Two Pinay bar dancers working hard in the land of rising sun. Ayu searches for her father, who is a local; while Aki weighs on getting an abortion. Their lives overlap and intersect with one another, thus affecting their life decisions.
Every week, warehouse security guard Estelle, turns a blind eye to the illegal gambling at the warehouse in exchange for financial and sexual favors. But when a younger and more beautiful new recruit, Meryl, arrives, will Estelle be able to keep her place as the lady guard?
Documentary about a new mom's quest to understand and promote the cargo bike movement in a gas-powered, digital and divided world.
Saddam Hussein's regime left many homes broken, families dead, and orphans left with no hopes for a good future. Homelessness in Iraqi-Kurdistan has risen, despite the implementation of orphanages. There is more that needs to be done. Ruwayda Mustafah, a political activist, returns to her homeland with ideas for improvement.
A maniac killer returns to the scene of a ten-year-old crime, only to find the ghost of a murdered servant girl waiting to exact her revenge.
When the promise of living in a perfect digital world traps the citizens of Sanctuary City online, Combat Wombat and Sweetie must return to save the day and kick some wom-butt!
Concerned parents hire a private detective to tail their son because they think he might be gay.
Directed by John Allison and Tim O'Grady, this documentary chronicles the restoration of a rusty motorcycle owned by firefighter Gerard Baptiste, who died in the World Trade Center terrorist attacks. To honor Baptiste, the colleagues who worked alongside him raised donations from big companies, local stores and individuals to turn the decrepit machine into a dream bike. The film captures the firefighters' devotion as they pay tribute to a hero.
A look into the mind of one of the Hillside Strangler murderers, Kenneth Bianchi.
David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.
The specific colors and tones and rhythms of a place in the south of France. The dryness of gold, the rock of plateau, the cemetery of the sailors, the echoes of fishermen and artists, the memory of Paul Valery. And water everywhere.
Director Humberto Solas, along with the leading ladies Raquel Revuelta, Eslinda Nunez and Adela Legrá, recall important moments of this classic of Latin American cinema "Lucia" (1968).
Takes place in 1665 in New France at a time when a part of Canada was colonialized by France. Joseph Côté escapes from a prison in order to avoid death by hanging. Moreover, while some colonial soldiers are chasing him, Joseph takes the identity of a Jesuit and hides in the seigneury of Beaufort where most men are waiting for "daughters of the king." (French women who were sent to Canada in order to find a husband.) At night, Joseph finds out that there are werewolves that terrorize the village. Besides, things get complicated when he falls in love with Marie Labotte, a "daughter of the king" that no one wants to marry. All in all, by simply trying to protect his life and Marie's, Joseph will end up fighting against the werewolves.
Lena owns a forgotten bar next to a highway where the trucks zip by but rarely stop. She is eight months pregnant and has been abandoned by her former lover, Colonel Mattos, of the São Paulo police. One day, she meets Vilela, a former policeman wanted for a crime he committed in São Paulo. Colonel Mattos was Vilela's superior, and his presence is continually felt by the pair. Two further elements add texture to the plot - the inhospitable landscape and the new baby's crying, which slowly makes life unbearable for the couple. Based on an original stage play by Fernando Bonassi, the film delves into the souls of two Brazilians isolated in one of the country's nameless reaches. A love story and a metaphor taken to extremes: a glimpse at an unequal society which excludes many of its citizens, pushing them into violent adventures of love and death.
An independent Goreploitation film dealing with the very real horrors of child abduction, torture and murder.