‘Beauty is but skin deep, ugly lies the bone; beauty dies and fades away, but ugly holds its own.’ After three tours in Afghanistan, Jess finally returns to Florida. In a small town on the Space Coast, as the final shuttle is about to launch, Jess must confront her scars – and a home that may have changed even more than her. Experimenting with a pioneering virtual reality therapy, she builds a breath-taking new world where she can escape her pain. There, she begins to restore her relationships, her life and, slowly, herself.
Kacie
Kelvin
‘Beauty is but skin deep, ugly lies the bone; beauty dies and fades away, but ugly holds its own.’ After three tours in Afghanistan, Jess finally returns to Florida. In a small town on the Space Coast, as the final shuttle is about to launch, Jess must confront her scars – and a home that may have changed even more than her. Experimenting with a pioneering virtual reality therapy, she builds a breath-taking new world where she can escape her pain. There, she begins to restore her relationships, her life and, slowly, herself.
2017-05-31
0
A new version for younger audiences by Bijan Sheibani and Ben Power. Originally staged as part of the National Theatre’s Shakespeare for younger audiences programme. This archival recording was captured in 2017. This contemporary production sees a company of eight tell the most famous love story of all time, set against a vivid urban backdrop bursting with excitement, colour, dance and song. A swift, contemporary celebration of Shakespeare’s masterpiece, Bijan Sheibani’s thrilling production brings Romeo and Juliet to life for a new generation.
Inspired by Lewis Carroll's iconic story, this coming-of-age adventure explores the blurred boundaries between our online and offline lives. Combining live theatre and digital technology in dazzling new ways, wonder.land is brought to life on stage by an extraordinary creative team
1659 Mughal, India. Two brothers, Dara and Aurangzeb, are both heirs to the Muslim empire. Dara, the crown prince, has the love of the people – and of his emperor father – but younger brother Aurangzeb holds a different vision for India’s future. Now they fight ferociously for succession.
Caesar and his assassins are dead. General Mark Antony now rules alongside his fellow defenders of Rome. But at the fringes of a war-torn empire the Egyptian Queen Cleopatra and Mark Antony have fallen fiercely in love. In a tragic fight between devotion and duty, obsession becomes a catalyst for war.
Pauline Gibson has spent her life as a doctor, the inspiring leader of a local health campaign. When she crosses paths with her old boyfriend, a stalwart loyalist in Labour Party politics, she’s faced with an agonising decision. What’s involved in sacrificing your private life and your piece of mind for something more than a single issue? Does she dare?
Perdita is a brave, intelligent and much-loved girl, but something is not quite right in her world. Join her on a journey through magic and mayhem as she uncovers her story – the girl who was once lost and then found. This exciting new version of The Winter's Tale is the perfect introduction to Shakespeare for younger audiences. Warning: watch out for pursuing bears.
For generations, African men have gathered in barber shops to discuss the world. These are places where the banter can be barbed and the truth is always telling. Follow along as we leap from a barber shop in Peckham to Johannesburg, Harare, Kampala, Lagos and Accra over the course of a single day.
Playwright Clifford Odets' portrait of the Great Depression unfolds in the modest two-family home of Leo and Clara Gordon as misfortune strikes them and the people running with them. Opened on Broadway in 1935, it became one of the Group Theatre's most controversial plays and Odets' favorite.
Wild and newly single, Julie throws a late night party. In the kitchen, Jean and Kristina clean up as the celebration heaves above them. Crossing the threshold, Julie initiates a power game with Jean – which rapidly descends into a savage fight for survival.
Considered by many to be the greatest tragedy ever written, King Lear sees two ageing fathers – one a King, one his courtier – reject the children who truly love them. Their blindness unleashes a tornado of pitiless ambition and treachery, as family and state are plunged into a violent power struggle with bitter ends.
It’s 1786 and King George III is the most powerful man in the world. But his behaviour is becoming increasingly erratic as he succumbs to fits of lunacy. With the King’s mind unravelling at a dramatic pace, ambitious politicians and the scheming Prince of Wales threaten to undermine the power of the Crown, and expose the fine line between a King and a man.
An African country teeters on the edge of civil war. A society prepares to drive out its colonial present and claim an independent future. Racial tensions boil over. Tshembe, returned home from England for his father’s funeral, finds himself in the eye of the storm.
Owen, the prodigal son, returns to rural Donegal from Dublin. With him are two British army officers. Their ambition is to create a map of the area, replacing the Gaelic names with English. It is an administrative act with radical consequences.
Why is Justice blind? Is she impartial? Or is she blinkered? Friends take opposing briefs in a rape case. The key witness is a woman whose life seems a world away from theirs. At home, their own lives begin to unravel as every version of the truth is challenged. Nina Raine’s powerful, painful, funny play sifts the evidence from every side and puts justice herself in the dock. Consent received its world premiere in a co-production with Out of Joint at the National Theatre in April 2017. This archive recording was captured on 9th May, 2017.
From her beginnings as a destitute orphan, Jane Eyre’s spirited heroine faces life’s obstacles head-on, surviving poverty, injustice and the discovery of bitter betrayal before taking the ultimate decision to follow her heart.
A perceptive and funny study about the fantasies, inhibitions and dreams of two frustrated and lonely middle-class matrons who set up competing lemonade stands along a jammed highway. This short play incorporates comedy and tragedy, a touch of the bizarre, and ultimately, a sincere compassion in both women.
A Sunday Afternoon on the Island of La Grand Jatte by Georges Seurat is one of the great paintings of the world, and in "Sunday in the Park with George," book writer James Lapine and composer/lyricist Stephen Sondheim bring a story based on the work brilliantly to life. While the painting depicts people gathered on an island in the Seine, the musical goes beyond simply describing their lives. It is an exploration of art, of love, of commitment. Seurat connected dots to create images; Lapine and Sondheim use connection as the heart of all our relationships. Winner of the 1985 Pulitzer Prize for Drama. Originally broadcast as part of "American Playhouse" on PBS (season five, episode nineteen).
A cynical, self-hating, failed actor visits the gruff, earthy daughter of his scheming Irish tenant farmer and passes a soul-baring night of guilt-ridden confessions, tenderness, and absolution.
Anarchic, feisty but growing old, high society drop-out Judy Haussman remains in spirit with the Ashrams of the 1960s while holding court in her dilapidated Art Deco house on the Devon coast. After an operation, she's joined by wayward offspring Nick and Libby, sharp-eyed granddaughter Summer, local doctor Peter, and Daniel, a troubled teenager who makes use of the family's crumbling swimming pool. Together they share a few sweltering months in this chaotic world of all-day drinking, infatuations, long-held resentments, free love and failure.