Movie: Hidden City of the Incas

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The Spruce Forest explores one of the darkest pages in Romanian history. Inspired by the drama of Fântâna Albă on April 1, 1941, the film reconstructs the fate of a Romanian community in Bessarabia, massacred in a desperate attempt to find refuge from the Soviet occupation. The testimony of a survivor of this genocide becomes the backdrop against which archival images and his wife's memories of Siberia are superimposed, in a dizzying game of mirrors that questions the notion of historical truth and reveals forgotten traumas with potentially devastating consequences in the present.

No Man Shall Protect Us: The Hidden History of the Suffragette Bodyguards
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In 1913/14, the most radical women's rights activists in England formed a secret society to protect their sister suffragettes from assault and arrest. They trained in martial arts, carried concealed weapons and used ingenious evasion and deception tactics. These women were known as The Bodyguard, and this is their story.

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In the mountains of Chiapas, a rebel experiment in autonomy continues to thrive – thirty years after its declaration of war against the Mexican state. ¡Ya Basta! 30 Years of Zapatista Autonomy, a Modern Insurgent documentary, explores the legacy and future of the EZLN, reflecting on how a masked, rural rebellion reshaped Mexico’s political landscape and inspired activists across the globe. What does revolution look like when it refuses to seize state power? And what can the world learn from a community that continues to build its own system from the ground up?

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Lost Temple of The Inca
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1917: One Year, Two Revolutions
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The Fate of America
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Postcard (Or, from afar, you are a mirage)
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"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.

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Aghet
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