In northeastern Brazil, day laborers and peasants flee from the arbitrariness of the big landowners to the big cities. The film team accompanies them on this journey full of misery and hopelessness.
In northeastern Brazil, day laborers and peasants flee from the arbitrariness of the big landowners to the big cities. The film team accompanies them on this journey full of misery and hopelessness.
1989-01-01
0
Behind the scenes of news coverage during the pandemic. Follow the work of the professional press in a fight against denialism.
The challenging daily routine of Ceará-born jockey Antonio Davielson and his family living in a foreign country on the other side of the planet.
Questions about celebrating 200 years of independence from Brazil with 300 years of slavery.
A journey into the interior of garbage, contemplated as a phenomenon of the human spirit, and not only as a product of human action. This essay-documentary, inspired by modern chaos theory, transits between the reality of statements and the surrealism of poetic images, seeking to integrate the conscious and unconscious life of the human mind. Apparently simple phenomena hide very complex behaviors. Maybe garbage is all that we don't want to see
The term "mongrel complex" refers to a feeling that is characteristic of certain classes in Brazilian society. This feeling, marked by defeatism, pessimism, and misinformation, is closely linked to the denial of "who we are as brazilians". The documentary "The Mongrel Complex" explains this feeling, discusses the theme, and gives a brief social and political panorama of Brazilian reality.
This documentary film explores the world of the bow and the extraordinary masters who make them. The bow is the Cinderella of the orchestra—the overworked and overshadowed ally to its more glamorous partners. Few people, even among lovers of classical music, think of the bow as an instrument in its own right, but players of stringed instruments see them differently. To musicians, the bow is as essential to expressing the soul of the music as the violin or cello. The film follows the journey of the “silent servant” of the music world—from the workshops of the virtuosos of the trade, to the birthplace of the bow in France, and to Brazil, home to the imperiled tree from which the world’s finest bows are made.
The Documentary tells the story of Jane Vanini from the author's reflections on her militancy-building process. Starting with the meeting of the two during the “Jornadas de 2013”, we will look at Jane's path as we follow steps, from her hometown, Cáceres, to Concepcion, in Chile. It is the possibility of discussing this journey from a personal point of view that makes this project unique and takes us to social, political and human borders. This window is opened to us through Jane's 41 letters to her family, allowing us to glimpse nuances of her intimacy and militancy choices. It was while researching Jane's militancy that the author debated these reflections on his own militant career and the context in which it takes place. Telling Jane's trajectory, going through her family and religious formation and its implications for her activism was one of the moments of encounter between these two days.
Brazil's "Red Command" drug cartel is considered a plague by the government. But for the people of the favelas they control, Red Command *is* the government. They’re the de facto leadership of the area. The gang has taken over the role of the authorities in their shanty towns, where the state has long abandoned them. Away Days got special access to the Rio favelas, hanging out out with young foot-soldiers, speaking to commanders, and seeing how civilians live between the gangs and the equally violent police militias.
A beautifully told story using archival footage to explore the life of Grande Otelo, a groundbreaking Black Brazilian actor. Overcoming poverty and racism, he built a stellar career, facing controversy yet using it to challenge prejudice.
An exploration of potential extraterrestrial encounters, centered on a series of events in 1996 when citizens of Varginha, Brazil, reported seeing one or more strange creatures and a UFO crash.
Documentary film about a slum community on the outskirts of Recife, a major city in northeastern Brazil. A portrait of life in extreme poverty and lawlessness: men without work, hopeless women, hungry and sick children.
Legendary rock band Rush plays the Maracana Stadium in Rio de Janeiro, Brazil, on the final night of the band's 2002 Vapor Trails tour, in front of 40,000 fans.
Critical investigation of The World Bank and IMF. Too hot for PBS, but prime time TV everywhere else. Do the World Bank and IMF make the poor even poorer? Are the Bank and IMF democratic institutions? Why do people demonstrate against the Bank and IMF? For the first time, a documentary global investigation of major criticisms of the World Bank and the International Monetary Fund (IMF), two of the most powerful financial institutions in the world. Five country case studies are presented, each concentrating on a different aspect of critics' charges: 1. Bolivia: Debt, Drugs and Democracy 2. Ghana: The Model of Success 3. Brazil: Debt, Damage and Politics 4. Thailand: Dams and Dislocation 5. Philippines: The Debt Fighters. The charges, including those related to structural adjustment, are controversial and provocative. Some go to the heart of the power and policies of these institutions.
The documentary tells the story of Júlio César, a young Afro-Brazilian who was executed by the Police in the 1980s in Porto Alegre. The crime became notorious when the press published photos of Julius being put alive in the police car and arriving 37 minutes later shot and dead at the hospital.