These Encounters Of Theirs divides 10 non-professional actors into couples, then has them take turns in declaiming the Dialogues With Leuco, Cesare Pavese's abstract, philosophical work.
These Encounters Of Theirs divides 10 non-professional actors into couples, then has them take turns in declaiming the Dialogues With Leuco, Cesare Pavese's abstract, philosophical work.
2006-09-07
6.4
Fluxes is Arthur Lipsett's view of the human condition and the mixed-up planet where humans are found. As in his other films (Very Nice, Very Nice; 21-87), Fluxes has a disconnected flow of images that, in their erratic way, build up into a cutting indictment of the world the way it is. The film's only commentary consists of unrelated snatches of words and sounds.
Opening in remote Kurdistan, Eine Hand Voll Gras introduces us to the impoverished family of 10-year-old Kendal (Arman Inci). In desperate need for cash to fund his older sister's wedding, Kendal's parents allow themselves to be persuaded by Kendal's uncle (Ercan Durmaz), who lives in Germany, to let the boy go to Germany to make some money. Upon their arrival in Hamburg, the uncle is arrested and Kendal ends up in the temporary care of Hellkamp (Oliver Korittke), a cabby with a shady past. ...
A girl is at school. Suddenly it's as if she can't breathe. As she runs down the stairs we follow her into her mind. It takes us deep into dark woods.
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
A horror short with no dialogue (Advised to watch with headphones)
When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.
After their teacher fails them, two high school students decide to teach the imperious, demanding instructor a lesson by falsely accusing her of the murder of a missing student.
Johnny Green leads the MGM Symphony Orchestra in a medley of waltzes and other familiar pieces by three members of the Strauss family.
Soudamini's husband has been paralysed and rendered impotent. Living with her old husband she likes the servant, Chandrasekharan. And She eventually marries him but later discovers that he has had relationship with many ladies and he aimed only at her wealth.
In 1962, a U.S. soldier sent to guard the peace in South Korea deserted his unit, walked across the most heavily fortified area on earth and defected to the Cold War enemy, the communist state of North Korea. He became a star of the North Korean propaganda machine, but then disappeared from the face of the earth. Now, after 45 years, the story of James Dresnok, the last American defector in North Korea, is being told for the first time. Crossing the Line follows Dresnok as he recalls his childhood, desertion, and life in the DPRK.
The late show from 07/18/2007. Tracklist: 01. Prince Introduces Band Members 02. When Eye Lay My Hands On U 03. Stratus (Long Portion) 04. Drum Solo By John Blackwell 05. Stratus (Short Version) 06. All Shook Up [Elvis Presley] 07. Peach 08. Spanish Castle Magic 09. When You Were Mine 10. Little Red Corvette 11. Somewhere Here On Earth 12. She Spoke 2 Me 13. Eye Love U, But Eye Don’t Trust U Anymore 14. Love Like Jazz 15. All The Critics Love U In Montreux - Housequake 16. Break 17. In A Large Room With No Light 18. Purple Rain 19. Epilogue
UFC 21: Return of the Champions was a mixed martial arts event held by the Ultimate Fighting Championship on July 16, 1999 at the Five Seasons Events Center in Cedar Rapids, Iowa. The event was seen live on pay per view in the United States, and later released on home video.
TAJOMARU is the famous 'bandit' of the forest from RASHOMON. Whoever kills Tajomaru inherits his name, status and sword. A royal brother leaves his kingdom to protect the princess he loves, only to find a series of harrowing adventures along the way which lead him back to where he came from, and then disinheriting his past to become the bandit TAJOMARU.
Owen, a young man is dissatisfied with his life. He heads into the forest to escape and learns a lot during his time there.
Two girls meet as one shows the other to her new locker and gives her the combination. The locker has been stuck with super-glue, a classic practical joke, one girl explains. They stand at the locker while the other complains about how she is tired of having simple information flickering around in her head, and wants to have a real, emotional experience.
Rachel flees NYC after another traumatic breakup and arrives at her parents' home in San Diego. They are adamant to see their wayward daughter settle down with a nice girl. Rachel goes on several blind dates that misfire badly. She finally lets her mother set her up with Christine, a typical Californian girl. Much to Rachel's chagrin, mom is right! Meanwhile, Rachel's friends wait for her to screw up the relationship. They know, even if she won't admit it, that she still carries a torch for her ex-girlfriend and they're not sure what would happen if she reappeared to reclaim Rachel.
Chrysis, a Greek priestess, is being fanned by her servant, who helps her get dressed before they both walk off.
An investigator tries to solve a murder, her constant interviews with the main suspect cause the investigation to take many twists and turns as what is said is not always what is meant.
14-year old Em likes to hang around in her old play house. One day a boy, Jakob, sets fire to it, and Em catches a brief glimpse of him before he disappears. They meet again a few days later. For the first time in her life, Em falls in love.
While her parents are absent, Isabell has invited a few of her closest, best-behaving friends to celebrate New Year's Eve in her house. However, the good spirit turns sour when some older guys crash the party. The alcohol they bring put the teens in a frenzied state where friends become enemies, couples cheat on each other and medical student Peter is almost killed in a party they won't easily forget.
Arsenic-laced water has poisoned a 15 year old boy from a small, rural village in Cambodia.
