Documentary with fragments and records about the boundaries between art and counterculture, based on a debate held at the Museum of Modern Art, Rio de Janeiro, in October 1968.
Self
Self
Documentary with fragments and records about the boundaries between art and counterculture, based on a debate held at the Museum of Modern Art, Rio de Janeiro, in October 1968.
1973-11-08
0
7.5A promotional video for the film “Death and Rebirth.” Released on January 25, 1997, it contains an overview of the series’ plot, cast interviews, a music video for “Soul’s Refrain,” and several trailers for the film.
0.0Experimental movie, where a man comes home and experiences LSD. His kaleidoscopic visions follow, with readings inspired by the Tibethan Book of the Dead.
5.0An experience of a camera swinging in different gestures facing the optical distortion of the Sun. The last appearance of the smudge.
9.0In the midst of a publishing revolution, The Atlanta Journal-Constitution, one of America's most storied institutions of journalism, is experimenting with new tools to tell stories in preparation for the end of print in the digital era.
0.0In a closed locker room, rugby players perform the last pre-match rituals. Warming up their souls and bodies, all tense in anticipation of the fight.
A documentary on the third film in the Sidney Toler Charlie Chan series
7.0Harmful chemicals are disproportionately affecting Black communities in Southern Louisiana along the Mississippi River. I am One of the People is an experimental short film exposing the environmental racism of “Cancer Alley.”
8.0Of Maine’s more than 5000 commercial lobstermen only 4% are female. The Captain celebrates that fearless minority through the lens of Sadie Samuels. At 27 years old, she is the youngest and only female lobster boat captain in the Rockport, Maine harbor. Despite the long hours and manual labor of hauling traps, Samuels is in love — obsessed even — with what she calls the most beautiful, magical place on the planet. Her love for lobster fishing was imparted early in her childhood by her dad Matt, who has been her mentor and inspiration since she was a little girl in yellow fishing boots.
0.0Ramón grew up in the shadow of his father's expectation. Now being a father and accompanied by his son, he returns to the places that determined his way of being, to confront the relationship he had with his late father and heal the relationship with his son.
2.0A motorcyclist talks about his history of integration in a motorcycle club and the lifestyle involved in belonging to that group.
0.0December 31, 2015. The Valencian bookstore Valdeska closed its doors permanently after forty years of activity. The result of four years of monitoring and filming, these 31 minuts of run time are part of a book unread, unknown and undiscovered. "Me voy. Me voy" it's not the story of a bookstore, not the portrait of an exceptional bookseller, it's a will to attach the things in the filmed image, to make something lasting showing the moment of its disappearence.
9.0End of adolescence, end of school, the last summer before joining the working world for a group of friends from the neighbourhood of Alcoitão, "BDA".
0.0Every year, five to ten percent of all deceased Berliners are buried by the authorities because no relatives are found. Most of them are put into the ground by mortician Bernd Simon going alone. But sometimes companions do turn up and say goodbye in their very own way. An observational documentary about an undertaker who actually wanted to become an entertainer, a bizarre city portrait and a mirror of how we deal with death, mourning and commemoration.
8.0This walk in the daily life of several psychiatric institutions, allows us to meet extraordinary people who let us enter their privacy.
0.0This is the only film about Big Bill Broonzy, you can see him playing the blues in a Brussels cellar.
0.0A drawing of an ancient bathhouse in a French travel book to the Middle East sparks a visual poem, inspired by the Arab poetry tradition of "standing by the ruins". The ambivalence of the five-hundred-year-old image gestures towards enduring capitalist and colonial power dynamics. Pleasure and pain, seduction and domination, archives and ruins, histories of sex, and histories of empire, all commingle in this essay film. What transpires is a web of visible and invisible threads where homosexuality in the Middle East today seems to be enmeshe
0.0As Singapore dredges sand from beneath Cambodia's mangrove forests, an ecosystem, a communal way of life, and one woman's relationship to her beloved home are faced with the threat of erasure.