In May of 1982 Julio Cortázar, the Argentinean writer and his companion in life, Carol Dunlop set out in their VW bus on a journey along the highway from Paris to Marseille that, for each of them, was to be their final one. Twenty-five years later, Océane Madelaine and Jocelyn Bonnerave set out to undertake the journey again.
Self
Self
In May of 1982 Julio Cortázar, the Argentinean writer and his companion in life, Carol Dunlop set out in their VW bus on a journey along the highway from Paris to Marseille that, for each of them, was to be their final one. Twenty-five years later, Océane Madelaine and Jocelyn Bonnerave set out to undertake the journey again.
2007-04-01
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Short subject on how fashion is created-- not by the great couturiers, but on the street.
A documentary about Ibrahim Gezer, who escaped from war in Kurdistan to Switzerland. All is lost, except his love for beekeeping.
An comprehensive look at the life and music of Mark Linkous, a influential figure in the alternative music scene. Critically-acclaimed Linkous had a dramatic life that saw him battle with drug and alcohol addiction, paralysis, and debilitating depression that resulted in his eventual suicide. Mark's music was heralded by his peers and critics; a mix of delicate pop, discordant punk and melodic odyssey; it has been described as defiantly surrealist with all manner of references to smiling babies, organ music, birds, and celestial bodies. The film mines Marks life and music and navigates the sacrifices and highs and lows of his art.
A documentary about entertainment and home, filmed in Switzerland and California.
An intimate portrayal of the everyday lives of Carthusian monks of the Grande Chartreuse, high in the French Alps (Chartreuse Mountains). The idea for the film was proposed to the monks in 1984, but the Carthusians said they wanted time to think about it. The Carthusians finally contacted Gröning 16 years later to say they were now willing to permit Gröning to shoot the movie, if he was still interested.
A walk through the career of French filmmaker André Téchiné, from his own point of view and that of those who worked with him: Catherine Deneuve, Daniel Auteuil, Emmanuelle Béart, Juliette Binoche and Sandrine Kiberlain, among others.
A documentary of an expedition to Churchill, Manitoba to film the Northern Lights.
This short documents the important role played by bread in the daily life of the city of Paris.
A history of the bridges of Paris, through modern views and historical engravings.
Discovering Paris under the German occupation through the story of an SS soldier and more generally of Wehrmacht soldiers allows us to follow the daily life on the German side. These soldiers enjoyed privileged status, during their stay, they were led to believe that they belong to a social elite, a status unreachable back in Germany during peacetime. And who better than a German who has led such lifestyle to serve as a common thread and tell this story?
In 1979, the Pacific Club was opened in the basement of La Défense - the business district of Paris. It was the first nightclub for Arabs from the suburbs; a parallel world of dance, sweat, young loves, and one-night utopias. Azedine, 17 years old at the time, tells us the forgotten story of this club and of this generation who dreamed of integrating into France but who soon came face to face with racism, the AIDS epidemic, and heroin.
Over 350,000 tons of highly radioactive waste and spent fuel rods are in temporary storage on site at nuclear power complexes and at intermediate storage sites all over the world. More than 10,000 additional tons join them every year. It is the most dangerous waste man has ever produced. Waste that requires storage in a safe final repository for hundreds of thousands of years. Out of reach of humanity and other living creatures. The question is, where? Together with Swiss-British nuclear physicist Charles McCombie, who has been searching for a safe final storage site for highly radioactive nuclear waste for thirty-five years, director Edgar Hagen investigates the limitations and contradictions involved in this project of global significance. Supporters and opponents of nuclear energy struggle for solutions whilst dogmatic worldviews are assailed by doubt
In the 70s, actress Delphine Seyrig and director Carole Roussopoulos, both militant feminists, were the pioneers of video activism in France. They documented the demonstrations of French feminists and used the new technologies to counter the poor representation of women in the public media.
An intimate window into one of the great movements in film history that brought about an evolution in the art of cinema. The documentary portrays the movement with insight on the lives and works of Jean-Luc Godard, François Truffaut and other principal players in the New Wave.
In France’s last presidential election, Marine Le Pen, a right-wing candidate, won over 30 per cent of the vote after an attempt to rebrand a party long associated with her controversial father, Jean-Marie Le Pen. See how three of her supporters faced similar obstacles in changing the narrative.
25 BIS is an intimate portrait of a masterpiece from the beginning of Auguste Perret’s career: the building located on 25 Bis, Rue Franklin in Paris. The film looks for the intangible and subjective element of the building’s history: the depth of its human print. The building appears as a sedimentation of life stories where each layer has left the trace of a passage. From the intimate nature of these stories, the film draws this fragile and undefined essence that could be called “the soul of the place”.