Brand New(2023)

عيلة اتعملها بلوك(ar)

Whom Should We Shoot?(ar)

The film describes the political and economical corruption in 70s’ Egypt, through the relationship between a powerful man and his wife’s ex-fiance.

A Dinner Date(ar)

This movie revolves around the story of an innocent girl (Nawal) who was married to a rich and possessive man who still wants her back after their divorce; however she meets a hair stylist (Shoukry) and falls in love with him. They get married but her first husband starts torturing Shoukry so he can leave Nawal but he refuses. Eventually, acts of revenge begins from both Nawal and her ex-husband.

آسفة أرفض الطلاق(ar)

El-Halal Yksab(ar)

After Dr. Fouad performs an operation on Shams and saves her life, she becomes attached to him and asks him to marry her. He hides from her that he is engaged to Narges, fearing that her health will deteriorate, so he marries her and Narges at the same time, and convinces Shams that Narges is his sister, and events escalate.

A Nose and Three Eyes(ar)

Dr. Hashem, a well-known plastic surgeon in his mid-forties, has been unable to commit to a romantic relationship for quite some time. Over the years, he has grown very close to two girls but finds enough reasons to avoid them. However, he is now unable to resist a third girl, Ruba, who is twenty-five years younger than him.

The Night of Counting the Years(ar)

Set in 1881, a year before the start of British colonial rule, it is based on the true story of the Abd el-Rasuls, an Upper-Egyptian clan that had been robbing a cache of mummies they have discovered at tomb DB320 near the village of Kurna, and selling the artifacts on the black market. After a conflict within the clan, one of its members made a crucial decision when the Antiquities Service arrived.

Saladin the Victorious(ar)

The first Sultan of Egypt and Syria leads the Muslim military campaign against the invading Christians from Europe during the Third Crusade.

The Choice(ar)

When a free-spirited sailor is found murdered, his twin brother, a famous novelist, is the prime suspect. Investigators uncover a possible liaison between the dead sailor and the writer's wife, and also learn that Sayed's successful fictions owed much to the inspiration of his brother Mahmoud's adventurous life. Just as the evidence against the writer seems overwhelming, Mahmoud turns up alive. But why are the twins never seen together...?

Empire M(ar)

Well off widow working Mother "Mona" is struggling raising 6 kids at different ages ranging from elementary school to University graduating students. The day she thinks to bring a new husband home proves to be a very difficult task.

The Shame(ar)

A family inherits their father's drug business which leads to their undoing.

The Shepherd and the Women(ar)

The widowed Wafaa lives with her teenage daughter Salma and her sister-in-law Azza in her late husband Kamel's remote house. When Kamel's former cellmate comes to offer his help, the three women are hesitant to accept at first, but they end up falling for him and competing for his affection.

The Sinners(ar)

Actress Sanaa Kamel is found murdered on her bed, and an investigation starts, taking into account everyone of the guests she hosted at her apartment the night she was killed: her jealous fiancé, a school instructor, a corrupt market manager, one of Sanaa's friends who works as a contractor, and a stud who was Sanaa's secret lover. As the investigation progresses, all the conclusions about the characters are always under question.

No Longer Kids(ar)

The play tells the story of four siblings trying to stop their father from leaving his family for another woman after one of them accidentally finds a love letter from an unknown woman to their father.

Kit Kat(ar)

Sheikh Hosny is a blind man who lives with his old mother and his frustrated son in the Kit Kat neighborhood. His son Youssef dreams of going to Europe to find work, and has a relationship with a divorced woman named Fatima. Sheikh Hosny refuses to admit his handicap and dreams of riding a motorcycle like every sighted person, he also spends his nights smoking hash with the locals in order to forget his miseries after the loss of his wife and selling his father's house.

Rise to the Abyss(ar)

Abla travels to France and gets recruited by the Mossad under the pretext of working as a journalist. By the time she discovers the truth, she's already in too deep. As Abla recruits her fiancé, an engineer in the Egyptian army, the General Intelligence Directorate assigns Khaled to arrest her.

Bittersweet(ar)

An Egyptian-American returns to his homeland after twenty years abroad, filled with nostalgia and high hopes. But as he reconnects with his roots, he finds himself caught between two worlds—and begins to experience the reality of a country he thought he knew.

People Of The Top(ar)

Zaatar is a thief who works for Zaghloul the owner of an import and export company. Zaghloul exploits Zaatar and makes him smuggle goods from customs. Zaatar gets to know Siham,the sister of officer Mohammed, and they fall in love and he starts working on his own and competes with Zaghloul.

Karnak(ar)

In the 1960s, the lives of three college classmates, Ismail, Zainab, and Helmy, take a dark turn when the three of them are arrested and tortured as part of the repressive and violent practices that were employed by the General Intelligence Directorate back then.

The Emigrant(ar)

The biblical tale of Joseph is told from an Egyptian perspective in this interesting character study. In this film, Joseph is called Ram. Ram, tired of his family's backward superstitious life, and tired of being picked on by his brothers, wants to go to Egypt to study agriculture. His brothers travel with him across Sinai, but then suddenly sell him to Ozir, an Egyptian who works for a Theban military leader, Amihar. Amihar is impressed by Ram's drive and personal charm and so grants Ram some desolate land outside the capital. Ram soon finds himself a pawn in the political and sexual games between Amihar and his wife Simihit, a high priestess of the Cult of Amun.