monroy offers a voice to the families of the victims of this unpunished state crime, thereby creating a heartrending film that stands against the worst crime of all: oblivion.

The Territory of Puloui(es)

“Territorio Puloui” is a documentary that explores the relationship between the indigenous Wayuu community and water. It tells the journey of Carmela, who visits the La Guajira peninsula for the first time, her father's home region and ancestral territory of the Wayuu people. Carmela listens to the voices of indigenous leaders and sheds light on the environmental impact of coal mining in the region. At the same time, she discovers the strategies used by the women of the community to survive the lack of water. The documentary immerses us in the Wayuu cosmogony through their myths, legends and beliefs, depicted in a series of animations that explore their dream universe.

The Macondian Hollywood(es)

Functions without theaters, murals without walls, clothes without fabrics and students without schools says the necessary about the state abandonment and but also talent and creativity of Colombians, which it has nothing to lose. The documentary tells the story of the beginnings and resilience of several artist from Barranquilla in different disciplines in continuing to maintain and diversify the living culture, that remain to exist.