2019-02-26
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Dieudonné returns over his 10 years of solo career... In an original direction(fabrication), he reviews all his hilarious characters who made of him the most prolific humorist of his generation.
Caroline Estremo, a nurse by profession, decided to bring her first book to the stage: "#infirmière". Instead of plunging into tragedy, she opts for humor: "I wanted to talk about it with humor, because it's more listenable for the general public. We've been on strike for years, marching in the streets, but I have the impression that people no longer hear us or see us. So I chose a different strategy: to make people laugh and make them laugh." It is thus that her one-woman show was born.
Pakistan-born comedian Kumail Nanjiani and grad student Emily Gardner fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family's expectations, and his true feelings.
Social networks, exacerbated militancy, Cancel Culture, the Covid crisis has only accelerated the emergence of the new world... Fabrice Eboué already feels overwhelmed... After the success of "Plus Rien à Perdre" and this long period of pandemic, Fabrice Eboué returns to the stage with his fourth and new show!
L'Autre c'est moi est le troisième spectacle de l'humoriste Gad Elmaleh, en 2005.
"Décalages" is Gad Elmaleh's first show, where he humorously tells the story of his arrival in France and his cultural shocks. Blending stand-up and characters, he addresses themes of integration and the beginnings of his career.
George Carlin hits the boards with the former Hippie-Dippie Weatherman's take on Brooklynese pronunciations of the names of sexually transmitted disease ("hoipes"), plus a prayer for the separation of church and state, feuds between breakfast foods, and the absurdity of wearing jungle camouflage in a desert.
Buster and his new cast now have their sights set on debuting a new show at the Crystal Tower Theater in glamorous Redshore City. But with no connections, he and his singers must sneak into the Crystal Entertainment offices, run by the ruthless wolf mogul Jimmy Crystal, where the gang pitches the ridiculous idea of casting the lion rock legend Clay Calloway in their show. Buster must embark on a quest to find the now-isolated Clay and persuade him to return to the stage.
More mature without being wise, as incredible as it is true, Cathy Gauthier is about to dazzle you with a third, more personal and authentic show. Between her childhood memories, which are unusual to say the least, and her enlightened view of current realities, the one who dreamed of being a “beautiful princess” has amassed her share of hilarious disillusionments. She shares them without restraint, with the energy and rhythm that make her a great comedian.
Sal Vulcano vividly recalls the fears he had throughout his early life and how they have lingered much too long into adulthood. Sal's animated storytelling and clever punchlines reinforces why he is a mainstay in the world of comedy.