Self
2022-05-20
9
No clothes. No apologies. This film marks artist Spencer Tunick's third 'Naked' documentary which feature photo shoots that create art from the naked bodies of men and women. In this shoot, 85 HIV-positive men and women gather in a downtown Manhattan bar where they bare it all for Tunick's camera, creating an unsentimental look at life with AIDS in America today.
“Re-Existence” is a documentary about migration stories of individuals from the Brazilian queer community.
Intertwined stories from the gladiator/athletes participating to the Calcio Storico Fiorentino yearly championship.
A documentary film depicting five intimate portraits of migrants who fled their country of origin to seek refuge in France and find a space of freedom where they can fully experience their sexuality and their sexual identity: Giovanna, woman transgender of Colombian origin, Roman, Russian transgender man, Cate, Ugandan lesbian mother, Yi Chen, young Chinese gay man…
A charismatic lieutenant newly assigned to a remote fort is captured by a group of mountain bandits, thus setting in motion a madcap farce that is Lubitsch at his most unrestrained. A wonderfully anarchic and playfully subversive satire of military life from one of the great comedy filmmakers.
A mother, with her three daughters, exacts revenge on her former fiancé for killing her husband and sons.
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
The legendary player Andre Rison, the five-time Pro Bowler and Super Bowl XXXI champion's unbelievable journey to stardom in the National Football League.
Based on the Biblical story of sin and redemption, Adam and Eve explore modern LA; the land of gods and monsters.
In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.
A lonely tow-truck driver gets caught in a deadly struggle between a pair of bank robbers with a beautiful hostage, local cops, and a monster that has come down from the Arizona mountains to eat human flesh.
Ulla Järvinen gets a telegram about the death of her aunt and that she has inherited a manor, but the aunt is very much alive.
The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people
Ragat (Blood) is a powerful Nepali film that highlights caste discrimination and social injustice. The story follows Krishna, a young man from a lower-caste family, who bravely fights against the oppression of the rich and upper-caste elites. Hemant Kaji, a wealthy and influential man, strongly believes in caste superiority and looks down on the poor. Amidst this division, Laxmi, a girl from a rich family, falls in love with Gopal, a lower-caste boy. Defying societal norms and family pressure, they marry against their parents' wishes, challenging the rigid caste system. Their love becomes a symbol of change, but their struggle is met with resistance. In the end, Radha, Laxmi's caring aunt, tragically loses her life, leaving behind a message that all human blood is the same-hot and red. Directed with a strong social message, Ragat questions why caste discrimination still exists in Nepali culture and calls for equality and justice.
A prominent doctor wants to commit a suicide. Two cops chose a wrong way while driving down the road. The suspected one believes that he'll never be caught. His pretty wife who works in a confectionery and she's able only to love. One boy will help them all, but he's not even born yet... Just an ordinary day.