Little Birds(2023)

The Illness and Recovery of Buda Brakus(sh)

The protagonists of this docudrama are old farmers who migrated to Banat after the First World War, in 1922. The film is focused on a couple of important events in their impressive lives, which are woven into lively scenes and stories full of wise instances. Their statements become spontaneous recounts of the lives of people in this region.

Just what I Am(es)

Short documentary about a transexual sex worker.

Sursum Corda, amore(es)

This intimate letter from a migrant grandson about his Italian grandmother, also a migrant, unites in a trip to Italy the portrait of Venezuelan migration as a vital legacy of the European post-war period and the current crisis that has led the South American country to the largest exodus the continent has ever known.

The History in the Gaze(es)

The film portraits the stage previous to the outbreak of the Mexican Revolution, from the end of Porfirio Díaz´ government, the social volatility, the ephemeral government of Madero and the presence of the working class in the figures of Villa and Zapata, until the signing if the Constitution of 1917. All of this through moving images, filmed during those events mainly by the Alva brothers, filmmakers of that time. Those images let us perceive the contradictory and shuddered glance of the people of that period.

Memories to Choke On, Drinks to Wash Them Down(cn)

This anthology film, whose Chinese title begins with a romantic name for human excrement, premiered internationally at Rotterdam and won Best Screenplay from the Hong Kong Film Critics Society. A variety of Hong Kong people wrestle with nostalgia when facing an uncertain future. Their stories give way to a documentary featuring a young barista turned political candidate.

Maria's Story(en)

It is El Salvador, 1989, three years before the end of a brutal civil war that took 75,000 lives. Maria Serrano, wife, mother, and guerrilla leader is on the front lines of the battle for her people and her country. With unprecedented access to FMLN guerrilla camps, the filmmakers dramatically chronicle Maria's daily life in the war.

Maximón: Devil or Saint(es)

MAXIMÓN - Devil or Saint is a documentary about the controversial Maya deity, also known as San Simon or the drinking and smoking saint of Guatemala. He is a mixture of ancient Maya beliefs and Christianity. The movie concentrates on the people who surround Maximón with their strong personalities, opinions and faith. The documentary gives us a rare view into the rituals and fiestas honoring Maximón. The cult of Maximón is flourishing because he performs miracles. He is also feared and despised because he is used to cast curses that can result in death. Ultimately, Maximón transcends the duality of good and evil, reflecting the Maya cosmovision in which everything in the universe co-exists.

Oaxaca - Zwischen Rebellion und Utopie(en)

No One(es)

Tells the story of Maria, a Central American immigrant who is forced to leave her family in search for a better life. On her way to the United States, she is forced to cross Mexico where she experiences a nightmare.

L'écolo qui défie la mafia de Mexico(fr)

Vivir de la madera (Kuxtal Ti' Che')(es)

In Mexico, the lack of jobs in villages and communities forces people to migrate to cities in search of opportunities and better income. This is the case of Justino, originally from the village of Muchucuxcáh, in the Yucatán Peninsula, who after traveling to Cancun and encountering problems and suffering there, decided to return to his village and learn to work with wood. Justino demonstrates how humans can interact with nature and their surroundings to have a dignified job.

Mexico: The Royal Tour(en)

Peter Greenberg explores Mexico with President Felipe Calderón, one of the most dynamic leaders of Latin America, for a history-making television special. Mexico: The Royal Tour goes beyond the headlines to journey deep inside Mexico and offer viewers access to extraordinary locations, landmarks and cultural experiences. It’s a fast-paced, non-stop adventure through Mexico’s iconic spots as well as experiences that aren’t found in any guidebook, but are still accessible to travelers.

Muxes(es)

Highlighting the unique culture of the Zapotec people of Oaxaca, Mexico, this groundbreaking documentary chronicles the lives of those who identify as muxes, a widely recognized third gender.

Winged Migration(fr)

This documentary follows various migratory bird species on their long journeys from their summer homes to the equator and back, covering thousands of miles and navigating by the stars. These arduous treks are crucial for survival, seeking hospitable climates and food sources. Birds face numerous challenges, including crossing oceans and evading predators, illness, and injury. Although migrations are undertaken as a community, birds disperse into family units once they reach their destinations, and every continent is affected by these migrations, hosting migratory bird species at least part of the year.

Carlos Sainz: The Operator(es)

Xejuyup más que un club de fútbol(es)

The Perechú family is afraid that the ancestral costume of their ancestors will disappear, but they see soccer as an opportunity to keep their culture and legacy alive.

Coco 2(en)

The sequel to the 2017 film. Plot TBA.

Ostrovy milionů ptáků(cs)

Butterfly Tale(fr)

A pair of rival butterflies form an unlikely friendship.

Adrift: People of a Lesser God(en)

ADRIFT- People of a Lesser God is the story of an incredible odyssey made by several-times Pulitzer Prize-nominated undercover reporter Dominique C. Mollard. In this gripping story, Mollard sails with 38 African migrants, among them a five-month-old baby, out of West Africa on a quest to reach the golden shores of Europe. All aboard are packed together like sardines in a leaky fishing canoe as they set off under full moon on their harrowing journey. ADRIFT-People of a Lesser God captures the struggle of these desperate migrants as they brave their way across the cold Atlantic, risking their lives in search for a better future. —Ziad H. Hamzeh