El hombre cine mexicano: Pedro Infante, el mito(1994)

The Zapotec Chef(es)

After emigrating from his hometown in search of a better life, Chef Gaudencio Ruiz Mateo, defying all possibilities, found success at the highest level of his craft while longing to return home.

Saved From The Waters(es)

A biographical documentary about Moisés Avendaño, artist, athlete, sportsman, adventurer, and doctor from Veracruz, Mexico. Seen from his golden years, until his imminent encounter with Parkinson's disease, in the present.

They Made Us the Night(es)

Supernatural visions and indigenous folk myths intrude in an unpredictable and dreamlike Mexican film about a family living in the shadow of the apocalypse. A living, organic work.

School for Buglars(es)

The police plan to capture a killer by using a double that looks exactly as one of his victims.

Pretensión(es)

Night Beast(es)

A sadistic psycho, disguised as a military man and wearing a helmet, attacks and murders (mostly) women in a small town. It's up to the police captain and his girlfriend (who must act as a decoy) to stop him.

Yo Creo En El Ruido(es)

Lazos(en)

Emilio strikes up a conversation with Jennifer in which he tells her about his afflictions about his life and his family, and then finds himself with a pleasant surprise for him, but with sadness for her.

Diary of an Unexpected Journey(es)

A young woman receives a diary as an inheritance from her father, in which he tells her that she must take a trip to Chiapas, a requirement for access to all his possessions.

The Crying of Malintzin(es)

Nacho and Memo start working as night watchmen in a Tequila factory. It is a stormy night. As soon as they recognize themselves alone in the middle of the huge industry, they get ready to drink and then they discover an intruder inside the facilities. It is Don Catarino, an old beggar who lives off the mercy of the employees and is the one who warns them that a lost soul usually appears in that factory on stormy nights. He pleads with them to ignore her and not allow her to involve them in her troubles. As soon as he disappears, a woman asks them for help to shelter from the storm.

Viva Mi Desgracia(es)

After drinking a special concoction made of various types of alcohol, the once-timid Ramon (Pedro Infante) suddenly turns into a brawler and extroverted ladies' man. With his newfound confidence, Ramon attempts to win the heart of the woman (María Antonieta Pons) he loves. Full of enjoyable songs and funny scenes, this entertaining Mexican musical centers on a wealthy man who finally realizes that money can't buy him love.

A Breakfast Chronicle(es)

A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.

Nocturno a Rosario(es)

No desearás la mujer de tu hijo(es)

An elderly man falls in love with a beautiful young woman, without knowing that she is in love with his son.

Heroic(es)

Luis, an 18-year-old Mexican boy with indigenous roots, enters the Heroico Military College with the hope of securing a better future. There, he encounters a rigid and institutionally violent system designed to make him a perfect soldier.

Father Pablo(es)

Manolo has decided to end his life and needs assistance. He has convinced Esmeralda, the caretaker of his hacienda, under the promise of leaving her the resources she needs to go live with her daughter and granddaughter in Baltimore. She only has one condition. She will not do anything unless Father Pablo vows to hear her confession after the act. Pablo decides to stay in the hacienda indefinitely, to impede them from doing anything. But he hardly does anything himself - and his time with Esmeralda will make him confront with his sense of goodness, and to check his pride and dogma, and the love he never found for his father.

Robo Comercial(es)

Two friends decide to steal a shopping cart.

Bonanza(es)

Two teenagers face the differences of their parents; this leads them to cope with their own afflictions and learn of tragedies that cloud their vision, to the point of beginning to live the grief of a new life, leaving aside their comfort, their ideologies and questioning themselves for what they really are.

El Último Día en la Tierra(es)

Two old friends reunite by chance the same day a new quarantine is announced.

Gitana tenías que ser(es)

Pastora de los Reyes is a beautiful Spanish that goes to Mexico with a contract to film a movie. The main actors will receive her at the airport, among them is Paul, a little-known mariachi that has been chosen to become a new idol. Automatically, both had bad relations and during filming many discussions happens. This arguments gives way to a deep love.