Naši furianti(1980)

Tri svadby(sk)

The Phantom of the Opera(en)

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

Pygmalion(en)

Can Professor Higgins transform flower-girl Eliza Dolittle into a great lady?

Phantom(ja)

Takarazuka Revue's Phantom based on the play by Maury Yeston and Arthur Kopit.

Gianni Schicchi(en)

Woody Allen's production of the Puccini comic opera at LA Opera in 2015

Oscar(fr)

This film originated as a play in Paris. The story focuses on the one-day adventures of Bertrand Barnier played with a genius of French cinema, Louis de Funes. In the same morning he learns that his daughter is pregnant, an employee stole a large amount of money from his company, his maid is about to resign in order to marry a wealthy neighbor and his body builder is interested in marrying his daughter. The seemingly complicated story-line is full of comedy or errors and some of the most hilarious mime scenes of the French cinema.

Pygmalion(en)

Can Professor Higgins transform cockney flower girl Eliza Dolittle into a lady by teaching her to speak properly?

Pygmalion(sv)

Can Professor Higgins teach a working-class flower girl to speak like a duchess?

Arabella(de)

2014 marks a year of celebration recognizing the 150th birthday year of the German late-Romantic orchestral, operatic and lied master composer, Richard Strauss (1864-1949). Arabella (premiered 1933, Dresden) was the last of the half dozen Strauss works to feature a libretto by the great Austrian writer Hugo von Hofmannsthal. This production, from the most recent Salzburg Easter Festival is, after Capriccio, the second of three Richard Strauss operas C Major is releasing in honor of the composers birth, life and work. The star-laden cast includes soprano Renèe Fleming, baritone Thomas Hampson, Albert Dohmen (Covent Garden, Wiener Staatsoper, MET) and Gabriela Beaková (Wiener Staatsoper, Covent Garden). With Christian Thielemann and the Staatskapelle Dresden, the music of Richard Strauss is in the best of hands. (ORF) Thielemann gets the best out of the cast...especially Renée Fleming with her luxurious soprano FAZ

Verdi: Otello(en)

Rarely has a production of Verdi’s Otello been staged in such a prestigious location: the courtyard of the Palazzo Ducale in Venice! This special outdoor “event production” of the Teatro La Fenice takes place amidst genuine late-Gothic and Renaissance architecture highlighted by spectacular projections: “A set of singular fascination” (Il Corriere Musicale). Critics were full of praise for the musical performance, designating conductor Myung-Whun Chung as the “absolutely dominating force” of the performance (GB Opera). The lead role is sung by Gregory Kunde, who successfully interpreted both Verdi’s and Rossini’s Otello in one year, perhaps the first tenor ever to do so. He “reproduces every accent, every colour demanded by Verdi with sensibility and intelligence” (OperaClick).

Little Shop of Horrors(en)

Seymour Krelborn is a nerdy orphan working at Mushnik's; a flower shop in urban Skid Row. He harbors a crush on fellow co-worker, Audrey Fulquard, and is berated by Mr. Mushnik daily. One day, Seymour finds a very mysterious unidentified plant which he calls Audrey II. The plant seems to have a craving for blood and soon begins to sing for it’s supper.

Cabaret(en)

Inside the Kit Kat Club of 1931 Berlin, starry-eyed singer Sally Bowles and an impish emcee sound the clarion call to decadent fun, while outside a certain political party grows into a brutal force.

Syntipukki(fi)

Adalbert "Mussu" Koikkalainen inherits 9,000 marks from his uncle. To buy a milk shop, Koikkalainen needs another thousand marks and work experience, so he applies for a job at the department store Sampo, where he is hired as a scapegoat to receive customer complaints. The saleswoman Irja Salo, who is under threat of dismissal, falls in love with the general manager Vaara, whom she thinks is a traveling salesman.

Kaikenlaisia vieraita(fi)

Young heiress' spendthrift nephew turns her manor into a boarding house for the summer. Suddenly the heiress returns...

Kuriton sukupolvi(fi)

Immersed in his research work, professor Reinhold Varavaara realizes that he has neglected his children's upbringing. He falls in love with his son Pelle's girlfriend Marja and becomes a laughing stock in the eyes of his family. The offended father sets out to discipline his ill-behaved children.

Olenko minä tullut haaremiin(fi)

In this comedy set in an urban environment, a bachelor household unaccustomed to housework seeks a maid. Unbeknownst to each other, engineer Arvi hires Helvi, a music student, and Martti, a master's degree holder, hires Aili, also a master's degree holder. When journalist Salomon hires Manta as a maid, chaos ensues.

Takki ja liivit pois!(fi)

Ilona, who is dating actor Aarne, wants to pursue a career in theater herself. Sakari, a professor of surgery, strongly opposes his daughter's plans, but changes his mind after falling in love with actress Irma.

Serenaadi sotatorvella eli sotamies Paavosen tuurihousut(fi)

Soldiers conducting combat exercises in the area attract women more than civilians, as Raakki-Kustaa and cantor Sylvester learn to their cost. Private Malakias charms the cowgirl Sandra with his smooth talk. Major Jyrki's manly appearance appeals to the charming lady of the manor, Oilia.

The Great Waltz(en)

A musical based on the life and music of Johann Strauss, Jr.

Viva Vivaldi(it)

Viva Vivaldi! is a concert by the Italian mezzo-soprano Cecilia Bartoli interspersing arias from the 20 surviving operas of Vivaldi with two concertos. Given with the early music ensemble Il Giardino Armonico before a very appreciative audience in the Théâtre des Champs-Élysées, the performance is part of Bartoli's exploration of the Venetian composer's opera music which also includes The Vivaldi Album. There is a startling dynamic energy, which contrasts powerfully with the more restrained interpretations by singers such as Emma Kirkby. Bartoli's natural Italian and the live atmosphere of Maria Grazia d'Alessio's oboe gives her interpretation of the quietly haunting and melodically rich "Non ti Lusinghi la Crudeltade" from Tito Manlio a particular piquancy. The Flautino Concerto is a most attractive interlude, while the more famous Lute/Violin Concerto beguiles with its exquisite lyricism.