In reframing and re-editing existing ethnographic films, Tan exposes their anthropological underpinnings and questions the conventions of filmmaking. What is the relationship between the observer and the observed? How can one ever know another? The voice-over, a fictional dialogue taken from Italo Calvino’s Invisible Cities, may offer an answer. The explorer Marco Polo and Emperor Kublai Khan are speaking about travel and looking back on the past, when Polo observes, “The traveler recognises the little that is his, discovering the much he has not had and will never have.”
Narrator
In reframing and re-editing existing ethnographic films, Tan exposes their anthropological underpinnings and questions the conventions of filmmaking. What is the relationship between the observer and the observed? How can one ever know another? The voice-over, a fictional dialogue taken from Italo Calvino’s Invisible Cities, may offer an answer. The explorer Marco Polo and Emperor Kublai Khan are speaking about travel and looking back on the past, when Polo observes, “The traveler recognises the little that is his, discovering the much he has not had and will never have.”
1999-01-01
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How do you put a life into 500 words? Ask the staff obituary writers at the New York Times. OBIT is a first-ever glimpse into the daily rituals, joys and existential angst of the Times obit writers, as they chronicle life after death on the front lines of history.
A young Polish filmmaker sets out to find out what happened to Mateusz Birkut, a bricklayer who became a propaganda hero in the 1950s but later fell out of favor and disappeared.
Made possible through a unique UK-wide collaboration of national and regional publicly-funded film archives, Lost Connections draws on a century of archive footage that invites reflections on loss, loneliness, isolation, and expressions of desire, optimism, hope and renewal. It is not a film about the pandemic, it is a film about recovery, the human character, sadness and joy, what we really value, and our gradual reconnection with each other, our communities, and the world around us.
After showing us some of Elland’s places of special interest, including the home of one of The Bachelors, we are taken on a tour of local sweet manufacturers Joseph Dobson & Sons. From boiling up the syrup, to stretching the resultant goo and cutting out the individual shapes, each stage of the process of making boiled sweets is demonstrated and explained. The end product is rows of jars of Rainbow Crystals, Yorkshire Mixtures and Voice Tablets selling at 16 pence a Qtr.
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The story of the extraordinary final chapter of Freddie Mercury’s life and how, after his death from AIDS, Queen staged one of the biggest concerts in history, the Freddie Mercury Tribute Concert at Wembley Stadium, to celebrate his life and challenge the prejudices around HIV/AIDS. For the first time, Freddie's story is told alongside the experiences of those who tested positive for HIV and lost loved ones during the same period. Medical practitioners, survivors, and human rights campaigners recount the intensity of living through the AIDS pandemic and the moral panic it brought about.
Composed of archives and animated sequences, this documentary sheds light on the genesis of the masterpiece by Antoine de Saint-Exupéry (1900-1944) by retracing the last four years of his life, marked by war and his exile in the United States.
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Sensitive lookback on Françoise Hardy's career and life.
A documentary about lesbians preserving their history, with a focus on the work of the Lesbian Herstory Archives. Includes interviews with Joan Nestle, Jewelle Gomez, and Mariana Romo-Carmona, among others. Profiled are Mabel Hampton, Marge McDonald, theater group 5 Lesbian Brothers, and Asian Lesbians of the East Coast.
Benjamin and Awad run Sudan's national film archive. The two men, who have worked together for more than 40 years, are devoted to protecting their country's visual memories. Home to some 13,000 films, the archive preserves pivotal moments of Sudan's turbulent history and is one of the largest in Africa. But the archive is in a fragile state. Following years of neglect and poor storage, many film reels are turning to dust in Sudan's unforgiving tropical climate. The two friends are determined to turn it around and embark on a mission to save the old films. Will they succeed in preserving Sudan's visual history for future generations before it's too late?