Deprisión(2023)

Un Hombre Muere(es)

mike padilla: WANTS MORE CONTENT (again)(es)

Mike is a guy who once tried to be famous on the internet, but failed and decided to give it up. Almost 3 years later, his "influencer" personality haunts him with the guilt of not having done anything better with his life.

La Malesa(ca)

Jana, a girl suffering from depression, escapes to her grandmother's country house in a desperate impulse to escape from her increasingly destructive thoughts. She is searching for the warmth emanating from her grandmother Helena and the home that saw her grow up between summers and holidays, but nothing tears her away from her unease. The forest that surrounds the house further immerses Jana in her loneliness, taking her to the limits of her own darkness.

No es nada(es)

Tinta Negra(es)

El Conejo(es)

Antes de Irme(es)

El peso de una pluma(es)

Un pinar salvaje(es)

Choices(es)

life of a young boy trapped in the grip of anxiety, as he fights the storm of thoughts that assails him. Through a visually striking narrative, 'Choices' takes the viewer on an emotional journey, exploring the daily struggle of those who face anxiety and mental pressure, highlighting the importance of finding the light within the darkness of the mind.

Nothing(es)

Before leaving for Spain, a writer confused with her feelings is reunited with a complicated love from the past, remembering in the process the moments that led her to where she is.

Aquí(es)

¿Y si...?(es)

Cuando Te Entendí(es)

Your Turn(pt)

When numerous schools in São Paulo were slated to be closed in 2015 as a result of the worsening socio-political crisis, students occupied more than a thousand public buildings in an unprecedented act of self-empowerment. Filmmaker Eliza Capai shows the development of the many-voiced protests, using news excerpts, self-conducted interviews and recordings made with activists’ own cell phone cameras. From the first demonstrations in 2013 and continuing all the way to the election of the extreme right-wing presidential Jair Bolsonaro in 2018, Capai’s highly political work becomes more and more relevant with each passing day.

Where We Belong(en)

For Alyssia and Ilaria, every farewell is also a reunion. Just a while ago they were at the Italian Mediterranean coast, now here they are standing at a parking lot in front of an Esso gas station, waiting for their father’s car to appear around the corner. Affectionately, they bid their mother good-bye for now. The two sisters’ parents are separated. Just like Carleton, Sherazade and Thomas, the two girls have found their own way of dealing with the situation.

Easy Love(de)

easy love is the experimental fiction debut of Tamer Jandali. His way of working shifted between documentary and fiction when he followed seven men and women from Cologne on their search for a balance between emotional security and sensual fulfillment. In four months of shooting those protagonists acted as braver versions of themselves. The camera opened the possibility to pursue their unlived dreams, fears and fantasies and ultimately experiencing them in reality. By shooting in a small team, always on the edge between documentary and fiction, Tamer Jandali created space for intimacy and a new form of cinematic authenticity.

It All Begins with a Song: The Story of the Nashville Songwriter(en)

Everyone knows Elvis Presley’s In the Ghetto and A Little Less Conversation. But who wrote those songs? That was Mac Davis, and almost no one has heard of him. He shares this fate with dozens of other songwriters who have been responsible for massive hits. Coincidentally, many of them live in Nashville, Tennessee – though this documentary reveals that isn’t quite as accidental as it seems.

For My Father's Kingdom(en)

The church of Tonga demands donations, especially from those who have left the country. This personal documentary follows the family of Saia Mafile’o who, decades after moving to New Zealand, still dedicates his life and money entirely to his homeland.

Letter to Theo(fr)

The filmmaker Théo Angelopoulos died on January 24th, 2012, knocked down by a motorbike on the set of his final film. In his unfinished film, he was telling the destinies of the victims of the Greek crisis. The list of victims of the crisis has only grown longer, this destitution echoing another that Théo had sensed was coming: that of the massive arrival of refugees who find themselves trapped in Greece by the closure of the borders. Yet citizen resistance is being organized and fights every day to bring those in danger of obliteration out of the shadows. Ironically, the ambulance supposed to come to his rescue broke down because budgetary restrictions had made it impossible to maintain the vehicle. The crisis itself killed Théo. This is a letter addressed to him in the form of a film.