In early 2012, Angela Washko founded “The Council on Gender Sensitivity and Behavioral Awareness in World of Warcraft” as a performative intervention within the often misogynistic environment of World of Warcraft (WoW), one of the most popular multiplayer, role-playing games. Instead of continuing to follow the quest structure of the game (killing dragons, getting better equipment, joining more competitive guilds, etc.) and while performing as “The Council" Washko facilitates discussions with players inside the game about the ways in which the community therein addresses women and how players respond to the term “FEMINISM.” Washko is interested in the impulse of the community/player-base to create a somewhat oppressive, misogynistic space for women within a physical environment that is otherwise accessible and inviting.
Shot during an NLP (neuro-linguistic programming) seminar in Berlin, a group fluxuates between guided meditation and discussion on consciousness and self-acceptance. Neuro-linguistic programming is a set of techniques and beliefs that are used primarily towards personal development. NLP is based on the idea that mind, body, and language create an individual's perception of the world, and an individuals behaviors can be changed by "perceiving and feeling yourself". Rapport focuses on the staging of the self that takes place during this kind of group therapy.
Paintings, performances, experiments, electronic music sounding in the spaces of two old houses in a small Italian town, heated conversations about contemporary art, touching meetings with the closest people and places in Bulgaria after 50 years of separation. "Flying with Fins" is a film about the constant search for meaning in art and life. Alzek Misheff, artist - rebel and experimenter, leads us in this philosophical and aesthetic journey through time, space and ideas.
A multimedia performance including film, live narration and dance, How Can You Stay in the House All Day and Not Go Anywhere? explores loss and transcendence experienced in human partnerships. Reflecting on his relationship with 102-year-old former sharecropper, carpenter and gardener Walter Carter as well as Andrei Tarkovsky’s science fiction classic, Solaris, Lemon and 6 dancers create a performance which arcs from turbulent physicality to restorative grace.
As the grand finale of the world tour, "SUGA | Agust D TOUR 'D-DAY' THE FINAL" marked the culmination of 25 concerts held in 10 cities, which captivated a total audience of 290,000 throughout its run. Experience the pulsating energy and excitement of "'D-DAY' THE FINAL" on screen, everything from the exquisite sounds traversing the boundary between "21st Century Pop Icon" BTS member SUGA and solo artist Agust D, electrifying performance, explosive energy, to special duet stages featuring fellow BTS members RM, Jimin, and Jung Kook.
Second Skin takes an intimate look at three sets of computer gamers whose lives have been transformed by online virtual worlds. An emerging genre of computer software called Massively Multiplayer Online games, or MMOs, allows millions of users to interact simultaneously in virtual spaces. Of the 50 million players worldwide, 50 percent consider themselves addicted.
In this audiovisual performance, Ed Atkins lyrically explores the subject of depression and the digital age.
For this work Alÿs purchased a gun in Mexico City then walked through the city streets with the weapon in his hand. After eleven minutes he was arrested by the police. The following day he repeated the action, this time in cooperation with the police. By presenting a record of this dramatic action alongside footage of its reenactment, Alÿs blurs the boundaries between documentation and fiction. Questioning the concept of authenticity, this work demonstrates “how media can distort and dramatize the immediate reality of a moment,” the artist has said. Gallery label from Francis Alÿs: A Story of Deception, May 8–August 1, 2011.
An all-new documentary celebrating 10 years of adventure, camaraderie, and /dancing on mailboxes all around Azeroth. Explore the history of WoW with its creators, and journey into corners of Blizzard and the WoW community you’ve never seen before.
In “Samples II”, Alÿs walks around London with a drum stick in his hand, playing the sounds of metal fences beside him.
This video performance showcases two works by the artist. In the first, he walks through the streets of London, trailing a wooden drumstick along a series of metal railings, producing a percussive, sometimes bell-like noise. The camera follows behind, focusing on the stick as it strikes the railings. Occasionally, it cuts to wide-angle shots, capturing the awkward and oddly humorous presence of other people. In the second work, titled "Samples II" Alÿs appears even rawer, minimal and radical. He walks around London with a drumstick in hand, creating sounds by playing the metal fences beside him, without a melody. These works are a playful example of one of Alÿs’s ‘interventions’ in the city.
Josh-awan Bulman details some highlights of the Zhuang Alliance Group's Style Guide.
Mike and Jeanne get to know each other, meet family and friends, touch each other, sleep together, go on holiday together, celebrate birthdays and say "I love you". What complicates things between them: their relationship is based on a contract of 14 clauses that are supposed to define all areas of being together. A small video camera is their constant companion.
A documentary about young people from rural China who get payed to improve World of Warcraft characters for kids in the West.
The secret life of a young World of Warcraft gamer is vividly reimagined when his online friends contact his family after his death.
Film follows Haide and Toomas, husband and wife in life and in art Piip and Tuut through the hard work of the creation of their new clown show in the Botanical Garden of Tallinn, showing the intensity and poetry behind their craft and focusing on their collaboration on stage and in life.
A film exploration of the work and aesthetic concepts of Yayoi Kusama, painter, sculptor, and environmentalist, conceived in terms of an intense emotional experience with metaphysical overtones, an extension of my ultimate interest in a total fusion of the arts in a spirit of mutual collaboration. —Jud Yalkut
Violin Film #1 (Playing the Violin as Fast as I Can), is one of several 1967-68 films featuring Nauman's violin-playing, in which the production of sound is subjected to procedural strategies that problematize its status as music and performance.
In an earlier film, Playing A Note on the Violin While I Walk Around the Studio (Violin #1), Nauman played a single note on the violin as he walked around his studio. In this video work, he remains in a stationary position while he plays four strings together. (These have been tuned to the notes of the title, as opposed to the normal G, D, A, and E.) The camera is fixed and turned on its side.
Giuseppina Pasqualino di Marineo, better known as Pippa Bacca, was a 34 years old Italian artist. She crossed 11 countries involved in wars, hitchhiking with another Milanese artist, Silvia Moro, both wearing a wedding dress. This was a performance for peace, trust and hoping to prove that if you rely on others, you’ll receive good things only. After travelling many roads, the two artists decided to split for a while in Istanbul, planning to meet again in Byblos. Pippa left then, alone, and nobody heard from her again.