After years behind bars, three young men begin to rediscover lives of aggression and excess in their raucous Roma community. Among them is Alex, a captivating figure with a disturbingly blasé attitude toward violence, women, and guilt. In this absorbing documentary, offering a rare peek into contemporary Roma culture, Alex and his fellow ex-cons reconcile the outside world with the gray-shaded areas of morality with which they all struggle.
This haunting and beautifully formed documentary is a meditation on the life of Egyptian screen legend Soad Hosni, who starred in eighty-two feature films between 1959 and 1991. Hosni’s mysterious death in London in 2001 sent shockwaves through the Arab world, and this is the first film which look into her life and work. Using filmic montage, director and video artist Rania Stephan reveals the diverse modes of female representation embodied in Hosni's charismatic roles, and creates an ebullient picture of the iconic actress who captivated the modern Arab imagination.
Two lost souls visiting Tokyo -- the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial -- find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.
The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.
A young transgender man explores his gender identity and searches for love in rural Nebraska.
Five women musicians are brought together by their love for singer Dolly Parton. They all have dreams for their futures, but they are also burdened by their painful pasts. During a series of tribute concerts a warm friendship develops which leads to in-depth descriptions of the women's life stories.
Ali (Amit Sial) is a photographer and bike messenger who lives in New York. He develops a friendship and falls in love with a married woman, Saloni Oberoi (Mahima Chaudhry). When her husband, Harry Oberoi (Vikram Chatwal), is killed during the September 11 attacks, Harry's father, a retired Colonel (Anupam Kher), begins to take his aggressions out on Ali for being a Muslim. Although Mrs. Oberoi (Suhasini Mulay) tries to stop the Colonel's behavior, the situation escalates as the Colonel, himself, becomes the target of social post-9/11 aggression directed towards him because he is a Sikh. (Wikipedia)
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
A mute Scottish woman arrives in colonial New Zealand for an arranged marriage. Her husband refuses to move her beloved piano, giving it to neighbor George Baines, who agrees to return the piano in exchange for lessons. As desire swirls around the duo, the wilderness consumes the European enclave.
A family loaded with quirky, colorful characters piles into an old van and road trips to California for little Olive to compete in a beauty pageant.
A true Canadian iconoclast, acclaimed transgender country/electro-pop artist Rae Spoon revisits the stretches of rural Alberta that once constituted “home” and confronts memories of growing up queer in an abusive, evangelical household.
Michael White might just be the most famous person you’ve never heard of. A notorious London theatre and film impresario, he produced over 300 shows and movies over the last 50 years. Bringing to the stage the risqué productions of Oh! Calcutta!, The Rocky Horror Show and to the screen Monty Python’s The Holy Grail, as well as introducing Merce Cunningham, Pina Bausch and Yoko Ono to London audiences, he irrevocably shaped the cultural scene of the 1970s London. Playboy, gambler, bon vivant, friend of the rich and famous, he is now in his eighties and still enjoys partying like there’s no tomorrow. In this intimate documentary, filmmaker Gracie Otto introduces us to this larger-than-life phenomenon. Featuring interviews with 50 of his closest friends including Anna Wintour, Kate Moss, John Waters and Barry Humphries and, of course, the man himself, Otto pays a vibrant tribute to a fascinating entertainer.
‘You have no choice about being here, you’ll have no choice about when you leave’ proclaims a woman in Xiaolu Guo’s latest film, a documentary about the personal and physical journeys of the people of London’s East End. Herself an immigrant to the area, Guo’s sensitive character studies hint at an affinity with the push and pull of feelings of alienation, a theme she has previously explored as a filmmaker (She a Chinese, LFF 2009) and novelist (A Concise Chinese-English Dictionary for Lovers). This empathy is also apparent in her playful stylistic approach that layers Warhol-esque news reports, archival material and a soundtrack including Linton Kwesi Johnson and Fela Kuti, to comment on the human cost of capitalism. The resulting film is both a penetrating portrait of a frenetic place that feels deeply authentic, and a powerful piece of protest film.
When Marvin Hamlisch passed away in August 2012 the worlds of music, theatre and cinema lost a talent the likes of which we may never see again. Seemingly destined for greatness, Hamlisch was accepted into New York’s Juilliard School as a 6-year-old musical prodigy and rapidly developed into a phenomenon. With instantly classic hits ‘The Way We Were’ and ‘Nobody Does It Better’ and scores for Hollywood films such as The Swimmer, The Sting and Sophie’s Choice and the Broadway juggernaut A Chorus Line; Hamlisch became the go-to composer for film and Broadway producers and a prominent presence on the international Concert Hall circuit. His streak was staggering, vast, unprecedented and glorious, by the age of 31 Hamlisch had won 4 Grammys, an Emmy, 3 Oscars, a Tony and a Pulitzer prize: success that burned so bright, it proved impossible to match.
Taşkafa is a real dog and also a legend on the streets of Istanbul. John Berger begins Taşkafa’s story, reading from his novel, King, the story of the disappearance of a community told from a dog’s perspective. The area’s ordinary people – taxi drivers, shopkeepers, street traders – care deeply about the welfare of the city’s street dogs and they tell us stories about Taşkafa and their other canine neighbours. The animals are a symbol of community living, where people (and dogs) look out for each other, but this is a community in transition; one from which dogs are starting to be expelled. Eccentric, amusing and very warm, the film is a powerful indictment of the impact of global politics and the economic appropriation of public space but, even more, it is a tribute to both the spirit of resistance and to city life that can accommodate people and dogs together.