In the near future, Panther Claw has destroyed the Tokyo Metropolitan Government. The capital government is forced to shift into the provinces. During this time, Honey Kisaragi has transferred to St. Chapel Academy as part of a special course. This special course is the "New Generation Honey" project, where students, including Honey, become Cutie Honey.
Ash Honey (Zwei)
In the near future, Panther Claw has destroyed the Tokyo Metropolitan Government. The capital government is forced to shift into the provinces. During this time, Honey Kisaragi has transferred to St. Chapel Academy as part of a special course. This special course is the "New Generation Honey" project, where students, including Honey, become Cutie Honey.
2020-02-06
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Shohoku's “speedster” and point guard, Ryota Miyagi, always plays with brains and lightning speed, running circles around his opponents while feigning composure. In his second year of high school, Ryota plays with the Shohoku High School basketball team along with Sakuragi, Rukawa, Akagi, and Mitsui as they take the stage at the Inter-High School National Championship. And now, they are on the brink of challenging the reigning champions, Sannoh Kogyo High School.
When an old adversary threatens Rome, the city calls once more on her hero and defender: Coriolanus. But he has enemies at home too. Famine threatens the city, the citizens’ hunger swells to an appetite for change, and on returning from the field Coriolanus must confront the march of realpolitik and the voice of an angry people.
The film will be made up of two stories: "Ishi Okoshi" and "Ayashiki Raihousha." In "Ishi Okoshi," Natsume meets a small youkai called Mitsumi in a forest. Mitsumi is entrusted to wake up the divine youkai "Iwatetsu" from its deep slumber. Mitsumi weighs on Natsume's mind, so he sets out to help Mitsumi with his task. In "Ayashiki Raihousha," a mysterious visitor appears in front of Tanuma. Nearly every day, the visitor visits Tanuma, talks to him a little, and then leaves. Natsume, who knows the visitor is a youkai, worries for Tanuma, but Tanuma enjoys these exchanges with the youkai. The youkai means no harm, but Tanuma's health slowly starts to deteriorate.
The play tells a new original story that features characters from the Shōjo☆Kageki Revue Starlight Re LIVE mobile game, featuring and primarily focused on the Edels and Junior High students of Siegfeld Institute of Music. It also features all three Seiran General Art Institute students, as well as Claudine Saijo from Seisho Music Academy, Fumi Yumeoji from Rinmeikan Girls School, and Shizuha Kocho from Frontier School of Arts.
The critically acclaimed all-woman Japanese acting revue Takarazuka brings Rurouni Kenshin to life, creating a new twist on a globally loved story.
Two alchemist brothers go on a quest for the Philosopher's Stone after an attempt to revive their dead mother goes horribly wrong.
As a new school year begins at Seisho Music Academy, nine third-year students in Class A of the Actor Training Department deepen their bonds as they approach graduation. They reminisce about their growth and face uncertain futures while preparing for classes. The story revolves around their determination to pursue their dreams and the challenges they encounter during the Giraffe's Revue, highlighting their growth and transition to the next chapter of their lives.
A year has passed since Menma's ghostly return to the Super Peace Busters. Although the time they spent together during that summer was short, the five members reminisce about what happened as they each write a letter to their lost friend.
Mikiya Kokutou gives Shiki Ryougi a cat to watch, as he will be away for a little while. Though Shiki protests, he leaves the cat anyway, and Shiki is stuck trying to understand her new feline companion. But as luck would have it, the cat seems to have taken a liking to Mikiya and misses him. Later in another part of the city, Ririsu Miyazuki visits the place where her dear friend committed suicide. She intends to end her life as well, but she meets Fujino Asagami, a blind classmate with a traumatic past. Though the two girls don't have much in common, Asagami reminds Miyazuki of her lost friend and helps her understand her pain. Two months later, Mikiya elects to celebrate New Year's with Shiki instead of his family, which makes his sister Azaka very upset, leading to her spending the holiday with her school friends. As the snow begins to fall, Mikiya reflects on what he wishes for most of all: that Shiki's life be filled with happiness.
Thirteen men and women wake up in a mansion, not knowing who each other is or why they have been abducted. To escape from the mansion, infested by Zombies, they must work together but cannot set aside their suspicions that one or more of their number is involved.
With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate man seeks revenge on his captors.
Set within a city where parasites rage, the parasites settled into their human hosts and increases their power and sexual desires. Dr. Suzune is a parasite expert who works daily to kill the parasites. A sinister demon organization exists behind the parasites. Dr. Suzune also realizes that her father, who went missing when she was a young child, is somehow connected with the group. Violence and madness awaits for her ...
One of several collaborative dance films by the Brothers Quay & (dancer, choreographer) William Tuckett. Little enough info around on line, but there's briefly by way of Wikipedia entry. Adapted rather loosely from the works of the E.T.A. Hoffman. Familiar Quays' tropes, much in evidence: automata, trompe l'oeil effects, etc. No credit on the sound design (which is fairly elaborate), tho' that is possibly Larry Sider.
Web adaptation of All Esper Dayo! manga featuring an original story.
Shoko Morimura (Aika Yukihira) is a 36-year-old single mother who has been in a "friendship" with Kazuki Kitada (Sho Aoyagi), whom she met again at a high school reunion. For some reason, a 17-year-old girl, Saki Yamada (Akari Takaishi), whom Kazuki was taking care of, grows jealous of Shoko and causes an incident. This leads to a break-up, and Shoko is disappointed in Kazuki's defense of the young Saki. Second part of a two-part film adaptation of the popular manga by Yoriko Minato. Directed by Hideo Jojo of On the Edge of Their Seats fame.
Live-action adaptation of the "Seikimatsu Bakuroden Saga" manga by Akira Miyashita.
Shota Kadomatsu, a first-year high school student who transferred to a private Takehana Boys' High School surrounded by four girls' high schools just because he wanted to have a girlfriend. However, the class he entered was a group of problem children, Class 1 G, who were isolated from the school building and feared by the teachers. Shota is surprised by the dilapidated classroom and his classmates with strong quirks, but he spends his days happily in love and friendship. However, the evil organization Tennokai, which was supposed to have been crushed by the urban legend of the delinquent group G-Men after a deadly battle, was closing in on them.
The Master’s late-night diner welcomes a woman troubled by funeral fans, an elderly scam victim, and a noodle delivery man struggling with love.
Kira is a sweet young girl with a traumatic past. She meets Rei who made her overcome her inner struggles. However, as much as they wanted to live as close to perfect as a couple can be, Kirishima tries to shake their relationship. Kirishima is a disturbed being who was bullied when he was young, and his outlook on life is what makes him do dark things.
National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.