In a poor Estonian village, a group of peasants use magic and folk remedies to survive the winter, and a young woman tries to get a young man to love her.
An Asian-American high school football player is forced to confront his deepest fears after a strange encounter with a mysterious figure.
The film will be made up of two stories: "Ishi Okoshi" and "Ayashiki Raihousha." In "Ishi Okoshi," Natsume meets a small youkai called Mitsumi in a forest. Mitsumi is entrusted to wake up the divine youkai "Iwatetsu" from its deep slumber. Mitsumi weighs on Natsume's mind, so he sets out to help Mitsumi with his task. In "Ayashiki Raihousha," a mysterious visitor appears in front of Tanuma. Nearly every day, the visitor visits Tanuma, talks to him a little, and then leaves. Natsume, who knows the visitor is a youkai, worries for Tanuma, but Tanuma enjoys these exchanges with the youkai. The youkai means no harm, but Tanuma's health slowly starts to deteriorate.
Mavka, a water nymph, loves Lukash, a country youth. Their brief happiness ends when Lukash is forced to marry the shrewish Kilina. The Spirit of the Forest turns Lukash into a wolf as punishment for his infidelity. The strength of Mavka's love breaks the spell, but Kilina curses the nymph, transforming her into a weeping willow. This beautiful and tragic story is based on a play written in 1912 by Lesya Ukrainka, a Ukrainian poet, writer and political, civil and female activist, and includes mythological characters taken from Ukrainian folklore.
It is based on Perumthachan of the Parayi Petta Panthirukulam, a legend in the Kerala folklore. The problems caused by the generation gap are explored through the relationship between a skilled carpenter and his tradition-breaking son.
The Mother is one of Monteiro’s first essays on the universe of Portuguese oral culture, folktales and obscure colloquialisms. The plot revolves around a traditional tale about theft, greed, an ubiquitous mother, and the links between the worlds of the living and the dead.
In this highly theatrical TV production, Monteiro again draws on the world of folklore – and, more precisely, on the widespread sexual connotation of the pomegranate – to tell a tale of love, envy, treason and mistaken/double identities.
A group of teenagers go out to a den in the woods for a night of drinking, unaware that their behaviour touches on issues of ritual, folklore, mysticism and UFOs.
The plot is the embodiment of everyday belief about the impact of a certain evil force on a person. The action develops in a peasant environment.
Legend tells of a girl named Palmira. A teenager, becoming a beautiful woman, her normal small town life took an unexpected turn. A demon expelled from paradise falls in love with her, causing great misfortune; only one can defeat him.
A feature-length road trip drama, set on the iconic London canals. We are narrated an unlikely story mixing reality with hints of British folklore. Vincent (Alex Scrivens) is a lone mechanic boater on the canals who’s grieving from the death of his wife. Nursing his wounds with alcohol. One morning he stumbles back to his boat only to find a girl, Samantha (Olivia Griffiths). She’s going up the canal to find her mum, so they travel together, slowly finding a common purpose.
About a mysterious and troubled black woman, a former practitioner of the Santería religion, who must comes to terms with her background whilst in a Caracas jail.
A famous painter returns to Spain under a false name as he once had to run away, to meet his half gypsy daughter, who has become a flamenco dancer. He offers her his house, making popular rumors take flight.
A year after losing her mother, a young girl learns that she must journey across Japan to the annual gathering of gods in the sacred land of Izumo.
Basque Country, Spain, 1843. A police constable arrives at a small village in Álava to investigate a mysterious blacksmith who lives alone deep in the woods.
During a moonlit night, Sine vanishes after childbirth, leaving her husband Magnus devastated. A haunting exploration of Sine's past, unearths the traumatic events that connected her to the selkie realm - a world of mythical creatures who transform from seals into humans by shedding their skins. This poignant journey delves into the profound ties between folklore and the human experience.
Aarya leaves her family in the city to pursue her passion for the arts. She is gifted a red scarf, and is haunted by a Churail; a demonic and malevolent South Asian Witch.
In 1750, an adulterous preacher is ejected from a small British colony with his motley crew of followers, who make their way downriver to establish a new settlement of their own beyond the western frontier.