
Based on an interview with Ingmar Bergman and footage taken during the director's visit to the Reykjavík Art Festival in 1986, this film focuses on Mr. Bergman's methods and philosophy on film direction.


Based on an interview with Ingmar Bergman and footage taken during the director's visit to the Reykjavík Art Festival in 1986, this film focuses on Mr. Bergman's methods and philosophy on film direction.
1989-01-15
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5.0Super-8 footage captured while filming Bergman Island. In voice-over, filmmaker Mia Hansen-Løve offers intimate reflections on her creative process on the island of Fårö and her relationship with Bergman and Swedish cinema.
6.9Shot on the island of Fårö, this documentary presents interviews with local inhabitants as they discuss work, family life, and the conditions of living in a sparsely populated rural community. Bergman documents generational differences and practical concerns surrounding farming, fishing, education, and migration as the island confronts social and economic change.
8.0The working class girl from Landala, Gothenburg, through the fine art of theatre and all the way to Hollywood.
7.4The year 1957 was one of the most prolific for the Swedish filmmaker Ingmar Bergman: he shot two films, released two of his most celebrated films and produced four plays and a TV movie while juggling with a complicated private life.
0.0Four of Sweden's most innovative choreographers travel to Ingmar Bergman's home on Fårö to explore and get inspired. The result is a unique contemporary dance film.The renowned Swedish choreographers Alexander Ekman, Pär Isberg, Pontus Lidberg and Joakim Stephenson, with principal dancers Jenny Nilson, Nathalie Nordquist, Oscar Salomonsson and Nadja Sellrup from the Royal Swedish Ballet, interpret Ingmar Bergman through four unique dance performances reflecting on human relations and intense feelings. The dances are linked together with images of the epic natural beauty of Fårö and Bergman's poetic home Hammars, including the voice of the master himself - Ingmar Bergman - revealing his thoughts about movements and music.
6.5Filmmaker Kogonada reflects on women and mirrors in the films of Ingmar Bergman.
6.6In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, and left Stockholm to live there. When he died, the house was preserved. A group of very special film buffs, came from all over the world, travel to Fårö in search of the genius and his legacy. (An abridged version of Bergman's Video, 2012.)
0.0Language is like memory. If it is not used, it slowly fades. Stockholm is not like Zagreb, but it is like any capital city. I was there when it happened, without having time to say 'thank you' for everything. The book is excellent, each chapter is like Andersson's tableau – a separate whole in which over time you notice the thoughtful layers of tragicomic human life.
6.3An English-German filmmaking couple retreat to Fårö for the summer to each write screenplays for their upcoming films in an act of pilgrimage to the place that inspired Ingmar Bergman. As the summer and their screenplays advance, the lines between reality and fiction start to blur against the backdrop of the Island's wild landscape.
No Days Off for Death” is a film that depicts an altered rendition of our own world to explore themes of grief and over corporatisation, the narrative takes place from two perspectives that ultimately come together; one of a nameless Grim Reaper (only referred to as “Death”) who only wants to take a long overdue holiday from their endless mundane work in the corporate underworld and a grieving man (Max) contemplating committing suicide after a breakup leaves him at the end of his rope. When Death is sent on a job to see that Max goes through with his plan, they decided to try and convince Max to keep on living, an altruistic act Max reluctantly engages with even if death just wants their holiday.
6.9This short dance film presents four women moving within a narrow, enclosed room to music by Claudio Monteverdi. Conceived as a dance play rather than a ballet, the performers embody recurring female roles passed down across generations, including figures identified as damned souls, death, and a child compelled into the same patterns.
5.7De Düva is a 1968 Oscar-nominated American short film that parodies the films of Swedish director Ingmar Bergman, including Wild Strawberries and The Seventh Seal. The film borrows heavily from the plot lines of some of Bergman's most famous films. The dialogue, seemingly in Swedish, is actually a Swedish-accented fictional language based on English, German, Latin, and Swedish, with most nouns ending in "ska." The film was nominated for an Oscar for Best Live Action Short Film.
0.0A highfalutin art movie crumbles into a meta-fictional disaster that betrays its director’s incompetence in real time, and it’s all on film.
10.0As Alex struggles with disturbing hallucinations, his wife Vera tries to help, until they both experience their own profound revelations.
9.0Amid the social strife of 1970s Britain emerged NWOBHM, the New Wave of British Heavy Metal. New bands from ordinary British towns and suburbs like Iron Maiden, Def Leppard; Saxon, and Girlschool changed the face of amplified music and created a musical and cultural revolution. This is the story of Heavy Metal Kingdom.
0.0Harrow’s extraordinary and opulent pageant, and seaside holidays on the south coast.
5.0The poet Gabriel Ferrater – or Biel, as his friends called him – grew up during one of the most turbulent times in Spanish history. Shortly after his birth, there was a coup d’état; before he even turned 10, the king abdicated and Spain became a Republic; as he was entering adolescence, the police imprisoned his father for politically supporting an independent Catalan republic, and two years later, a terrible civil war broke out. During his childhood, Biel is barely aware of what is happening. He is a gifted child who learns to read and write at home. However, the radicalization of the political and social clashes taking place around him turns Biel into a witness of horror. The story of a teenage boy through the most violent years in the history of Spain, years that will lead to the disenchantment with which Gabriel Ferrater and other members of his generation perceive the human condition.