The French orchestra Les Siecles is spoken of exclusively in superlatives. Critics, but above all listeners, highly appreciate the perfect ensemble playing of all sections of the orchestra, the clear range of dynamic differences, and rhythmic precision. Similarly, the conductor and founder of the ensemble, the charismatic François-Xavier Roth, is also highly regarded for his energetic musicality, clear gestures, and understanding of the genre he interprets. They came to Prague for the Prague Spring 2022 festival with pianist Bertrand Chamaya and a purely French repertoire. They performed works by César Franck and Claude Debussy and completely captivated the audience in the Dvořák Hall of the Rudolfinum. Les Siecles is sure to win you over as well.
Self – Piano
Self – Conductor
The French orchestra Les Siecles is spoken of exclusively in superlatives. Critics, but above all listeners, highly appreciate the perfect ensemble playing of all sections of the orchestra, the clear range of dynamic differences, and rhythmic precision. Similarly, the conductor and founder of the ensemble, the charismatic François-Xavier Roth, is also highly regarded for his energetic musicality, clear gestures, and understanding of the genre he interprets. They came to Prague for the Prague Spring 2022 festival with pianist Bertrand Chamaya and a purely French repertoire. They performed works by César Franck and Claude Debussy and completely captivated the audience in the Dvořák Hall of the Rudolfinum. Les Siecles is sure to win you over as well.
2023-04-24
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Live performance at Opernhaus Zürich in 2006. Nello Santi conducting Orchester der Oper Zürich and Chor der Oper Zürich. Directed for the stage by Gilbert Deflo.
With more than 50 years of experience as film director, Peter Greenaway (Nightwatching, Eisenstein in Guanajuato) combines the worlds of film and opera at the Verdi Festival in Parma, demonstrating what magic those two can do together with an all new approach to Giuseppe Verdi's Giovanna d'Arco, staged and edited by himself and his wife, Saskia Boddeke. The opera's libretto is based on Friedrich Schiller's 'The Maid of Orleans'. It tells the story of the French national hero Jeanne d'Arc, who defends her country against the English troops during the Hundred Years' War. Constantly torn between her humble roots, her love for King Charles VII and her heavenly task to fight for France, she gains eternal glory by giving her life in the final, victorious battle against England.
A behind-the-scenes look at the Aldeburgh Festival and the opening by The Queen of the new concert hall at Snape.
Join the Muppets' best sidekick, Beaker as he spreads his passion for the classics with his rendition of Beethoven's "Ode to Joy."
A ruthless real estate agent discovers a passion for piano and auditions with help from a young virtuoso, but the pressures of his corrupt career threaten to derail his musical aspirations.
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: This lecture takes its name from a line in John Keats' poem, "On the Grasshopper and Cricket". Bernstein does not discuss Keats' poem directly in this chapter, but he provides his own definition of the poetry of earth, which is tonality. Tonality is the poetry of earth because of the phonological universals discussed in lecture 1. This lecture discusses predominantly Stravinsky, whom Bernstein considers the poet of earth.
Go behind the scenes with one of London's most important musical institutions.
Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.
The film covers a hundred years in the lives of the Ricordi family, the Milan publishing house of the title, and the various composers and other historic personalities, whose careers intersected with the growth of the Ricordi house. It beautifully draws the parallel between the great music of the composers, the historic and social upheavals of their times, as well as the "smaller stories" of the successive generations of Ricordi.
DVD-01. The Look Of Love DVD-02. I'll Never Fall In Love Again DVD-03. Love Is Still The Answer DVD-04. A House Is Not A Home DVD-05. Stronger Than Before DVD-06. Don't Make Me Over DVD-07. This House Is Empty Now DVD-08. Walk On By DVD-09. (They Long To Be) Close To You DVD-10. Anyone Who Had A Heart DVD-11. Any Day Now DVD-12. Who'll Speak For Love DVD-13. Waiting For Charlie (To Come Home) DVD-14. Do You Know The Way To San Jose? DVD-15. This Girl's In Love DVD-16. God Give Me Strength DVD-17. Alfie DVD-18. Falling Out Of Love DVD-19. What The World Needs Now DVD-20. That's What Friends Are For DVD-21. I Say A Little Prayer
30 years after his last visit to Japan, John Williams has returned for a special concert – making his debut with the world-famous Saito Kinen Orchestra in renditions of his beloved film scores and reuniting with his longtime friend, world-renowned conductor Seiji Ozawa (1935-2024). Captured live on record at Suntory Hall last year, John Williams In Tokyo is now being be released by Deutsche Grammophon and follows his acclaimed concert albums, The Berlin Concert and John Williams in Vienna, which topped charts around the globe.
Violinist Mischa Elman performs a set of two of the most recognizable popular classic violin pieces: "Humoresque" composed by Antonín Dvorák, and "Gavotte" by François-Joseph Gossec. He is accompanied off screen by pianist Josef Bonime, although Bonime's instrument can be seen in the background behind Elman on screen. In one continuous single shot, the stationary camera focuses in squarely on Elman as he performs the two pieces.
Classical music doesn’t exactly have a reputation for being hip. For too long it’s been seen as a stuffy genre for the high cultured elite. WHAT WOULD BEETHOVEN DO? follows a number of renegades, from composers flirting with modern mediums, to young musicians dedicated to changing the narrative, to a man who’s bringing turntablists and orchestras together. Notable artists such as, Bobby McFerrin, Benjamin Zander and Eric Whitacre add their voices to the debate about why classical music is still relevant today.