The making of documentary that takes an in-depth look behind the scenes of Mark Osborne's Academy-Award nominated stop motion short film More.
In an isolated Wyoming mining town, hardscrabble fossil hunters make astounding discoveries that change what we know about the earth's history. These 'fossil people' are a tough breed, surviving by their wits in the Green River Formation, ground zero for the best fossil collecting in the world. Geology, history, and entrepreneurship all come to life through human stories of diggers seeking a rare discovery - and a big payday.
Fed up with the bullying from their classmates, Jorge and Emilio plan a shooting at their school.
Annisa, a cheerful 15 year old girl, is open and has a tomboyish style. Entering his early years at Tunas Bangsa High School, he met Ivan and eventually became friends with Jelita, a 15-year-old girl who wore a headscarf, beautiful but shy and quiet.
When the mayor of a crime-ridden city and his opponent are both assassinated while seeking election, two FBI agents, John Archer and Mila Driver, reluctantly join forces to investigate the murder only to discover that City Hall holds more secrets than the identity of the killer.
Experts set out to prove that female great white sharks rule the ocean.
Probably part of the "Alaska and Yellowstone National Park Series" in the "Northern Pacific Railway Series"
The gang decides to go camping with a little bear hunting on the side. A pair of poachers decides to try and scare them off with a gorilla suit but the gang decides to try and capture the gorilla instead.
A resentful entity continues to come back to the Saha World in search of his lost love while battling against the secret guardians of the world. He fails his plan of trying to stay in this world but finds the true solution to his vengeance.
Bergman took one of his favourite plays to Copenhagen for a guest performance, which was even broadcast on Danish TV. In his Copenhagen The Misanthrope, Bergman maintained a dual approach. On the one hand, a production of Molière's play as a theatrical game performed in style and intellectually conceived; on the other hand, an exposure, through physical and psychological intensity, of the emotional tragedy in which Alceste and Celemine are both victims. Expectations were high prior to Bergman's production of The Misanthrope. A reviewer wrote, 'For the first time Molière's connection to the Danish stage is intercepted by a director whose forte is physiological tragedy, Strindberg over Holberg'. Many reviews had expected Bergman to put his very personal stamp on the production. Instead they experienced 'a clean Molière' and were struck by Bergman's faithfulness to the original mise-en-scene and to the classical rhythm of Molière's text.
Wallace Carlson walks viewers through the production of an animated short at Bray Studios.
A voyeuristic journey through the homoerotic work of Alair Gomes.
The college president, the head cheerleader and a gambling gangster try to keep a flunking football star in the game
A young man named Sebastian Murphy has spent a decade moving around the country with his mother after her company went bankrupt. Now that she has found a stable job the are living in Wexford Town for six months. Sebastian has become close with Sean Gerrad who has brought him into a new group of friends but nobody knows that Sebastian has a secret. He is a fantastic musician and he is hopelessly in love with Lara but too afraid to do anything about it.
When Finnish-Somalian Mustafe discovers his ancestors’ land in the horn of Africa is full of copper and gold, he decides to swap his family’s safe but boring life in the Nordics for Somaliland, a self-declared state in East Africa. As Mustafe struggles to lift the treasures from underground, his children embark on a bumpy journey to uncover where they really belong.
Follows the tumultuous relationship—in and out of court—of Johnny Depp and his ex-wife, Amber Heard.
David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.