Essa Terra é o Meu Quilombo(2023)

Serrote do Gado Brabo(en)

Documentary realized in the Quilombola community Serrote do Gado Brabo, Pernambuco. Here are their stories and struggles.

As Cores do Meu Reisado(pt)

Corpo Presente(pt)

A hybrid feature film that investigates contemporaneity through the body and its countless possibilities of expression and meanings. The film puts the body and the idea of the body in evidence, through metalanguage, articulation and confrontation of documentary, fictional and performative languages. The film follows the trajectory of the main character who uses her own body to formulate universes and investigate the meanings that are drawn in it. In a kind of subjective diary written on her skin, she records sensations and reflections, building relationships with thinkers, performances and archival materials, which lead her to other bodies and other stories.

Carta Sobre Nosso Lugar: Mulheres do Vila Nova(pt)

O Meu Lugar é Jogando(pt)

Madrepérola(pt)

A Terra E O Tempo - Vozes Do Quilombo(pt)

Almerinda, Uma Mulher de Trinta(pt)

Rescue of the life story of feminist activist from the 1930s, Almerinda Farias Gama, participant in the struggle for the right to vote for women in the 1934 Constitution, and activist of the Brazilian Federation for Female Progress, together with Bertha Lutz.

Caixa D'Água: Qui-Lombo é Esse?(pt)

The documentary "Caixa D'água: Qui-lombo is this?" It reports, through testimonies from former residents and photographic collections, the importance in the cultural and historical scope of the Getúlio Vargas neighborhood located in Aracaju, capital of Sergipe. Emphasis is placed on black culture and the presence of black slaves and their descendants, with the rescue of issues related to their origin, orality, geographical location and awareness of their racial identity, showing that, although this community exists in an urban area, it still maintains many aspects of the quilombo life of the former black slaves in Brazil.

Para Onde Vão As Mulheres?(pt)

A Casa Tina Martins(pt)

Ocupação Mulheres Mirabal(pt)

Black I Am(es)

The women of the first Garífuna community in Honduras work hard for the future of their daughters. Surrounded by a dazzling landscape, they celebrate their identity and the importance of maternal figures.

Eterno Amor ❤(pt)

Casa Helenira Preta de Referência para Mulher(pt)

505 Crime Lane(pt)

Two waitresses suffering from financial problems are convinced to participate in a robbery at the home of a famous writer without knowing that they are about to walk into a cruel trap.

Firelight(en)

Incarcerated women join a band of volunteers who battle forest fires and assist during natural disasters.

Valley of Souls(pt)

A black family tries to defend their land against invaders but gets caught between a mischievous witch and a tortured spirit eager for revenge.

My Neighbor Flora(pt)

Alice's life changes when Laura, the daughter of her neighbor on the wall, knocks on her door to ask if she knows anything about her mother. No one has seen her for days, neither Alice nor Laura, nor the lonely residents of the building.

First Film(en)

FIRST FILM was edited and narrated by Lorna Marshall and is comprised of footage shot in 1951 on the second Marshall family expedition to the Kalahari Desert. It is intimate in style, very carefully filmed, with a wealth of practical information about the material culture and structure of Ju/'hoan (!Kung Bushmen) hunter-gatherer society. The film allows viewers to see some of John Marshall's earliest film footage and provides an interesting comparison with the more sophisticated shooting found in his later work.