Julia is suffering from a terminal illness. While in hospital she encounters Marine and, taking advantage of the young woman's precarious financial situation, makes her an offer. In exchange for a weekly 1000 euro payment, Marine will accompany Julia to her death. An exclusive and singular relationship forms between the two women.
Julia is suffering from a terminal illness. While in hospital she encounters Marine and, taking advantage of the young woman's precarious financial situation, makes her an offer. In exchange for a weekly 1000 euro payment, Marine will accompany Julia to her death. An exclusive and singular relationship forms between the two women.
2011-11-03
4.1
The film tells a story of an agent betrayed by his partner when transporting new psychic weapon. Believed to be dead, he escapes and takes new identity so he can live in peace far away. But later he is forced to return to Moscow to confront a secret organization, led by his former partner, that attempts to use the dangerous weapon in order to take control over the country. Now he is a key figure in the battle between forces of darkness and light.
An elder brother who lived a life of crime but left to show his younger brother the lifestyle is not fit for anything. Years later his younger brother takes his footsteps in the life of drugs/crime, to a deal gone wrong his younger brother is murdered, his elder brother steps back into his crime ways and to find and avenge his younger brother's death.
Two people are waiting together for each other. Their flat waits with them and for them. Together they are living side by side. Someone is coming, someone is leaving, the flat stays where it is.
The second of two planned sequels to the 2023 film Transformers: Rise of the Beasts.
People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.
A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.
When Pearl's younger brother becomes deathly ill, she travels back to the bayou to find Ruby and uncover the mysterious secrets of her past.
A wreathmaker slips on ice and injures her arm which puts her holiday wreath deliveries in jeopardy until a selfless neighbor steps up to keep her business afloat.
A mansion, a lawn, some trees: an unmoved frontal view, 9 minutes long. We hear an off-screen voice. It si the co-director, who commands what goes on in the image. He calls up participants while the other co-director climbs a ladder and holds up a cornet that emits smoke and sparks.
This documentary examines a selection of real life serial killers and compares them to the fictional Hannibal Lecter.
Muriel Leferle is 22-years-old, a convicted felon, HIV-positive, and can talk her way out of nearly anything. Filmmaker Raymond Depardon first encountered Leferle while shooting his documentary Delits Flagrants/Caught In The Act, about criminals dealing with the judicial system, and eventually decided her story was too good to limit to the 20 minutes of screen time she won in that picture. Muriel Leferle tells her hair-raising life story in greater scope than in the earlier film (both the truth and the version she gives to the judge); despite an unrepentant attitude about her life of crime, Leferle comes off as oddly likable, with street smarts and spunk to spare.
Intertwined stories from the gladiator/athletes participating to the Calcio Storico Fiorentino yearly championship.
While Dr. Ellen Bischoff celebrates success in her career, her family life is not at its best. Once she quarreled with her father Anton and turned her back on the local dairy farm. But now Anton is in the hospital after a severe heart attack. Ellen returns home to keep the operation going. There she meets her childhood sweetheart Felix again, whom she never forgave that he cheated on her with her former best friend Karin. In addition, Ellen struggles with serious problems: The father's farm is highly indebted and should be auctioned. The situation seems hopeless.
A love story between a closeted gay man in his 60s living with HIV and a lonely widower in his 50s. Amidst grief, the two form an unlikely bond through their shared love of music.
The story takes place in a small village surrounded by hills and valleys. Young Pappu, a teenager, awaiting school results to go to college, has plenty of time on hand. His trouble is adolescence, but neither his mother nor his aunt can diagnose his affliction. Everything around him excites and stimulates his sexual curiosity. Twenty plus Rathi, the girl next door, has been chechi (elder sister) to him since he was a child. Unaware of the stirrings of his desire, she dismisses his first overtures to her as boyish pranks. But soon her feelings change. She is sympathetic to the boy's confusion and goes to the sarppakkavu (cobra-shrine) to keep a midnight date with Pappu. It storms and thunders while Pappu makes love to Rathi. Only then do the storms—the one tormenting him inside his mind and the other raging thunderously on the outside, subside. Aghast at what has happened,
Kallan D'Souza and his partner make a living committing petty thefts and are highly successful at it. However, a stubborn police officer threatens their operation.