Les œufs dans le plat(2022)

Pink Tokyo(fr)

Shame/Fame(en)

Movie about modern privacy.

Crushed(fr)

Through a powerful visual metaphor, Camille Vigny gives a first-person account of the domestic violence she suffered. The images and text interact with remarkable precision to convey the devastating impact of the cataclysm. It's a political gesture, brimming with courage, an icy cry that takes your breath away.

Où sont les noirs ?(fr)

French actors Lucien Jean-Baptiste, Aïssa Maïga, Sonia Rolland, Deborah Lukumuena, Marie-France Malonga, Gary Dourdan and others speak up on the reality of black actors in the French movie industry.

Shards of Light(uk)

War has ravaged the Ukrainian city of Bucha, whose residents have endured unimaginable hostility and suffering. If hope remains a faint glimmer, the will to survive still shines through in this powerful and unflinching film.

Everything's Better than a Hooker(fr)

The tragedy of Eva-Marree, deprived of her children for prostitution then killed by their father. In a convincing indictment, director Ovidie denounces the abuse of power by a supposedly protective Swedish state.

In the Grip of Gazprom(de)

The war in the Ukraine has changed the way many European countries view Russian politics. Suddenly it became clear how dependent countries had become on Russian gas imports for decades and what Vladimir Putin was up to. However, no country needs more gas than Germany. It was only after Russia's invasion of the Ukraine that the German government realized that Russia had long used gas as a weapon to impose its will on states. The instrument created for this purpose is the natural gas production company GAZPROM. So how did Germany become so dependent on Russian gas? The documentary shows how, over several decades and several changes of government, a broad alliance of politicians and business representatives did everything possible to secure Germany's energy supply with cheap Russian gas, while the Kremlin's foreign policy became increasingly aggressive and the warnings of experts went unheeded.

Mara(be)

It’s 2020 and Minsk, the capital city of Belarus, is overflowing with anti-government protests. A dreamy figure – Mara – takes us on a journey alongside the protesting crowds. Mara’s symbolic presence is a stark contrast to the harsh reality of the street. There is a determination to Mara, but also a fragility – as if her persona reflects the collective mental state of the protesters witnessing their dream for freedom turn into a nightmare.

Daten her! Was Du im Netz wert bist ...(de)

Trans - La confusion des genres(fr)

Mário Eloy - A Runaway Painter(pt)

Documentary about the life and work of Mário Eloy, one of the greatest painters of the second generation of modernism in Portugal.

What's Your Art?(en)

A 64 year old cardboard collecting grandmother and a Brazilian bodybuilder reveal the identity of Macau through the pointillist minutiae of their life experience, emotional strength, and driving passions.

The Pink Wall(es)

The historical memory of torture, persecution and killings of homosexuals and lesbians in Spain during Franco's dictatorship provides an opportunity to tell about discrimination and homophobia in the rest of the world. Those who lived through that period recall times when being gay was a crime and the Church was completely indifferent; even the movie (and the fashion) world turned their backs. Today Spain is actually a model for enlightened social attitudes and for the freedoms achieved by the GLBT community. So it is important to remind the young of the high price paid by the older generations. One of the directors of the film, Enrique del Pozo, is a singer and actor who is openly bisexual and very famous in Spain.

Screen Generation: Sick Generation?(fr)

Smartphones, computers, gaming consoles or digital tablets are now givens in our daily lives. The electronic intrusion is causing controversy and collective hysteria. Are we damaging our brains with all these screens? How will unprecedented exposure to screens impact humanity? To find out, the filmmakers examine how science has been applied to distinguish between truth and falsehoods, and explore the suspected side-effects of screen exposure. The documentary travels through the US and Europe to meet and speak to researchers who are leaders in this field.

Itinéraire d'un enfant placé(fr)

Yanie is 14 years old, and the foster family who raised her is retiring. Social services believe that her mother, who is reintegrating after a prison sentence, is not yet able to take her back. So Yanie will move into a new family, with the risk that if things don’t work out, she could end up in a care home. This is an added challenge to all the others she faces, but perhaps also a chance to break away from the old patterns that weigh down her life. The film tries to capture this moment called resilience. Amid the turmoil of her existence, Yanie will develop defense mechanisms.

Jeunesse à vendre(fr)

Africa Light / Gray Zone(en)

"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.

En nous(fr)

Ten years ago, the paths of Abou, Laura, Cadiatou and Jacques have crossed Emmanuelle’s. She was their French teacher at a high school in Marseille. Together they took part in a film, Children of the Princess of Cleves, in which, while analyzing the classic text, they expressed their hopes, dreams, and fears. In En Nous, the director re-connects with the protagonists : memories blend with stories of their lives and the daily obstacles they must overcome whilst trying not to lose hope. Now, the sentence of the Princess of Cleves rings poignantly true: “I know nothing can be more difficult than what I undertake”.

Pushkar Puran(hi)

An attempt to engage with the historical, mythical and the contemporary worlds of the city of Pushkar

Embargo sur l'Iran(fr)