Tappava säde(2002)

Woman Avenger(zh)

A deadly martial artist seeks vengeance on the killers of her husband.

Film(en)

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

The Way to the Heart(en)

Ava, an award-winning chef at a big-city restaurant, has lost her spark. Her boss sends her out to find herself to save her menu and her job. She returns home and finds little to inspire her, but when she reunites with her childhood friend Logan, Ava has to get her head out of the clouds and her foot out of her mouth to rediscover her passion for food.

MOVING, PAINTING(en)

A mammoth 11 hour, 51 minute, and 6 second installation film in which an abstract painting will slightly, and sometimes greatly, move.

Movers & Shakers(en)

Studio head Joe Mulholland promises his dying producer and mentor, Saul Gritz, to adapt a popular sex manual into a film, despite his better judgment. Unable to figure out how to turn the nonfiction book into a narrative movie, Mulholland enlists the services of Herb Dorman, a screenwriter of popular romantic films with a bad marriage, and volatile director Sid Spokane to help him create a movie.

Dragstrip Riot(en)

An adolescent arrives in a new town where he tries to join the drag-racing crowd.

Die Physiker(de)

Pascal Sellem Ses caméras cachées les + bonnes(fr)

Ex(cn)

Zhou Yi is about to leave on holiday with her boyfriend Woody, until an argument makes Zhou Yi to dump him at the airport. Their breakup is being witnessed by her ex-boyfriend.

Aromas que trae el viento(en)

Archival super 8 footage combined with superimpositions of trees and plants

Oxford vs. Martigues(fr)

Rugby players play the game throughout the city streets.

The Young Guns(en)

After he's continually harrassed and bullied by his town's citizens, the orphaned teenage son of a notorious gunslinger takes flight and joins a gang of youthful outlaws.

Miedo a Perderte(es)

My Name Ain't Suzie(cn)

The World Of Suzy Wong is a great novel by British author Richard Mason which was made into a terrible Hollywood movie in 1960. Like Suzy, Shui Mei goes to work in a bar in Wanchai around the late 1950s, where sailors and foreign money are plentiful. But there isn't much similarity beyond this.

Mana Huncha Khina Sawule Chuti Dinna Aama(en)

The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.

In Praise of Shadows(fr)

A meditative state of wonder where the fleeting beauty of shadows evokes our place in the world, the passage of time, and the very essence of life and its fragility.

Crack Glass Eulogy(en)

A nostalgic envisionment of city living - the potential shards of memory seen as if always on the verge of cutting the mind to pieces.