The film features the wonderful poet of the early 20th century, Count Vasily Komarovsky. The poets Nikolai Gumilyov, Anna Akhmatova and Osip Mandelstam, among other celebrities, were not only his acquaintances but he had a considerable influence on their work. The poet’s extraordinary life gave birth to legends, whose plausibility will also be dwelt upon. Komarovsky’s niece will share her recollections with the viewer. The film is based on unique documents previously unknown to Russian and foreign scholars.
The film shows one day from waking up in the morning all the way to waking up again the next morning. The everyday situations that many commercials are made of, the little dramas that they create and solve through the product or service they sell, are stitched together into one day. This is a film about the everyday in (German, or Western-European) society because the commercials are part of the everyday of most people (everyone who watches television) and they depict an ideal image of society. The film abundantly uses repetition as an editing technique, in visual ways as described above, but also because commercials can be read in different ways. For instance, Brat baking foil shows up at the evening dinner sequence, when an ovendish is put on the table, and again later on in the sequence about going out to a classic concert, because the clip has classic music.
In 1984 a tiny anonymous Tipperary village was thrust in to the world's spotlight when US President Ronald Reagan arrived to visit his ancestral home. It was said that Ballyporeen would never be the same again.
A career-spanning 1979 concert by Patti Smith and her band from Essen, Germany and broadcast on WDR's Rockpalast. Bonus interview after the concert.
The documentary adresses the meaning of music and the musical diversity present in Umbanda (a Brazilian religion with afroindigenous roots). With interviews with four umbandistas from Fortaleza - Ceará, Crossroads of the Sound pays reverence to the enchanted dimension where the sounds cross each other to make the spirits dance.
George Lucas, Irvin Kershner, Lawrence Kasdan and John Williams look back at The Empire Strikes Back 30 years later.
A series of impromptu interviews with Hal Hartley, Adrienne Shelly, and some of Hartley's other most frequent collaborators on his style, career, and process.
A glimpse over the Diguillín River through the mechanical eye of an old digital camera. Light’s trail presents itself fortuitously over the reflection of the sun on the water, tracing infinite threads of concrete luminous information.
Working largely uncredited in the Hollywood system, storyboard artist Harold and film researcher Lillian left an indelible mark on classics by Alfred Hitchcock, Steven Spielberg, Mel Brooks, Stanley Kubrick, Roman Polanski and many more.
Behind the scenes with the Lionesses during an incredible year for women’s football
Documentary about the poet, writer and playwright Hilda Hilst, considered by critics as one of the most important voices of the Portuguese language of the twentieth century. Through the use of personal sound and image files, interviews, meetings and fictional interventions, we will seek the memory and the presence of Hilda Hilst in her daily life at Casa do Sol, the farm where she lived in Campinas.
As a Cholera epidemic rages in Haiti, the United Nations denies it is responsible for introducing the disease despite glaring evidence suggesting Nepalese peacekeepers are to blame. Baseball in the Time of Cholera is the story of a young Haitian boy who plays in Haiti's first little league baseball team and the Haitian Lawyer seeking justice against the UN. As the epidemic spreads, the two stories intersect in the struggle for survival and justice.
Few Americans realize that the Battle of Midway - just six months after Pearl Harbor - doomed the Japanese to defeat. Discover how Admiral Nimitz and Admiral Yamamoto, two leaders from vastly different cultures, designed and executed their battle plans. See the spectacular naval and aerial battles as they played out.
Image production is fiction-weaving. Together with Sheena Absalud, we spent an entire day in Pride Month in my room documenting ourselves using different cameras: three mobile phones, one action camera, one CCTV camera, and one laptop, while asking each other questions about our asexuality. Recognizing the role of the moving image in constructing prejudice, self-identity, and desires, and therefore the expansion of neoliberalism, "The Function of Fiction" attempts to abandon temptations to define “asexuality” and its place in the context of “LGBTQIA+”, in pursuit of new socialities and possibilities. Music in the film was spawned with plants and machines.
With the Battle of the Aisne grinding to a halt as trench warfare gradually set in, both the German and Allied commanders realised the dominance of the defensive, established by quick firing artillery and the machinegun, meaning that casualties in frontal attacks on a dug-in enemy were enormously heavy. Consequently, the armies sought to outflank the opposition by heading north in a set of manoeuvres known as the Race to the Sea. During this phase Field Marshal French insisted on redeploying the British Expeditionary Force to the Allied left, nearer the Chanel ports.
A documentary about World War I with never-before-seen footage to commemorate the centennial of Armistice Day, and the end of the war.