Attendant 1
Attendant 2
1977-01-01
0
Claire and Bruno have been an established couple, an "institution" for twelve years. During a day in the countryside gathering all their loved ones, they will, by play, pretend that they separate. Resumed in 2015 with Bruno Solo, Isabelle Gélinas, Bruno Salomone, Constance Dollé and Lionel Abelanski who takes over the role of Patrick already held in 2004 in the film. Live broadcast on April 27, 2015 live from the Paris theater on France 2.
Parody of historical epics that focuses on real-life Australian explorers William John Wills and Robert O'Hara Burkes, who tragically tried to cross the Australian continent from the south, to the north, a distance of 3,250 km.
Prospero, Duke of Milan, usurped and exiled by his own brother, holds sway over an enchanted island. He is comforted by his daughter Miranda and served by his spirit Ariel and his deformed slave Caliban. When Prospero raises a storm to wreck this perfidious brother and his confederates on the island, his long contemplated revenge at last seems within reach. - Shakespeare's Globe
A former music hall singer, Amanda lives day by day while remaining optimistic. Short of money, she wants to publish her memoirs. But her ex-husband Philippe, minister-in-office, wants to dissuade her ...
Recorded in théâtre des Lices in Albi, 8 February 2014 A 20 year old girl, who lives with her father, widowed for twelve years, decides to leave the nest. She is in love and in love with freedom. With this departure, which is close to her heart, she wishes to conquer her autonomy and move in with her other half. But it is a delicate moment to manage for the pair, hitherto very united. How to get out of the fusional and loving relationship which links her to her father, a hard and fragile man at the same time, who does not intend to let her go like that? She then offers him a market ... To your Happiness, to your Laughs, Ready! Go!
After a painful separation 25 years ago, Séverine chose to immerse herself in work. She has created her own publishing house, small, of course, but one which gives her full satisfaction. Until the day when Jean-Pierre, her ex-husband, former business banker, shows up in his office. He is completely ruined, unemployed, and threatened with expulsion. Séverine agrees to help him on two conditions: nobody needs to know who he really is, and he will be a ... surface technician.
Yan awaits a tryst is embarrassed by her neighbor who stormed her house while she was on the doormat in lingerie . Stéphane Plaza endorses the costume of Pierre Richard in the play that inspired the film "A left out of the elevator ."
Claudine, a florist in her fifties, has an appointment with Valentin, her best friend and confidant. She wants to tell him about the love she has felt for him for five years. But the young man is an eternal seducer. He does not seem to be on the same wavelength as her friend.
François Pignon, an accountant in a condom factory, learns that he is going to be fired. Already overwhelmed by personal problems, he decides to throw himself out the window. He is stopped in his tracks by his next-door neighbor who suggests an unexpected plan to keep his job: pretend to be a homosexual. Assuming that in this age of political correctness, one does not fire a gay man, he manages to convince Pignon to play along while remaining a discreet and shy little man... What will change is the way others look at him. Pignon will thus benefit from an unusual reintegration by coming out of a closet where he had never entered.
July 14, 1962. It's the excitement at the famous cabaret "Le Glamour". The alluring singer Lola-Lola begins a new singing tour: we are sold out. But stupor and disaster! In the basement, in the toilets kept by the cantankerous Penelope, we discover a corpse in the ladies' room.
The comedy, centered on five characters (Rita, Rodolfo, Agostino, Bettina, and Don Attilio - "o viecchio pazzo"-), has as background the Italy of the 60s between the economic boom and the perennial unemployment crisis. The cylinder, well explained by "Agostino-Eduardo" in the comedy, is a representation of power, designed to intimidate the ignorant for its only evocative "power". It can also be seen as a sort of "Pirandellian mask", where the character of Augustine wears it to defend himself and represent something that he is not.