Fantasía Dubois(2020)

I am a Woman(sk)

Documentary film about the life of a transgender woman, current political situation in Slovakia and the power of hatred.

Arto Lindsay, Forgive the Beauty: The Love Factory(it)

In the void created ad hoc to throw us into desperation, fear, shock, the torment of an infinite present, Arto Lindsay sings with words, silences and small gestures of/with/for/about love, a force that is so violent that nothing will ever be the same again.

Finally Home: Making Beau is Afraid(en)

A documentary about the making of Ari Aster's Kafkaesque epic Beau is Afraid.

John Mayall - The Turning Point(en)

The earliest 'rockumentary' of John Mayall and his musicians filmed in their homes, dressing rooms, motorways, airports, clubs, concert halls and at festivals.

My AI Lover(ab)

Follows Yo, Siyuan and Mia, three young women who, using the mobile application Replika, have formed romantic relationships with virtual partners. This short documentary captures the richness of these bonds, from philosophical questions to intimate moments to the real sense of security and companionship afforded by these artificially intelligent lovers.

Pusharatas: A Biloxi-Croatian Tradition(en)

Every year at Christmas, the women of the Slavonian Ladies' Auxiliary celebrate their culinary heritage by getting together to make pusharatas (a type of Croatian doughnut) for the people of Biloxi, Mississippi.

Havana, From On High(es)

The chronic shortage of housing in Central Havana has pushed the city upwards, where life spills out onto the rooftops. Resilient and remarkable, these rooftop dwellers have a privileged point of view on a society in the process of major transformation.

Dans le vent(fr)

Short subject on how fashion is created-- not by the great couturiers, but on the street.

Julia(de)

Julia is a young transgender woman who left her home country of Lithuania. Now living in Germany, she walks the streets of Berlin, working as a prostitute to survive. This documentary revisits Julia over a ten-year period of her life.

Joan Crawford's Home Movies(en)

The private Joan Crawford fought as hard to create a normal family life as she did to establish her career. She forged her own path and to that end became a single parent, eventually adopting and raising four children. Like many parents, she picked up a 16mm camera and began filming both the special and the ordinary events of her family’s life. These home movies (ca. 1940–42) present that which one rarely gets to see: a larger-than-life personality at home, unadorned, just being herself—and often in color, at a time when her feature films were black and white. Crawford filmed most of the home movies herself; when she is on camera, it is unclear who is behind it.

Transition(fa)

Australian filmmaker Jordan Bryon has been living and working as a journalist and filmmaker in Afghanistan for more than six years. After the departure of US forces, he stays to document Afghan life under the male-centric Taliban leadership. With his colleague, Teddy, he heads to a Taliban stronghold in the north-west of the country, shortly after he started transitioning. If the Taliban knew he was trans, they would likely kill him. It’s a chaotic time, for the country and for Jordan, as he navigates his transformation and looks to the future.

Artifact from the Future: The Making of 'THX 1138'(en)

The Making of feature for the George Lucas movie 'THX 1138'.

The Elephant Will Never Forget(en)

A fond farewell to London's trams - whose peculiarly endearing qualities were discovered only at the threat of their disappearance.

Ripple(en)

Rae Ripple, a welder from the outskirts of West Texas transforms neglected metal into works of art and in the process finds healing from her traumatic past.

Eu também não te vejo daqui(pt)

Azzedine Alaïa(en)

Joe McKenna is one of the most influential stylists in the world. From the beginning of the 1980s, he struck up a great friendship with Azzedine Alaïa, and they continued to work together for many years. Thanks to their mutual understanding and trust, Joe McKenna was able to obtain the rare privilege of entering the studio and the couturier’s workshops with his camera. He paints an intimate and endearing portrait of Alaïa, punctuated by interviews with Nicolas Ghesquiere, Carlyne Cerf, Naomi Campbell and Grace Coddington, among others

Permanently Inhabited Stranger(hr)

In this documentary Edo Maajka, Bosnian hip hop star talks about war, his life as a refugee, war crimes, forgiving and making peace, nationalism, music scene in Croatia and Bosnia, Balkans mentality, love and hate, cevap restaurants, Sava river, partings, life of music stars, Lepa Brena and Nele Karajlic, politicians. His mode of narration and his charisma, his sincerity and his relaxed camera appearance will surely capture the spectators' attention.

Sustainable Style(en)

A look into the world of sustainable fashion with Emma Gorton-Elicott the owner of Fruit Salad, a Bristol based independent sustainable & slow fashion business. Emma discusses the difference between slow and sustainable fashion and what you can do to curate a sustainable wardrobe.

The Police Tapes(en)

The Police Tapes is a 1977 documentary about a New York City police precinct in the South Bronx. The original ran ninety minutes and was produced for public television; a one-hour version later aired on ABC. Filmmakers Alan and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44th Precinct of the South Bronx, which had the highest crime rate in New York City at that time. They produced about 40 hours of videotape that they edited into a 90-minute documentary.

A Look at Video Nasty(en)

Video Nasty; once a term referring to films that were criticised for their violent content in the early 80s, now the name of an up-and-coming film production company in Sydney, Australia. Join us in this two-minute documentary where university student and founder of Video Nasty, Lachlan Wylie, speaks on his experiences since starting the company in May of 2022.