In Saigon, family culture carries on as it has for centuries, even when blood ties are broken. Through a mosaic of intimate portraits, Má Sài Gòn explores humanity’s universal desire for love, acceptance, connection and belonging through an LGBTQ+ lens. The film is a love letter – a bittersweet ode to a comforting yet disturbing mother, to a city that is as liberating as it is oppressive.
Heiko, 51, a sheet metal former trained in GDR times, unemployed since the fall of the wall, pisses on his bed and on the carpet. The film encounters Heiko's dysfunctional family history and his decision to be alone forever. Piss and GDR, a reflection of how deep the consequences of the fall of the Wall are still in the bodies of some people to this day.
Across the installation's multiple channels, the camera circles a group of artists as they sit together in a field eating, licking, and squeezing ripe tomatoes. Throughout the ever-changing scene, kisses, whispers, and caresses are shared with a casual, gentle intimacy that reflects interconnectivity and abundance. These queer and desirous exchanges constitute a portrait of collectivity wherein individuals come together as distinct parts of a whole.
In this documentary, director Rhys Ernst tells the previously untold histories of transgender pioneers. Trans people have always been here, throughout time, often hidden in plain sight.
During the chaotic final weeks of the Vietnam War, the North Vietnamese Army closes in on Saigon as the panicked South Vietnamese people desperately attempt to escape. On the ground, American soldiers and diplomats confront a moral quandary: whether to obey White House orders to evacuate only U.S. citizens.
The Weight of Sight is a playful and very personal essay where director Truls Krane Meby, through a massive archive of his own material - anything from DV-tapes to 35mm - explores the last 20 years of digital development - how it’s influenced the images we make, and our bodies. What kind of images do we get of the world now that everyone is a photographer, and what does it do with how we unfold our identities? How has the internet both captured and freed us? And will Truls even dare to show this film?
A German Documentary about the “village of friendship” that was created by American Veteran George Mizo to help the Vietnamese kids suffering from the Vietnam War.
Lake gazes down at a still body of water from a birds-eye view, while a group of artists peacefully float in and out of the frame or work to stay at the surface. As they glide farther away and draw closer together, they reach out in collective queer and desirous exchanges — holding hands, drifting over and under their neighbors, making space, taking care of each other with a casual, gentle intimacy while they come together as individual parts of a whole. The video reflects on notions of togetherness and feminist theorist Silvia Federici’s call to “reconnect what capitalism has divided: our relation with nature, with others, and our bodies.”
Peter Grudzien is the lone musical force behind The Unicorn, an openly gay country music album. With the same rawness of a life full of ups and downs, The Unicorn, the movie, follows his personal and artistic journey, which includes mental problems and a peculiar and chaotic family.
125 employees of the Catholic Church come out as queer! In the exclusive ARD documentary, believers in the service of the Catholic Church in Germany dare to go public together. People who identify as non-heterosexual talk about fighting for their church - sometimes at the risk of losing their jobs as a result. There are priests, religious brothers, parish assistants, diocese employees, religion teachers, kindergarten teachers, social workers and many more who report intimidation, denunciations, deep injuries, decades of hide and seek and double lives. The Catholics report a system in which pressure, fear and arbitrariness leave employees uncertain as to what exactly happens when they stand by their sexual orientation or identity. The investigative documentary listens to those who live their faith every day and are nevertheless degraded by the church as an institution.
A trans paranormal investigator and their team search for the connection between the queer and the strange as they explore the mysterious and magical world of the rural south.
A quarter of a million drug addicts —one of the most serious consequences of the Vietnam War. These addicts were the citizens of the South, and of Ho Chi Minh City, the former Saigon. Shot in 1981 by three Australian women, Changing the Needle was the first in-depth film to be made about Vietnam’s unique approach to drug rehabilitation at a time when few foreign film crews had access to Vietnam at all.
Using archival footage, cabinet conversation recordings, and an interview of the 85-year-old Robert McNamara, The Fog of War depicts his life, from working as a WWII whiz-kid military officer, to being the Ford Motor Company's president, to managing the Vietnam War as defense secretary for presidents Kennedy and Johnson.
A slice of the eccentric lives of Roca and Sammy, two members of the Gay Inmates Organization detained at the Pampanga Provincial Jail, intertwined with animated sequences of an inmate's incarceration story.
Deepening into the contemporary Brazilian drag scene, "All That Drag" answers many questions about a little known story. The film investigates this artistic expression and the freedom it represents through five drag artists.
A cruise ship and 3,000 men – it is a universe without heteros and women that usually remains a mystery to the outside world. Once a year the Dream Boat sets sail for a cruise exclusively for gay men where most passengers are united by the wish to live life authentically as themselves in a protected place.
Caravagyo is a duo of Portuguese-Brazilian DJs, Beatriz Valleriani and Kamila Ferreira. By creating an alternative and safe space with a strong feminist and queer message, they combine global and local sounds to connect a community who identifies and expresses itself through this music genre.
Trailblazing artists, activists, and everyday people from across the spectrum of gender and sexuality defy social norms and dare to live unconventional lives in this kaleidoscopic view of LGBTQ+ culture in contemporary Japan.
As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.
Through a collection of home video footage, the filmmaker undergoes a journey of reconciliation and healing, grappling with their identity in the face of the past.